Classical Masters
| 1. | Introduction | 00:01:00 |
| 2. | Reicha: Quintet in D major for Flute, Oboe, Clarinet, Bassoon, and Horn, Op. 91, No. 3 | 00:23:50 |
| 3. | Mozart: Quartet in F major for Strings, K. 590, "Prussian" | 00:33:40 |
| 4. | Closing | 00:00:30 |
A Classical masterpiece is one that embodies the characteristics of this extraordinary slice of music's history. It contains energetic simplicity, beautifully spun melodies, and formal clarity. Anton Reicha's delightful D major Wind Quintet and Mozart’s last string quartet — his "Prussian" Quartet in F major (performed here by the Escher String Quartet) are two such works. One of the first composers to write for string quartet, Reicha mastered the form and in this D major quartet he captures the classical style filling this piece with lightness and grace. Mozart's F major String Quartet is the culmination of all the contributions he made to the genre of string quartet.
PROGRAM
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Anton Reicha (1770–1827) |
Quintet in D major for Flute, Oboe, Clarinet, Bassoon, and Horn, Op. 91, No. 3 (1817–19) Tara Helen O'Connor, flute; Stephen Taylor, oboe; Sebastian Manz, clarinet; Peter Kolkay, bassoon; Radovan Vlatkovic, horn |
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Wolfgang Amadeus Mozart (1756–1791) |
Quartet in F major for Strings, K. 590, "Prussian" (1790) Escher String Quartet (Adam Barnett-Hart, Brendan Speltz, violin; Pierre Lapointe, viola; Brook Speltz, cello) |
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Tara Helen O'Connor
Stephen Taylor
Sebastian Manz
Peter Kolkay
Radovan Vlatković
Escher String Quartet
Tara Helen O’Connor, recipient of an Avery Fisher Career Grant and a two-time Grammy nominee, was the first wind player to participate in CMS’s Bowers Program. A regular performer at major music festivals around the country, she is also the Co-Artistic Director of the Music from Angel Fire Festival in New Mexico, the Artistic Director of the Essex Winter Series, a member of the woodwind quintet Windscape, and a founding member of the Naumburg Award–winning New Millennium Ensemble. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings, and Bridge Records, and can be heard on numerous film and television soundtracks. She has premiered hundreds of new works and has collaborated with the Orion, St. Lawrence, and Emerson String Quartets. A Wm. S. Haynes flute artist, O’Connor is on faculty at Yale School of Music. Additionally, she teaches at Bard College and the Manhattan School of Music.
Stephen Taylor is solo oboist with the New York Woodwind Quintet, the Orchestra of St. Luke’s, the St. Luke’s Chamber Ensemble, the American Composers Orchestra, and the New England Bach Festival Orchestra, and is co-principal oboist of Orpheus Chamber Orchestra. Among his more than 300 recordings are Bach arias with Kathleen Battle and Itzhak Perlman, and Elliott Carter’s Oboe Quartet, for which he received a Grammy nomination. He has performed and recorded many of Carter’s works, giving several world and US premieres. He was awarded a performer’s grant from the Fromm Foundation at Harvard University and has collaborated with the Vermeer, Shanghai, Orion, American, and Artis-Vienna String Quartets, among others. Taylor is on the faculties of the Manhattan, Juilliard and Yale schools of music. He plays rare James Caldwell model Lorée oboes, and spends as much time as possible with his old wooden boats in Maine.
Clarinetist Sebastian Manz has performed as a soloist with major European orchestras such as the Nuremberg Symphony Orchestra, the Munich Chamber Orchestra, and the National Youth Orchestra of Germany. As a chamber musician, he has performed at the Elbphilharmonie Hamburg, Beethovenhaus Bonn, Festspiele Mecklenburg Vorpommern, and MDR Musiksommer in Germany, collaborating with artists like Danae Dörken and the Danish String Quartet. At the ARD International Music Competition in 2008, he won first prize in the clarinet category, which had not been awarded for 40 years, and the coveted Audience Prize. He is Principal Clarinet of the SWR Symphony Orchestra in Stuttgart. His recording A Bernstein Story was awarded with the Opus Klassik award in 2020, and he recently released a recording of clarinet concertos by Carl Nielsen and Magnus Lindberg, as well as a recital recording of works by Brahms and Schumann with pianist Herbert Schuch. He is an alum of CMS’s Bowers Program.
Called “stunningly virtuosic” by the New York Times and “superb” by the Washington Post, Peter Kolkay is the only bassoonist to be awarded an Avery Fisher Career Grant. In addition to performing with CMS, he regularly appears as a chamber musician at the Sarasota, Music@Menlo, and Bridgehampton summer festivals. Kolkay has commissioned and premiered solo works by Joan Tower, Mark-Anthony Turnage, Elliott Carter, and Tania León, among many others, and his most recent recordings include an album of music for bassoon and strings with the Calidore String Quartet, and the Christopher Rouse concerto with the Albany Symphony. He is Professor of Bassoon at the Vanderbilt University Blair School of Music and has given master classes throughout the US, Mexico, and South Korea. Kolkay is an alum of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. He is a native of Naperville, Illinois.
Radovan Vlatković has performed extensively around the globe and popularized the horn as a recording artist and teacher. He is the winner of numerous competitions, including the Premio Ancona in 1979 and the ARD Competition in 1983. He has premiered works by Elliott Carter, Sofia Gubaidulina, Heinz Holliger, and several Croatian composers; he premiered Penderecki's horn concerto, Winterreise, in Bremen in 2008 with the composer as conductor. As a chamber musician, he has performed at Gidon Kremer's Lockenhaus, Svyatoslav Richter's December Evenings in Moscow, and András Schiff's Mondsee, as well as the Marlboro Festival, Prussia Cove, and the Casals Festival. He has appeared as soloist with many orchestras, such as the Bavarian Symphony Orchestra, Stuttgart Radio Orchestra, Deutsches Symphonie-Orchester, Mozarteum Orchestra, Santa Cecilia Orchestra Rome, Melbourne Orchestra, the NHK Orchestra in Tokyo, and the Scottish Chamber Orchestra. The recipient of several German Record Critics’ Awards, he has recorded Mozart and Strauss concertos with the English Chamber Orchestra and Jeffrey Tate for EMI, two-horn concertos by Leopold Mozart and Johann Friedrich Fasch with Hermann Baumann and Academy of Saint Martin in the Fields, and the Britten Serenade for Tenor, Horn, and Strings with the Oriol Ensemble in Berlin. Vlatkovic is on the faculty of the Mozarteum Salzburg, Hochschule Zürich, and holds the Canón horn chair at the Queen Sofia School in Madrid. He recently became an Honorary Member of the Royal Academy of Music.
The Escher String Quartet has received acclaim for its profound musical insight and rare tonal beauty. A former BBC New Generation Artist and recipient of the Avery Fisher Career Grant, the Quartet has performed at the BBC Proms at Cadogan Hall and is a regular guest at Wigmore Hall. In its hometown of New York, the ensemble appears frequently with CMS.
Highlights of the 2024–25 season find the Quartet performing in many of the great venues and organizations in the United States, including Alice Tully Hall, Philadelphia Chamber Music Society, Isabella Stewart Gardner Museum, Shriver Hall Concert Series, Chamber Music Pittsburgh, University Musical Society at University of Michigan, Spivey Hall, and Chamber Music Houston. In addition to their North American engagements, the Quartet returns to Wigmore Hall for a BBC live broadcast recital as well as other engagements in Germany and continental Europe.
The Quartet has made a distinctive impression throughout Europe, with recent debuts including the Amsterdam Concertgebouw, Berlin Konzerthaus, London’s Kings Place, Slovenian Philharmonic Hall, Les Grands Interprètes Geneva, Tel Aviv Museum of Art, and Auditorium du Louvre. The group has appeared at festivals such as the Heidelberg Spring Festival, Budapest’s Franz Liszt Academy, Dublin’s Great Music in Irish Houses, the Risør Chamber Music Festival in Norway, the Hong Kong International Chamber Music Festival, and the Perth International Arts Festival in Australia. The Quartet continues to flourish in its home country, performing at the Aspen Music Festival, Bravo! Vail, Santa Fe Chamber Music Festival, Bowdoin Music Festival, Toronto Summer Music, Cape Cod Chamber Music Festival, OKM Festival, Chamber Music San Francisco, Music@Menlo, and the Ravinia and Caramoor festivals.
Beyond the concert hall, the Quartet is proud to announce the creation of a new nonprofit entity, ESQYRE (Escher String Quartet Youth Residency Education). ESQYRE’s mission is to provide a comprehensive educational program through music performance and instruction for people of all ages. The quartet has also held faculty positions at Southern Methodist University and the University of Akron.
Within months of its inception in 2005, the ensemble came to the attention of key musical figures worldwide. Championed by the Emerson String Quartet, the Escher quartet was invited by both Pinchas Zukerman and Itzhak Perlman to be Quartet in Residence at each artist’s summer festival.
The Escher String Quartet takes its name from the Dutch graphic artist M. C. Escher, inspired by Escher’s method of interplay between individual components working together to form a whole.