Mozart & Stravinsky
1. | Introduction | 00:00:50 |
2. | Mozart: Quartet in C major for Strings, K. 465, "Dissonance" | 00:30:29 |
3. | Stravinsky: Divertimento after Le baiser de la fée for Violin and Piano | 00:27:10 |
4. | Closing | 00:00:30 |
This program’s title, Mozart & Stravinsky, sets up a scenario which might seem to be a contentious one; however, the music of Stravinsky and Mozart share many similarities. Both composers were supreme craftsmen who wrote efficiently, composed complex yet transparent, well-balanced works, and both had keen senses of humor provoking listeners with surprises. Mozart’s “Dissonant” string quartet shocked listeners in the 18th century with dissonances near the quartet’s opening that convinced experts at the time that the notes the musicians played were mistakes. Stravinsky’s Divertimento picks up on the lightning-quick possibilities of the violin and keyboard duo genre that was brought to its first real peak with Mozart.
PROGRAM
Wolfgang Amadeus Mozart (1756–1791) |
Quartet in C major for Strings, K. 465, "Dissonance" (1785) Orion String Quartet (Todd Phillips, Daniel Phillips, violin; Steven Tenenbom, viola; Timothy Eddy, cello) |
Igor Stravinsky (1882–1967) |
Divertimento after Le baiser de la fée for Violin and Piano (1928, arr. 1934) Ida Kavafian, violin; Anne-Marie McDermott, piano |
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Anne-Marie McDermott
For over 25 years Anne-Marie McDermott has played concertos, recitals, and chamber music in hundreds of cities throughout the United States, Europe, and Asia. She also serves as artistic director of the Bravo! Vail Music and Ocean Reef Music festivals, as well as Curator for Chamber Music for the Mainly Mozart Festival in San Diego. Recent performance highlights include appearances with the Colorado Symphony, Florida Orchestra, San Antonio Symphony, New World Symphony, Louisiana Philharmonic, Tucson Symphony, Mexico National Symphony, and Taipei Symphony. She also returned to play Mozart with the Chamber Orchestra Vienna-Berlin at the Bravo! Vail Festival. She has performed with leading orchestras, including the New York Philharmonic, Minnesota Orchestra, Dallas Symphony, Columbus Symphony, Seattle Symphony, National Symphony, and Houston Symphony. Her recordings include the complete Prokofiev piano sonatas, Bach’s English Suites and partitas (Editor’s Choice, Gramophone), Gershwin’s complete works for piano and orchestra with the Dallas Symphony (Editor’s Choice, Gramophone), and, most recently, the Haydn piano sonatas and concertos with the Odense Philharmonic in Denmark. McDermott studied at the Manhattan School of Music, has been awarded the Mortimer Levitt Career Development Award for Women and an Avery Fisher Career Grant, and won the Young Concert Artists auditions.