47. Iconic Works and Unknown Gems
| 1. | Introduction | 00:00:46 |
| 2. | Haydn: Quartet in E-flat major for Strings, Hob. III:71, Op. 71, No. 3 | 00:25:03 |
| 3. | Hahn: Quintet in F-sharp minor for Piano, Two Violins, Viola, and Cello | 00:32:40 |
| 4. | Closing | 00:00:30 |
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Miró Quartet
Wu Qian
Chad Hoopes
Kristin Lee
Paul Neubauer
Dmitri Atapine
The Miró Quartet is one of America’s most celebrated string quartets, praised as “furiously committed” by The New Yorker and recognized for its “exceptional tonal focus and interpretive intensity” by the Cleveland Plain Dealer. Marking its 30th anniversary in 2025, the quartet has performed on the world’s most prestigious concert stages, earning accolades from critics and audiences alike. Based in Austin, Texas, and thriving on the area’s storied music scene, the quartet takes pride in finding new ways to communicate with audiences of all backgrounds while cultivating the longstanding tradition of chamber music. They were members of CMS Two (now the Bowers Program) from 2001 to 2003. Since 2003, they have served as the quartet-in-residence at the University of Texas at Austin Sarah and Ernest Butler School of Music. They were members of CMS Two (now the Bowers Program) from 2001 to 2003.
The Miró Quartet’s newest album, an acclaimed recording of Ginastera’s complete string quartets, was released on Pentatone in July 2025. Among its many previous recordings for a variety of global labels, the quartet was nominated for a 2025 Grammy Award for Best Chamber Music/Small Ensemble Performance for its album Home (Pentatone, 2024) featuring two new commissions by Kevin Puts and Caroline Shaw, as well as works by George Walker and Samuel Barber. It was also nominated for a 2024 Grammy Award for its album House of Belonging, created in collaboration with Austin-based choral group Conspirare.
The quartet’s recent and upcoming projects include Here on Earth with pianist Lara Downes, the premiere of a new version of Kevin Puts’s Credo, and collaborations with composers Steven Banks, Tamar-Kali, and Gabriel Kahane, as well as soprano Karen Slack and the Isadore Quartet.
The Miró Quartet took its name and its inspiration from the Spanish artist Joan Miró, whose Surrealist works—with subject matter drawn from the realm of memory, dreams, and imaginative fantasy—are some of the most groundbreaking, influential, and admired of the 20th century.
Winner of a 2016 Lincoln Center Emerging Artist Award, as well as classical music’s bright young star award for 2007 by The Independent, pianist Wu Qian has maintained a busy international career for over a decade. She has appeared as soloist in many international venues including the Wigmore, Royal Festival, and Bridgewater halls in the UK, City Hall in Hong Kong, Amsterdam’s Concertgebouw, and the Kennedy Center in Washington, DC. As a soloist she has appeared with the Konzerthaus Orchester in Berlin, the Brussels Philharmonic, the London Mozart Players, I Virtuosi Italiani, the European Union Chamber Orchestra, and the Munich Symphoniker. She won first prize in the Trio di Trieste Duo Competition and the Kommerzbank Piano Trio competition in Frankfurt, and has received numerous other awards. Appearances this season include performances in the UK, Germany, USA, Korea, Australia, Spain, and The Netherlands and collaborations with Alexander Sitkovetsky, Leticia Moreno, Cho-Liang Lin, Clive Greensmith, and Wu Han. Her debut recording of Schumann, Liszt, and Alexander Prior was met with universal critical acclaim. She is a founding member of the Sitkovetsky Piano Trio with which, in addition to performing in major concert halls and series around the world, she has released two recordings on the BIS label and also a disc of Brahms and Schubert on the Wigmore Live Label. Wu Qian an alum of The Bowers Program.
American violinist Chad Hoopes is a consistent and versatile performer with the world’s leading orchestras, including the Philadelphia Orchestra, l’Orchestre de Paris, l’Orchestre National du Capitole de Toulouse, Orpheus Chamber Orchestra, the Konzerthausorchester Berlin, and the Minnesota and National Arts Centre orchestras, as well the San Francisco, Pittsburgh, Houston, and National symphonies. An alum of CMS’s Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center. He has been a guest of the Moritzburg Festival, Rheingau Musik Festival, and Aspen Music Festival, and has been featured on recordings including the recent Moritzburg Festival Dvořák album with cellist Jan Vogler, released by Sony Classical, and with the MDR Leipzig and conductor Kristjan Järvi performing the Mendelssohn Violin Concerto on the Naïve label. He has performed in recital at the Ravinia Festival, the Tonhalle Zürich, and the Louvre, as well as on Lincoln Center’s Great Performers series. He is a 2017 recipient of Lincoln Center’s Avery Fisher Career Grant and appeared as the cover feature on the November 2021 edition of The Strad. Hoopes attended the Cleveland Institute of Music before studying with Ana Chumachenco at the Kronberg Academy. He plays the 1991 Samuel Zygmuntowicz, ex Isaac Stern violin.
A recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist, recitalist, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra, St. Louis Symphony, Hawai’i Symphony, the Hong Kong Philharmonic, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album, American Sketches, on First Hand Records in November 2024. In 2026, she will collaborate with Grammy-nominated ensemble Sandbox Percussion, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program.
Violist Paul Neubauer, hailed by the New York Times as a “master musician,” released two new albums in 2025 on First Hand Records, featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21, Neubauer has appeared as soloist with the New York, Los Angeles, and Helsinki Philharmonics; the Chicago, National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth Symphonies; and the Santa Cecilia, English Chamber, and Beethovenhalle Orchestras. He has premiered viola concertos by Bartók (revised version), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower. A two-time Grammy nominee, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.
Cellist Dmitri Atapine has been praised for his “brilliant technical chops” (Gramophone) and performances that are “highly impressive throughout” (The Strad). He has appeared at leading venues worldwide and performs frequently with CMS, where he is an alum of the Bowers Program. He has been featured at festivals including Music@Menlo, La Musica Sarasota, Aldeburgh, and Aix-en-Provence. His recordings appear on Naxos, Bridge, MSR, and other labels, and include a world-premiere release of cello sonatas by Lowell Liebermann. He has received awards including first prize at the Carlos Prieto Cello Competition and top honors at the Premio Vittorio Gui and Plowman competitions. He holds a doctorate from the Yale School of Music, where he studied with Aldo Parisot. Atapine is cello professor at the University of Nevada, Reno; Artistic Co-Director of Friends of Chamber Music Kansas City; founder of Apex Concerts (Nevada); and Co-Director of Music@Menlo’s Young Performers Program.