Strings, Piano, and Beethoven
1. | Introduction | 00:00:56 |
2. | Beethoven: Variations on "Bei Männern, welche Liebe fühlen" from Die Zauberflöte for Cello and Piano, WoO 46 | 00:13:30 |
3. | Beethoven: Sonata in C minor for Violin and Piano, Op. 30, No. 2 | 00:26:14 |
4. | Beethoven: Variations in E-flat major for Piano, Violin, and Cello, Op. 44 | 00:17:49 |
5. | Closing | 00:00:30 |
In this program, the Chamber Music Society of Lincoln center presents a program of Beethoven featuring his works for Strings and Piano. Cellist Keith Robinson and pianist Orion Weiss begin the broadcast with Beethoven's Variations on "Bei Männern, welche Liebe fühlen" from Die Zauberflöte. Alexander Sitkovetsky and pianist Wu Qian perform the Sonata in C minor for Violin and Piano, Op. 30, No. 2. The program closes with a performance of Variations in E-flat major for Piano, Violin, and Cello.
PROGRAM
Ludwig van Beethoven (1770–1827) |
Variations on "Bei Männern, welche Liebe fühlen" from Die Zauberflöte for Cello and Piano, WoO 46 (1801) Keith Robinson, cello; Orion Weiss, piano |
Ludwig van Beethoven (1770–1827) |
Sonata in C minor for Violin and Piano, Op. 30, No. 2 (1801-02) Alexander Sitkovetsky, violin; Wu Qian, piano |
Ludwig van Beethoven (1770–1827) |
Variations in E-flat major for Piano, Violin, and Cello, Op. 44 (1804) Orion Weiss, piano; Sean Lee, violin; Paul Watkins, cello |
Production Team
Artists
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Keith Robinson
Orion Weiss
Alexander Sitkovetsky
Wu Qian
Sean Lee
Paul Watkins
Cellist Keith Robinson is a founding member of the Miami String Quartet and has been active as a chamber musician, recitalist, and soloist since his graduation from the Curtis Institute of Music. He has had numerous solo appearances with orchestras including the New World Symphony, the American Sinfonietta, and the Miami Chamber Symphony, and in 1989 won the P.A.C.E. “Classical Artist of the Year” Award. His most recent recording released on Blue Griffin Records features the complete works of Mendelssohn for cello and piano with his colleague Donna Lee. In 1992 the Miami String Quartet became the first string quartet in a decade to win First Prize of the Concert Artists Guild New York Competition. The quartet has also received the prestigious Cleveland Quartet Award, has won the Grand Prize at the Fischoff Chamber Music Competition, and was a member of CMS’s Bowers Program. He regularly attends festivals across the United States, including the Santa Fe Chamber Music Festival, Music@Menlo, Kent Blossom Music, Bravo! Vail, Savannah Music Festival, and the Virginia Arts Festival. Highlights of recent seasons include international appearances in Bern, Cologne, Istanbul, Lausanne, Montreal, Rio de Janeiro, Hong Kong, Taipei, and Paris. He also teaches chamber music at the Cleveland Institute of Music. Robinson hails from a musical family and his siblings include Sharon Robinson of the Kalichstein-Laredo-Robinson Trio, and Hal Robinson, principal bass of the Philadelphia Orchestra. He plays a cello made by Carlo Tononi in Venice in 1725.
One of the most sought-after soloists and chamber music collaborators of his generation, Orion Weiss is widely regarded as a “brilliant pianist” (New York Times) with “powerful technique and exceptional insight” (Washington Post). He has performed with dozens of orchestras in North America including the Chicago Symphony, Baltimore Symphony, Boston Symphony, San Francisco Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, and New York Philharmonic and at major venues and festivals worldwide.
Known for his affinity for chamber music, Weiss performs regularly with violinists Augustin Hadelichand James Ehnes; pianists Michael Brown and Shai Wosner; and the Ariel, Parker, and Pacifica Quartets. In recent seasons, he has also performed with the Israel Philharmonic Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra. Weiss can be heard on the Naxos, Telos, Bridge, First Hand, Yarlung, and Artek labels.
Weiss has been awarded the Classical Recording Foundation’s Young Artist of the Year, Gilmore Young Artist Award, an Avery Fisher Career Grant, and the Mieczyslaw Munz Scholarship. A native of Ohio, Weiss attended the Cleveland Institute of Music and the Juilliard School, where he studied with Emanuel Ax.
Violinist Alexander Sitkovetsky was born in Moscow into a family with a well-established musical tradition. His concerto debut came at the age of eight and in the same year he moved to the UK to study at the Menuhin School. Last season he debuted at Vienna’s Musikverein with the Tonkünstler Orchester, made return visits to Anima Musicae Budapest and Russian Philharmonic Novosibirsk and appeared with the Sitkovetsky Trio at festivals throughout Spain, Finland, Denmark, Switzerland, and Germany. Recent concerto performances include appearances with the Yomiuri Nippon Symphony Orchestra, Tokyo Symphony Orchestra, Royal Philharmonic Orchestra, Konzerthaus Orchester Berlin, BBC Scottish Symphony Orchestra, Netherlands Philharmonic Orchestra, Tokyo Symphony Orchestra, Moscow and St Petersburg Symphony Orchestras, Orquesta Filarmónica de Bolivia, BBC National Orchestra of Wales, London Philharmonic Orchestra, and the Philharmonia Orchestra. He directs and performs as a soloist regularly with chamber orchestras, including the Australian Chamber Orchestra, Norwegian Chamber Orchestra, Amsterdam Sinfonietta, London Mozart Players, New York Chamber Players, Camerata Zurich, and most recently with the Romanian Sinfonietta. He is a founding member of the Sitkovetsky Trio, which regularly performs throughout Europe, Asia, and the Americas. The trio’s fourth disc for BIS Records, Ravel’s Piano Trio and Saint-Saëns’s Second Trio, was released to great critical acclaim in July 2021. Sitkovetsky is an alum of CMS’s Bowers Program and plays the 1679 ‘Parera’ Antonio Stradivari violin, kindly loaned to him through the Beare’s International Violin Society by a generous sponsor.
Winner of a 2016 Lincoln Center Emerging Artist Award, as well as classical music’s bright young star award for 2007 by The Independent, pianist Wu Qian has maintained a busy international career for over a decade. She has appeared as soloist in many international venues including the Wigmore, Royal Festival, and Bridgewater halls in the UK, City Hall in Hong Kong, Amsterdam’s Concertgebouw, and the Kennedy Center in Washington, DC. As a soloist she has appeared with the Konzerthaus Orchester in Berlin, the Brussels Philharmonic, the London Mozart Players, I Virtuosi Italiani, the European Union Chamber Orchestra, and the Munich Symphoniker. She won first prize in the Trio di Trieste Duo Competition and the Kommerzbank Piano Trio competition in Frankfurt, and has received numerous other awards. Appearances this season include performances in the UK, Germany, USA, Korea, Australia, Spain, and The Netherlands and collaborations with Alexander Sitkovetsky, Leticia Moreno, Cho-Liang Lin, Clive Greensmith, and Wu Han. Her debut recording of Schumann, Liszt, and Alexander Prior was met with universal critical acclaim. She is a founding member of the Sitkovetsky Piano Trio with which, in addition to performing in major concert halls and series around the world, she has released two recordings on the BIS label and also a disc of Brahms and Schubert on the Wigmore Live Label. Wu Qian an alum of The Bowers Program.
Violinist Sean Lee has captured the attention of audiences around the world with his lively performances of the classics. A recipient of a 2016 Avery Fisher Career Grant, he is one of few violinists who dares to perform Niccolò Paganini’s 24 Caprices in concert, and his YouTube series, Paganini POV, continues to draw praise for its use of technology in sharing unique perspectives and insight into violin playing. He has performed as a soloist with orchestras including the San Francisco Symphony, Israel Camerata Jerusalem, and Orchestra del Teatro Carlo Felice, and his recital appearances have taken him to Vienna's Konzerthaus, Tel Aviv Museum of Art, and Carnegie Hall’s Weill Recital Hall. As a season artist at the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program, he continues to perform regularly at Lincoln Center and on tour. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before moving at the age of 17 to study at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, with bows made circa 1890 by Joseph Arthur Vigneron and circa 1910 by W. E. Hill & Sons.
Acclaimed for his inspirational performances and eloquent musicianship, Paul Watkins enjoys a remarkably varied and distinguished career as soloist, chamber musician, and conductor. He is the Artistic Director of the Great Lakes Chamber Music Festival, and in 2019 he was appointed Professor of Cello at the Yale School of Music. He has performed as concerto soloist with prestigious orchestras throughout the world under eminent conductors including Bernard Haitink, Paavo Berglund, Leonard Slatkin, Sakari Oramo, Gianandrea Noseda, Sir Mark Elder, Sir Andrew Davis, Sir Charles Mackerras, Andris Nelsons, Edo de Waart, Hannu Lintu and Vasily Petrenko. A dedicated chamber musician, Paul was a member of the Nash Ensemble from 1997 until 2013, when he joined the Emerson String Quartet. With the Quartet he has travelled extensively, performing at major international festivals including Tanglewood, Aspen, Ravinia, Edinburgh, Berlin, and Evian, and has collaborated with artists such as Emanuel Ax, Yefim Bronfman, Evgeny Kissin, Renée Fleming, and Barbara Hannigan. He is a regular guest artist of the Chamber Music Society of Lincoln Center.
He took first prize in the 2002 Leeds Conducting Competition, and has held the positions of Music Director of the English Chamber Orchestra and Principal Guest Conductor of the Ulster Orchestra. In recent seasons he made his conducting debuts with the Minnesota Orchestra, Detroit Symphony, and Omaha Symphony. His extensive discography as a cellist includes more than 70 recordings, including 18 solo albums for Chandos. His first recording as a conductor, of the Britten and Berg violin concertos with Daniel Hope, received a Grammy nomination.
Paul’s future plans include solo performances and recordings with, among others, Alessio Bax, Anthony Marwood, Lawrence Power, Leila Josefowicz, Edward Gardner, and Sir Andrew Davis. He is also in demand as a visiting teacher and has residencies this season at the Curtis Institute of Music and the Butler School of Music at the University of Texas at Austin.