Schubert's Ingenuity
| 1. | Introduction | 00:00:46 |
| 2. | Schubert: Trio in B-flat major for Violin, Viola, and Cello, D. 581 | 00:24:08 |
| 3. | Schubert: Fantasy in C major for Violin and Piano, D. 934, Op. 159 | 00:33:35 |
Though he had a short life, Franz Schubert packed an unbelievable amount of composing into his 31 years. As a young man, he experimented freely with writing string quartets and his innate lyrical sensibilities shine through clearly in his 1817 String Trio in B-flat major, written when he was 20 years old. While he may lull you into a sense of security with the work’s string sonority, he soon introduces daring modulations and exciting rhythms. Written only 10 years later, though after finding much inspiration from his peers and mentors, his Fantasy for Violin and Piano is a long, impressive tour de force for both the violinist and the pianist.
PROGRAM
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Franz Schubert (1797– 1828) |
Trio in B-flat major for Violin, Viola, and Cello, D. 581 (1817) Kristin Lee, violin; Richard O'Neill, viola; Clive Greensmith, cello |
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Franz Schubert (1797– 1828) |
Fantasy in C major for Violin and Piano, D. 934, Op. 159 (1827) Benjamin Beilman, violin; Gloria Chien, piano |
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Kristin Lee
Clive Greensmith
Benjamin Beilman
Gloria Chien
A recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist, recitalist, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra, St. Louis Symphony, Hawai’i Symphony, the Hong Kong Philharmonic, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album, American Sketches, on First Hand Records in November 2024. In 2026, she will collaborate with Grammy-nominated ensemble Sandbox Percussion, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program.
Clive Greensmith has a distinguished career as soloist, chamber musician, and teacher. From 1999 until 2013 he was a member of the world-renowned Tokyo String Quartet, giving over 100 performances each year in the most prestigious international venues. As a soloist, he has performed with the London Symphony Orchestra, Royal Philharmonic Orchestra, Seoul Philharmonic, and the RAI Orchestra of Rome. Over 25 years, he has built up a catalogue of landmark recordings, most notably the complete Beethoven string quartet cycle for Harmonia Mundi with the Tokyo String Quartet. He was appointed professor at the Colburn School in Los Angeles in 2014. In 2019, he became the artistic director of the Nevada Chamber Music Festival and was appointed director of chamber music master classes at the Chigiana International Summer Academy in Siena, Italy. He performs on a cello made by Stefano Gibertoni & Valerio Nalin made in Milan 2021 and is a Pirastro Strings Artist.
Benjamin Beilman’s 2025–26 season highlights include appearances with the Minnesota Orchestra, Dresden Philharmonic, Antwerp Symphony, Solistes Européens Luxembourg, Nouvel Ensemble Moderne, and Nashville Symphony. He will also curate, stage, and lead two chamber music programs at Sun Valley Music Festival, and continue his ongoing recital partnership with pianist Steven Osborne. In the summer, he embarks on a month-long tour of Australasia, including appearances with the Sydney Symphony, Tasmanian Symphony, West Australian Symphony, and Auckland Philharmonia. He studied at the Curtis Institute of Music with Ida Kavafian and Pamela Frank, and with Christian Tetzlaff at the Kronberg Academy. He has received many prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant, and a London Music Masters Award. He has also recorded works by Stravinsky, Janácek, and Schubert for Warner Classics, and is an alum of CMS’s Bowers Program. Beilman performs with the ex-Balakovic F. X. Tourte bow (c. 1820), and plays the “Ysaÿe” Guarneri del Gesù from 1740, generously on loan from the Nippon Music Foundation.
Pianist Gloria Chien has a diverse musical life as a performer, concert presenter, and educator. She made her orchestral debut at age 16 with the Boston Symphony Orchestra under Thomas Dausgaard. In 2009 she launched String Theory, a chamber music series in Chattanooga, and the following year was appointed Director of the Chamber Music Institute at Music@Menlo. In 2017, she joined her husband, violinist Soovin Kim, as Co-Artistic Director of the Lake Champlain Chamber Music Festival in Burlington, Vermont. The duo became Artistic Directors at Chamber Music Northwest in 2020, and were named the recipients of the 2021 Award for Extraordinary Service to Chamber Music from CMS. Ms. Chien received her bachelor’s, master’s, and doctoral degrees from New England Conservatory, where she was named the Advisor for the prestigious Institute for Concert Artists in 2024. She is an artist-in-residence at Lee University in Cleveland, Tennessee; a Steinway Artist; and an alum of CMS’s Bowers Program.