Italian clarinetist Tommaso Lonquich enjoys a distinguished international career, having performed on the most prestigious stages of four continents. Praised by reviewers for his “passion, sumptuous tone, magical finesse, and dazzling virtuosity,” he is Solo Clarinetist with Ensemble MidtVest, the acclaimed chamber ensemble based in Denmark. As a chamber musician, he has partnered with Christian Tetzlaff, Pekka Kuusisto, Carolin Widmann, Ani and Ida Kavafian, Nicolas Dautricourt, David Shifrin, David Finckel, Nicolas Altstaedt, Wu Han, Gilbert Kalish, Anneleen Lenaerts, Yura Lee, Gilles Vonsattel, and the Danish and Vertavo string quartets. As a guest principal in several orchestras, he has collaborated with conductors including Zubin Mehta, Vladimir Ashkenazy, Fabio Luisi, and Leonard Slatkin. As a soloist, he has appeared with the Radio Television Orchestra of Slovenia, Orchestra Canova, and the Orchestra del Teatro Olimpico of Vicenza, among others. He is Founder and Co-Artistic Director of Schackenborg Musikfest, a summer festival set in a royal castle in Denmark. He has conceived several collaborative performances with dancers, actors, and visual artists and has been particularly active in improvisation, leading workshops at the Juilliard School. He has given master classes at the Manhattan School of Music, the Royal Danish Academy, and the Royal Welsh College of Music. Lonquich can be heard on more than twenty albums and is an alum of CMS’s Bowers Program. Alongside his artistic career, he is a practicing psychoanalyst and co-founder of the International Center for Lacanian Psychoanalysis in Ljubljana, Slovenia.
 

Recognized as the world’s premier pipa virtuoso, Wu Man is a soloist, educator, and composer who gives her lute-like instrument—which has a history of more than 2,000 years in China—a new role in both traditional and contemporary music. She has premiered hundreds of new works for the pipa, while spearheading multimedia projects to both preserve and create global awareness of China’s ancient musical traditions. Projects she has initiated have resulted in the pipa finding a place in new solo and quartet works, concertos, opera, chamber, electronic, and jazz music as well as in theater productions, film, dance, and collaborations with visual artists. She has performed in recital and with major orchestras around the world, and is a frequent collaborator with ensembles such as the Kronos and Shanghai Quartets and The Knights, and is a founding member of the Silkroad Ensemble. She has appeared on nearly 50 recordings, including numerous Grammy Award-winning and -nominated albums. This season she premieres a new pipa concerto by Pulitzer Prize-winning composer Du Yun, titled “Ears of the Book” with The Knights at Carnegie Hall and with the Detroit Symphony.

Born in Hangzhou, China, Wu Man studied at the Central Conservatory of Music in Beijing, where she became the first recipient of a master’s degree in pipa. At age 13, she was recognized as a child prodigy and a national role model for young pipa players. In 2023, Wu Man was honored with both a National Heritage Fellowship from the National Endowment of the Arts (NEA), one of the United States’ most prestigious honors in folk and traditional art; and with the Asia Society’s Asia Arts Game Changers Award. Wu Man is Musical America’s 2013 “Instrumentalist of the Year,” marking the first time this prestigious award has been bestowed on a player of a non-Western instrument. She is a Visiting Professor at her alma mater the Central Conservatory of Music in Beijing and a Distinguished Professor at the Zhejiang and the Xi’an Conservatories. In 2021 she received an honorary Doctorate of Music from the New England Conservatory of Music.

Over the past 40 years, the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The quartet’s elegant style, impressive technique, and emotional breadth allows the group to move seamlessly between masterpieces of Western music, traditional Chinese folk music, and cutting-edge contemporary works. Formed at the Shanghai Conservatory in 1983, soon after the end of China’s harrowing Cultural Revolution, the group came to the United States to complete its studies; since then the members have been based in the US while maintaining a robust touring schedule at leading chamber music series throughout North America, Europe, and Asia. 

Recent performance highlights include performances at Carnegie Hall, the Metropolitan Museum of Art, the Freer Gallery (Washington, DC), the Festival Pablo Casals in France, the Brevard Music Center, the Beethoven Festival in Poland, and throughout China. The quartet also frequently performs at Wigmore Hall, the Budapest Spring Festival, Suntory Hall, and with the NCPA and Shanghai Symphony Orchestras. Recent highlights include the premiere of a new work by Marcos Balter for the Quartet and countertenor Anthony Roth Costanzo for the Phillips Collection, return performances for Maverick Concerts and the Taos School of Music, and engagements in Los Angeles, Syracuse, Albuquerque, and Salt Lake City.

Among innumerable collaborations with eminent artists, they have performed with the Tokyo, Juilliard, and Guarneri Quartets; cellists Yo-Yo Ma and Lynn Harrell; pianists Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang; pipa virtuoso Wu Man; and the vocal ensemble Chanticleer. The Shanghai Quartet appears regularly at many of North America’s most prominent chamber music festivals, including annual performances for Maverick Concerts, the Brevard Music Center, and Music Mountain.

The Shanghai Quartet has a long history of championing new music, with a special interest in works that juxtapose the traditions of Eastern and Western music. The quartet has commissioned works from some of the most important composers of our time, including William Bolcom, Sebastian Currier, David Del Tredici, Tan Dun, Vivian Fung, Lowell Lieberman, Zhou Long, Marc Neikrug, Krzysztof Penderecki, Bright Sheng, Chen Yi, and Du Yun. The quartet had a particularly close relationship with Krzysztof Penderecki; they premiered his third quartet, Leaves From an Unwritten Diary, at the composer’s 75th birthday concert and repeated it again at both his 80th and 85th birthday celebrations. Recent commissions include new works from Judith Weir, Tan Dun, and Wang Lei.

The Shanghai Quartet has an extensive discography of more than thirty recordings, ranging from Schumann and Dvořák piano quintets with Rudolf Buchbinder to Zhou Long’s Poems from Tang for string quartet and orchestra with the Singapore Symphony. The quartet has recorded the complete Beethoven string quartets and is currently recording the complete Bartók quartets.

Serving as Quartet-in-Residence at the John J. Cali School of Music at Montclair State University since 2002, the Shanghai Quartet joined the Tianjin (China) Juilliard School in fall 2020 as resident faculty members. The Quartet also is the Ensemble-in-Residence with the Shanghai Symphony Orchestra and visiting guest professors of the Shanghai Conservatory and Central Conservatory in Beijing.