20. Classical Winds
| 1. | Introduction | 00:00:46 |
| 2. | Reicha: Quintet in E minor for Flute, Oboe, Clarinet, Bassoon, and Horn, Op. 88, No. 1 | 00:24:36 |
| 3. | Mozart: Divertimento in F major for Two Horns and Strings, K. 247 | 00:33:07 |
| 4. | Closing | 00:00:30 |
Program
Reicha Quintet in E minor for Flute, Oboe, Clarinet, Bassoon, and Horn, Op. 88, No. 1
Tara Helen O'Connor, flute; Hugo Souza, oboe; Sebastian Manz, clarinet; Marc Goldberg, bassoon; David Byrd-Marrow, horn
Mozart Divertimento in F major for Two Horns and Strings, K. 247
Jennifer Montone, Eric Reed, horn; Adam Barnett-Hart, Danbi Um, violin; Pierre Lapointe, viola; Brook Speltz, cello
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Tara Helen O'Connor
Sebastian Manz
Marc Goldberg
David Byrd-Marrow
Danbi Um
Brook Speltz
Tara Helen O'Connor, who Artmag has said "so embodies perfection on the flute that you'll forget she is human," is an Avery Fisher Career Grant recipient, a two-time Grammy Award nominee, and, as a member of the New Millennium Ensemble, a recipient of the Walter W. Naumburg Chamber Music Award. A Wm.S. Haynes artist, she was the first flutist selected to participate in the Chamber Music Society of Lincoln Center's Bowers Program and is currently a season artist of the Chamber Music Society of Lincoln Center and a member of the Windscape woodwind quintet.
O'Connor serves as Visiting Associate Professor, Adjunct, of Flute at the Yale School of Music, and is Artistic Director of the Music from Angel Fire Festival. A champion of contemporary music, Ms. O'Connor has premiered hundreds of works and has appeared on numerous recordings and film and television soundtracks including Barbie, Respect, The Joker, The Marvelous Mrs. Maisel, Only Murders in the Building, and Schmigadoon! to name only a few.
An avid chamber musician, O'Connor regularly appears include the Bravo! Vail festival, Chamber Music Northwest, Music@Menlo, Santa Fe Chamber Music Festival, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, the Banff Centre, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Great Mountains Music Festival, Chesapeake Chamber Music Festival and Music From Angel Fire.
O'Connor has appeared on A&E's Breakfast with the Arts and PBS' Live from Lincoln Center. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center and Bridge Records. She also serves on the faculty at Bard College Conservatory of Music, and the Contemporary Performance Program at Manhattan School of Music.
She lives with her husband, violinist Daniel Phillips and their two miniature dachshunds, Chloé and Ava on the Upper West Side of Manhattan.
Clarinetist Sebastian Manz has been praised for his “enchantingly beautiful intonation and technical prowess” by Fono Forum. He has performed as a soloist with major European orchestras such as the Nuremberg Symphony Orchestra, the Munich Chamber Orchestra, and the National Youth Orchestra of Germany. On the chamber music stage, he has given performances at Elbphilharmonie Hamburg, Beethovenhaus Bonn, and has appeared at festivals including the prestigious Festspiele Mecklenburg Vorpommern and the MDR Musiksommer in Germany, collaborating with artists like Sebastian Studnitzky, Sarah Christian, Julian Steckel, Danae Dörken, the Danish String Quartet, and the Armida Quartett. At the ARD International Music Competition in 2008, he won not only first prize in the clarinet category, which had not been awarded for 40 years, but also the coveted Audience Prize and other special prizes. He is Principal Clarinet of the SWR Symphony Orchestra in Stuttgart. He is also active in the “Rhapsody in School” organization founded by Lars Vogt, which is committed to bringing classical music into schools. His recording A Bernstein Story was awarded with the Opus Klassik award in 2020. He recently released his recording of clarinet concertos by Carl Nielsen and Magnus Lindberg, as well as a recital recording of works by Brahms and Schumann with pianist Herbert Schuch. Manz was born in Hanover, and his teachers include the acclaimed clarinetists Sabine Meyer and Reiner Wehle. He is an alum of CMS's Bowers Program.
A member of the New York Woodwind Quintet and St. Luke’s Chamber Ensemble, Marc Goldberg is principal bassoonist of Lincoln Center’s Mostly Mozart Festival Orchestra, American Ballet Theater, NYC Opera, Orchestra of St. Luke’s, and a member of the American Symphony Orchestra. Previously the associate principal bassoonist of the New York Philharmonic, he has also been a frequent guest of the Metropolitan Opera, Boston Symphony Orchestra, and Orpheus Chamber Orchestra, touring with these ensembles across four continents and joining them on numerous recordings. Solo appearances include performances throughout the US, in South America, and across the Pacific Rim with the Brandenburg Ensemble, Mostly Mozart Festival Orchestra, Saito Kinen Orchestra, American Symphony Orchestra, Orchestra of St. Luke’s, Chamber Music Society of Lincoln Center, Riverside Symphony, Jupiter Symphony, New York Chamber Soloists, and the New York Symphonic Ensemble. A longtime season artist of the Chamber Music Society of Lincoln Center, he has been a guest of the Da Camera Society of Houston, Musicians from Marlboro, Music@Menlo, the Brentano Quartet, Carnegie Hall’s Zankel Band, and the Boston Chamber Music Society. Summer festival appearances include Spoleto, Ravinia, Chautauqua, Tanglewood, Caramoor, Saito Kinen/Ozawa Music Festival, Bard Music Festival, and Marlboro. Goldberg is on the faculty of the Juilliard School Pre-College Division, Mannes College, New England Conservatory, the Hartt School, and the Bard College Conservatory of Music.
Hailed as “stunning and assured” by the New York Times, Atlanta native David Byrd-Marrow is the solo hornist of the International Contemporary Ensemble, as well as a member of The Knights. Working with a uniquely wide range of performers, he has premiered works by Matthias Pintscher, Arthur Kampela, George Lewis, Tyshawn Sorey, Anna Thorvaldsdottir, Du Yun, Marcos Balter, Anna Webber, Jörg Widmann, Miguel Zenón, and Chick Corea. He has performed at festivals including the Ojai Music Festival, the Spoleto Music Festival, the Mostly Mozart Festival, the Tanglewood Music Center, Summerfest! at the La Jolla Music Society, and as faculty at the Festival Napa Valley. Formerly a member of Carnegie Hall’s Ensemble Connect, he has also made appearances with the New York Philharmonic, the Cleveland Orchestra, the Atlanta, Seattle, and Tokyo symphony orchestras, the Orpheus Chamber Orchestra, the Mostly Mozart Festival Orchestra, the Washington National Opera, the Metropolitan Opera, and the Chamber Music Society of Lincoln Center. He has recorded on many labels including Tundra, More Is More, Nonesuch, EMI, Deutsche Grammophon, and Naxos. Byrd-Marrow received his bachelor’s degree from the Juilliard School and his master’s from Stony Brook University. He is the Assistant Professor of Horn at the Lamont School of Music, of the University of Denver.
Praised by The Strad as an “utterly dazzling” artist, violinist Danbi Um captivates audiences with her virtuosity, individual sound, and interpretive sensitivity. She is a Menuhin International Violin Competition Silver Medalist, a winner of the prestigious 2018 Salon de Virtuosi Career Grant, and a top prizewinner of the Naumburg International Violin Competition. Recent and upcoming engagements include appearances with the Chamber Orchestra of Philadelphia and her Washington, DC, recital debut at the Phillips Collection. This season will also see Ms. Um's return to People's Symphony, Saratoga Performing Arts (SPAC), Santa Fe, North Shore Music Festivals, as well as La Musica Festival (Sarasota). Her debut album, Much Ado: Romantic Violin Masterworks, was released in fall 2023. Past concerto engagements include appearances with the Israel Symphony, Auckland Philharmonic, Vermont Symphony, and Dartmouth Symphony. Born in Seoul, South Korea, Ms. Um moved to the United States to study at the Curtis Institute of Music, where she earned a bachelor’s degree. She also holds an Artist Diploma from Indiana University. Her teachers have included Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. She is an alum of CMS’s Bowers Program and plays a 1683 “ex-Petschek” Nicolo Amati violin, on loan from a private collection.
Praised for his “fluid virtuosity” and “soulful melodies,” Los Angeles native Brook Speltz has been inspired since childhood by the long tradition of deep musical mastery of artists such as Jascha Heifetz, Pierre Fournier, and the Guarneri String Quartet. As of 2015, he is the new cellist of the internationally renowned Escher String Quartet and a season artist of the Chamber Music Society. He has performed as a soloist, chamber musician, and recitalist throughout the US, Canada, Latin America, Europe, and Asia. First Prize winner of the prestigious Ima Hogg Competition, he has performed with the Houston Symphony, Colorado Music Festival Orchestra, and International Contemporary Ensemble, and is a regular performer at England’s IMS Prussia Cove and on tour with Musicians from Marlboro. Chamber music tours with Itzhak Perlman and Richard Goode caused him to be nominated for the inaugural Warner Music Prize, a newly established prize presented by Warner Music and Carnegie Hall. He has also toured with the cello rock band Break of Reality, whose cover of music from Game of Thrones has received over 19 million views online. The band’s recent US tour raised funds and awareness for music programs in public schools all around the country. After studying with Eleanor Schoenfeld, Mr. Speltz attended the Curtis Institute of Music with Peter Wiley and The Juilliard School with Joel Krosnick. He performs on an 1857 J.B. Vuillaume on loan from his father, a cellist and his first inspiration in a family of professional musicians.