42. Beethoven - Five and Four
| 1. | Introduction | 00:00:43 |
| 2. | Beethoven: Quintet in E-flat major for Oboe, Clarinet, Bassoon, Horn, and Piano, Op. 16 | 00:29:55 |
| 3. | Beethoven: Quartet for Strings in G major, Op. 18, No. 2 | 00:27:51 |
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Wu Qian
Stephen Taylor
Alexander Fiterstein
Peter Kolkay
Radovan Vlatković
Winner of a 2016 Lincoln Center Emerging Artist Award, as well as classical music’s bright young star award for 2007 by The Independent, pianist Wu Qian has maintained a busy international career for over a decade. She has appeared as soloist in many international venues including the Wigmore, Royal Festival, and Bridgewater halls in the UK, City Hall in Hong Kong, Amsterdam’s Concertgebouw, and the Kennedy Center in Washington, DC. As a soloist she has appeared with the Konzerthaus Orchester in Berlin, the Brussels Philharmonic, the London Mozart Players, I Virtuosi Italiani, the European Union Chamber Orchestra, and the Munich Symphoniker. She won first prize in the Trio di Trieste Duo Competition and the Kommerzbank Piano Trio competition in Frankfurt, and has received numerous other awards. Appearances this season include performances in the UK, Germany, USA, Korea, Australia, Spain, and The Netherlands and collaborations with Alexander Sitkovetsky, Leticia Moreno, Cho-Liang Lin, Clive Greensmith, and Wu Han. Her debut recording of Schumann, Liszt, and Alexander Prior was met with universal critical acclaim. She is a founding member of the Sitkovetsky Piano Trio with which, in addition to performing in major concert halls and series around the world, she has released two recordings on the BIS label and also a disc of Brahms and Schubert on the Wigmore Live Label. Wu Qian an alum of The Bowers Program.
Stephen Taylor is solo oboist with the New York Woodwind Quintet, the Orchestra of St. Luke’s, the St. Luke’s Chamber Ensemble, the American Composers Orchestra, and the New England Bach Festival Orchestra, and is co-principal oboist of Orpheus Chamber Orchestra. Among his more than 300 recordings are Bach arias with Kathleen Battle and Itzhak Perlman, and Elliott Carter’s Oboe Quartet, for which he received a Grammy nomination. He has performed and recorded many of Carter’s works, giving several world and US premieres. He was awarded a performer’s grant from the Fromm Foundation at Harvard University and has collaborated with the Vermeer, Shanghai, Orion, American, and Artis-Vienna String Quartets, among others. Taylor is on the faculties of the Manhattan, Juilliard and Yale schools of music. He plays rare James Caldwell model Lorée oboes, and spends as much time as possible with his old wooden boats in Maine.
Alexander Fiterstein is recognized as one of today’s most exceptional clarinetists. He has been praised by the New York Times for possessing a “beautiful liquid clarity,” and the Washington Post wrote, “Fiterstein treats his instrument as his own personal voice, dazzling in its spectrum of colors, agility, and range. Every sound he makes is finely measured without inhibiting expressiveness.”
A recipient of the prestigious Avery Fisher Career Grant and a first prize winner of the Carl Nielsen International Clarinet Competition, he performs with orchestras and chamber groups throughout the world. He appeared as a soloist with the Saint Paul Chamber Orchestra, Kansas City Symphony, Belgrade Philharmonic Orchestra, China National Symphony Orchestra, Czech Chamber Orchestra, Danish National Radio Symphony Orchestra, Israel Chamber Orchestra, Orchestra of St. Luke’s at Lincoln Center, Tokyo Philharmonic, and Vienna Chamber Orchestra. A dedicated performer of chamber music, he frequently collaborates with distinguished artists and regularly performs with the Chamber Music Society of Lincoln Center.
Among the highly regarded artists he has performed with are Daniel Barenboim, Emanuel Ax, Mitsuko Uchida, Richard Goode, Pinchas Zukerman and Steven Isserlis. Fiterstein has made several recordings for Naxos, Bridge, and Orchid Classics. He graduated from the Juilliard School and is now Chair of Winds and Professor of Clarinet at the Peabody Institute of the Johns Hopkins University.
Called “stunningly virtuosic” by the New York Times and “superb” by the Washington Post, Peter Kolkay is the only bassoonist to be awarded an Avery Fisher Career Grant. In addition to performing with CMS, he regularly appears as a chamber musician at the Sarasota, Music@Menlo, and Bridgehampton summer festivals. Kolkay has commissioned and premiered solo works by Joan Tower, Mark-Anthony Turnage, Elliott Carter, and Tania León, among many others, and his most recent recordings include an album of music for bassoon and strings with the Calidore String Quartet, and the Christopher Rouse concerto with the Albany Symphony. He is Professor of Bassoon at the Vanderbilt University Blair School of Music and has given master classes throughout the US, Mexico, and South Korea. Kolkay is an alum of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. He is a native of Naperville, Illinois.
Radovan Vlatković has performed extensively around the globe and popularized the horn as a recording artist and teacher. He is the winner of numerous competitions, including the Premio Ancona in 1979 and the ARD Competition in 1983. He has premiered works by Elliott Carter, Sofia Gubaidulina, Heinz Holliger, and several Croatian composers; he premiered Penderecki's horn concerto, Winterreise, in Bremen in 2008 with the composer as conductor. As a chamber musician, he has performed at Gidon Kremer's Lockenhaus, Svyatoslav Richter's December Evenings in Moscow, and András Schiff's Mondsee, as well as the Marlboro Festival, Prussia Cove, and the Casals Festival. He has appeared as soloist with many orchestras, such as the Bavarian Symphony Orchestra, Stuttgart Radio Orchestra, Deutsches Symphonie-Orchester, Mozarteum Orchestra, Santa Cecilia Orchestra Rome, Melbourne Orchestra, the NHK Orchestra in Tokyo, and the Scottish Chamber Orchestra. The recipient of several German Record Critics’ Awards, he has recorded Mozart and Strauss concertos with the English Chamber Orchestra and Jeffrey Tate for EMI, two-horn concertos by Leopold Mozart and Johann Friedrich Fasch with Hermann Baumann and Academy of Saint Martin in the Fields, and the Britten Serenade for Tenor, Horn, and Strings with the Oriol Ensemble in Berlin. Vlatkovic is on the faculty of the Mozarteum Salzburg, Hochschule Zürich, and holds the Canón horn chair at the Queen Sofia School in Madrid. He recently became an Honorary Member of the Royal Academy of Music.