Classical Masters
| 1. | Introduction | 00:01:00 |
| 2. | Reicha: Quintet in D major for Flute, Oboe, Clarinet, Bassoon, and Horn, Op. 91, No. 3 | 00:23:50 |
| 3. | Mozart: Quartet in F major for Strings, K. 590, "Prussian" | 00:33:40 |
| 4. | Closing | 00:00:30 |
A Classical masterpiece is one that embodies the characteristics of this extraordinary slice of music's history. It contains energetic simplicity, beautifully spun melodies, and formal clarity. Anton Reicha's delightful D major Wind Quintet and Mozart’s last string quartet — his "Prussian" Quartet in F major (performed here by the Escher String Quartet) are two such works. One of the first composers to write for string quartet, Reicha mastered the form and in this D major quartet he captures the classical style filling this piece with lightness and grace. Mozart's F major String Quartet is the culmination of all the contributions he made to the genre of string quartet.
PROGRAM
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Anton Reicha (1770–1827) |
Quintet in D major for Flute, Oboe, Clarinet, Bassoon, and Horn, Op. 91, No. 3 (1817–19) Tara Helen O'Connor, flute; Stephen Taylor, oboe; Sebastian Manz, clarinet; Peter Kolkay, bassoon; Radovan Vlatkovic, horn |
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Wolfgang Amadeus Mozart (1756–1791) |
Quartet in F major for Strings, K. 590, "Prussian" (1790) Escher String Quartet (Adam Barnett-Hart, Brendan Speltz, violin; Pierre Lapointe, viola; Brook Speltz, cello) |
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Tara Helen O'Connor
Stephen Taylor
Sebastian Manz
Peter Kolkay
Escher String Quartet
Tara Helen O'Connor, who Artmag has said "so embodies perfection on the flute that you'll forget she is human," is an Avery Fisher Career Grant recipient, a two-time Grammy Award nominee, and, as a member of the New Millennium Ensemble, a recipient of the Walter W. Naumburg Chamber Music Award. A Wm.S. Haynes artist, she was the first flutist selected to participate in the Chamber Music Society of Lincoln Center's Bowers Program and is currently a season artist of the Chamber Music Society of Lincoln Center and a member of the Windscape woodwind quintet.
O'Connor serves as Visiting Associate Professor, Adjunct, of Flute at the Yale School of Music, and is Artistic Director of the Music from Angel Fire Festival. A champion of contemporary music, Ms. O'Connor has premiered hundreds of works and has appeared on numerous recordings and film and television soundtracks including Barbie, Respect, The Joker, The Marvelous Mrs. Maisel, Only Murders in the Building, and Schmigadoon! to name only a few.
An avid chamber musician, O'Connor regularly appears include the Bravo! Vail festival, Chamber Music Northwest, Music@Menlo, Santa Fe Chamber Music Festival, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, the Banff Centre, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Great Mountains Music Festival, Chesapeake Chamber Music Festival and Music From Angel Fire.
O'Connor has appeared on A&E's Breakfast with the Arts and PBS' Live from Lincoln Center. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center and Bridge Records. She also serves on the faculty at Bard College Conservatory of Music, and the Contemporary Performance Program at Manhattan School of Music.
She lives with her husband, violinist Daniel Phillips and their two miniature dachshunds, Chloé and Ava on the Upper West Side of Manhattan.
Stephen Taylor, one of the most sought-after oboists in the country, holds the Mrs. John D. Rockefeller III solo oboe chair at the Chamber Music Society. He is a solo oboist with the New York Woodwind Quintet, the Orchestra of St. Luke's, the St. Luke's Chamber Ensemble (for which he has served as co-director of chamber music), the American Composers Orchestra, the New England Bach Festival Orchestra, and Speculum Musicae, and is co-principal oboist of the Orpheus Chamber Orchestra. His regular festival appearances include Spoleto, Aldeburgh, Caramoor, Bravo! Vail Valley, Music from Angel Fire, Norfolk, Santa Fe, Aspen, and Chamber Music Northwest. Among his more than 200 recordings is Elliott Carter's Oboe Quartet for which Mr. Taylor received a Grammy nomination. He has performed many of Carter's works, giving the world premieres of Carter’s A Mirror on Which to Dwell, Syringa, and Tempo e Tempi; and the US premieres of Trilogy for Oboe and Harp, Oboe Quartet, and A 6 Letter Letter. He is entered in Who's Who in American Colleges and Universities and has been awarded a performer's grant from the Fromm Foundation at Harvard University. Trained at The Juilliard School, he is a member of its faculty as well as of the Yale and Manhattan schools of music. Mr. Taylor plays rare Caldwell model Lorée oboes.
Clarinetist Sebastian Manz has been praised for his “enchantingly beautiful intonation and technical prowess” by Fono Forum. He has performed as a soloist with major European orchestras such as the Nuremberg Symphony Orchestra, the Munich Chamber Orchestra, and the National Youth Orchestra of Germany. On the chamber music stage, he has given performances at Elbphilharmonie Hamburg, Beethovenhaus Bonn, and has appeared at festivals including the prestigious Festspiele Mecklenburg Vorpommern and the MDR Musiksommer in Germany, collaborating with artists like Sebastian Studnitzky, Sarah Christian, Julian Steckel, Danae Dörken, the Danish String Quartet, and the Armida Quartett. At the ARD International Music Competition in 2008, he won not only first prize in the clarinet category, which had not been awarded for 40 years, but also the coveted Audience Prize and other special prizes. He is Principal Clarinet of the SWR Symphony Orchestra in Stuttgart. He is also active in the “Rhapsody in School” organization founded by Lars Vogt, which is committed to bringing classical music into schools. His recording A Bernstein Story was awarded with the Opus Klassik award in 2020. He recently released his recording of clarinet concertos by Carl Nielsen and Magnus Lindberg, as well as a recital recording of works by Brahms and Schumann with pianist Herbert Schuch. Manz was born in Hanover, and his teachers include the acclaimed clarinetists Sabine Meyer and Reiner Wehle. He is an alum of CMS's Bowers Program.
Called “superb” by the Washington Post and “stunningly virtuosic” by the New York Times, Peter Kolkay is the only bassoonist to receive an Avery Fisher Career Grant. In addition to performing with the Chamber Music Society of Lincoln Center, he regularly appears at the Music@Menlo and Bridgehampton summer festivals, and has performed on the Emerald City, Tertulia, and String Theory series. He actively engages with composers in the creation of new music for the bassoon and has premiered solo works by Joan Tower, Mark-Anthony Turnage, and Tania León, among others. His 2022–23 season included the premiere of a new work for bassoon and piano by Reinaldo Moya, and the release of two recordings: an album of contemporary works performed with the Calidore Quartet, and the Christopher Rouse Bassoon Concerto with the Albany Symphony. He is a member of the IRIS Collective in Germantown, Tennessee, and has also served as guest principal bassoon of the St. Paul Chamber Orchestra. A dedicated teacher, he is Associate Professor at the Blair School of Music at Vanderbilt University and has given master classes throughout the United States and Mexico. Kolkay is an alumnus of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. A native of Naperville, Illinois, he currently calls the Melrose neighborhood of Nashville home, and is the recipient of a 2022–23 Individual Artist Fellowship in music performance from the Tennessee Arts Commission.
The Escher String Quartet has received acclaim for its profound musical insight and rare tonal beauty. A former BBC New Generation Artist and recipient of the Avery Fisher Career Grant, the quartet has performed at the BBC Proms at Cadogan Hall and is a regular guest at Wigmore Hall. In its hometown of New York, the ensemble serves as season artists of the Chamber Music Society of Lincoln Center. The 2021-2022 season found the Escher Quartet touring the U.S. extensively, performing in numerous cities and venues including Alice Tully Hall and Rockefeller University, the Kennedy Center, the Segerstrom Center for the Arts in Costa Mesa, La Jolla Music Society, Savannah Music Festival, and Chamber Music Society of Detroit. Internationally, the quartet returns to Wigmore Hall in London and the Sociedad Filarmonica de Bilbao. The Escher Quartet has made a distinctive impression throughout Europe, with recent debuts including the Amsterdam Concertgebouw, Berlin Konzerthaus, London’s Kings Place, Slovenian Philharmonic Hall, Les Grands Interprètes Geneva, Tel Aviv Museum of Art, and Auditorium du Louvre. The group has appeared at festivals such as the Heidelberg Spring Festival, Budapest’s Franz Liszt Academy, Dublin’s Great Music in Irish Houses, the Risør Chamber Music Festival in Norway, the Hong Kong International Chamber Music Festival, and the Perth International Arts Festival in Australia. Alongside its growing European profile, the Escher Quartet continues to flourish in its home country, performing at the Aspen Music Festival, Bravo! Vail, Santa Fe Chamber Music Festival, Bowdoin Music Festival, Toronto Summer Music, Chamber Music San Francisco, Music@Menlo, and the Ravinia and Caramoor festivals. The quartet has held faculty positions at Southern Methodist University in Dallas, TX and the University of Akron, OH. Recordings of the complete Mendelssohn quartets and beloved romantic quartets of Dvorak, Borodin and Tchaikovsky were released on the BIS label in 2015-18 and received critical acclaim, with comments such as “…eloquent, full-blooded playing... The four players offer a beautiful blend of individuality and accord” (BBC Music Magazine). In 2019, Dance, an album of quintet’s with Grammy award winning guitarist Jason Vieaux, was enthusiastically received. The Escher’s most recent recording, the complete quartet of Charles Ives and Samuel Barber, was met with equal excitement, including “A fascinating snapshot of American quartets, with a recording that is brilliantly detailed, this is a first-rate release all around” (Strad Magazine). The quartet has also recorded the complete Zemlinsky String Quartets in two volumes, released on the Naxos label in 2013 and 2014. Within months of its inception in 2005, the ensemble came to the attention of key musical figures worldwide. Championed by the Emerson Quartet, the Escher Quartet was invited by both Pinchas Zukerman and Itzhak Perlman to be Quartet-in-Residence at each artist's summer festival: the Young Artists Program at Canada’s National Arts Centre; and the Perlman Chamber Music Program on Shelter Island, NY. The Escher Quartet takes its name from the Dutch graphic artist M.C. Escher, inspired by Escher’s method of interplay between individual components working together to form a whole.