Ligeti and Bartók
| 1. | Introduction | 00:00:50 |
| 2. | Ligeti: String Quartet No. 1 "Métamorphoses nocturnes" | 00:26:45 |
| 3. | Bartók: Sonata for Two Pianos and Percussion, BB 115 | 00:30:54 |
PROGRAM
|
György Ligeti (1923–2006) |
String Quartet No. 1 "Métamorphoses nocturnes" (1953–54) Calidore String Quartet (Jeffrey Myers, Ryan Meehan, violin; Jeremy Berry, viola; Estelle Choi, cello) |
|
Béla Bartók (1881–1945) |
Sonata for Two Pianos and Percussion, BB 115 (1937) Alessio Bax, Lucille Chung, piano; Ayano Kataoka, Ian Rosenbaum, percussion |
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Calidore String Quartet
Alessio Bax
Ayano Kataoka
Ian David Rosenbaum
The Calidore String Quartet has been praised by the New York Times for its “deep reserves of virtuosity and irrepressible dramatic instinct.” The Los Angeles Times described the quartet as “astonishing,” their playing “shockingly deep,” approaching “the kind of sublimity other quartets spend a lifetime searching” and praised its balance of “intellect and expression.” Recipient of a 2018 Avery Fisher Career Grant and a 2017 Lincoln Center Emerging Artist Award, the quartet first made international headlines as winner of the $100,000 Grand Prize of the 2016 M-Prize International Chamber Music Competition. The quartet was the first North American ensemble to win the Borletti-Buitoni Trust Fellowship, was a BBC Radio 3 New Generation Artist, and is currently a season artist at the Chamber Music Society of Lincoln Center.
In summer 2021, the Calidore made debuts at the Sarasota, La Jolla, and Saratoga Music Festivals as well as the Schubert Club of St. Paul, MN. Highlights of the 21-22 season include returns to Wigmore Hall, Alice Tully Hall, and the Philadelphia Chamber Music Society. The Calidore will make its debut at the Library of Congress, the 92nd Street Y, Harvard University, Penn State University, and internationally in The Hague and Antwerp. The ensemble will premiere a new work by composer Huw Watkins commissioned by Wigmore Hall and will collaborate with the Emerson Quartet and pianists Jeffrey Kahane, Henry Kramer, and Gabriela Fahnenstiel.
The Calidore String Quartet’s second album for Signum Records, entitled BABEL, was released in 2020 and features worksby Schumann, Shostakovich, and Caroline Shaw. The Strad selected the album as the “Editor’s Choice” and praised it as “breathtaking…a universally impressive disc.” The quartet’s other recording for Signum is 2018’s Resilience including quartets by Mendelssohn, Prokofiev, Janácek, and Golijov.
The Calidore has given world premieres of works by Caroline Shaw, Hannah Lash, and Mark-Anthony Turnage. Its collaborations with esteemed artists and ensembles include Jean-Yves Thibaudet, Marc-André Hamelin, Joshua Bell, David Shifrin, Inon Barnatan, Lawrence Power, Sharon Isbin, David Finckel, and Wu Han. An alum of CMS’s Bowers Program, the Calidore has collaborated and studied closely with the Emerson Quartet and Quatuor Ébène, and has also studied with Andre Roy, Arnold Steinhardt, Günter Pichler, Guillaume Sutre, Paul Coletti, and Ronald Leonard. In 2021 the Calidore joined the faculty of the University of Delaware School of Music and serve as directors of the newly established Graduate String Quartet Residency.
The Calidore String Quartet was founded at the Colburn School in Los Angeles in 2010. Within two years, the quartet won grand prizes in virtually all the major US chamber music competitions, including the Fischoff, Coleman, Chesapeake, and Yellow Springs competitions, and it captured top prizes at the 2012 ARD International Music Competition in Munich and the International Chamber Music Competition Hamburg. An amalgamation of “California” and “doré” (French for “golden”), the ensemble’s name represents its reverence for the diversity of culture and the strong support it received from its original home: Los Angeles, California, the “golden state.”
Alessio Bax catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions. He has appeared with more than 150 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, and Sydney Symphonies, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden. He released his 11th Signum Classics album, Italian Inspirations, whose program was also the vehicle for his solo recital debut at New York’s 92nd Street Y as well as on tour. He and his regular piano duo partner, Lucille Chung, have given recitals at Lincoln Center and were featured with the St. Louis Symphony and Stéphane Denève. This season he makes his debut with the Milwaukee Symphony, and will return for the fourth time for two recitals at the historic Teatro Colón in Buenos Aires. Last summer he made return appearances at the Seattle Chamber Music Festival and at the Bravo! Vail Music Festival with the Dallas Symphony and Fabio Luisi conducting. At age 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. A Steinway artist, he lives in New York City with pianist Lucille Chung and their daughter, Mila. He is a former member of CMS’s Bowers Program and on the faculty at the New England Conservatory.
The first percussionist to be chosen for The Bowers Program, Ayano Kataoka is known for her brilliant and dynamic technique, as well as the unique elegance and artistry she brings to her performances. Together with cellist Yo-Yo Ma at the American Museum of Natural History, she gave the world premiere of Bruce Adolphe's Self Comes to Mind for cello and two percussionists, based on a text by neuroscientist Antonio Damasio, and featuring interactive video images of brain scans triggered by the live music performance. She presented a solo recital as part of the prestigious B to C (Bach to Contemporary) recital series at the Tokyo Opera City Recital Hall, which was broadcast nationally in Japan on NHK television. Other highlights include a performance of Steven Mackey’s Micro-Concerto for Percussion Solo and Chamber Ensemble at Alice Tully Hall, a theatrical performance of Stravinsky's Soldier's Tale at the 92nd Street Y with violinist Jaime Laredo and actors Alan Alda and Noah Wyle, and performances of Bartók's Sonata for Two Pianos and Percussion at the Chamber Music Society with pianists Emanuel Ax and Yoko Nozaki. Her performances can be also heard on Deutsche Grammophon, Naxos, New World, New Focus, and Albany recording labels. A native of Japan, Kataoka began her marimba studies at age five, and percussion at 15. She received her artist diploma degree from Yale School of Music, where she studied with marimba virtuoso Robert van Sice. She is currently a full professor at University of Massachusetts Amherst.
Praised for his “spectacular performances” (Wall Street Journal), and his “unfailing virtuosity” (Chicago Tribune), Grammy-nominated percussionist Ian David Rosenbaum has developed a musical breadth far beyond his years. As a passionate advocate for contemporary music, he has premiered over 100 new chamber and solo works. He has collaborated with and championed the music of established and emerging composers alike. He was nominated for three Grammy awards in 2021 for his performances on albums of music by Andy Akiho and Christopher Cerrone, including two nominations for Seven Pillars, an album by Sandbox Percussion released on Aki Rhythm Productions, a record label he co-founded with Akiho in 2021. In 2012 he joined the Chamber Music Society of Lincoln Center’s Bowers Program (formerly CMS Two) as only the second percussionist selected in its history, and has performed regularly with CMS since then. He is a founding member of Sandbox Percussion, the Percussion Collective, and the Pittsburgh New Music Ensemble. He has recorded for the Bridge, Innova, Naxos, and Starkland labels and is on faculty at the Mannes School of Music and the University of Missouri-Kansas City. Rosenbaum performs with Pearl/Adams instruments, Vic Firth mallets, and Remo drumheads.