Strings, Piano, and Beethoven
| 1. | Introduction | 00:00:56 |
| 2. | Beethoven: Variations on "Bei Männern, welche Liebe fühlen" from Die Zauberflöte for Cello and Piano, WoO 46 | 00:13:30 |
| 3. | Beethoven: Sonata in C minor for Violin and Piano, Op. 30, No. 2 | 00:26:14 |
| 4. | Beethoven: Variations in E-flat major for Piano, Violin, and Cello, Op. 44 | 00:17:49 |
| 5. | Closing | 00:00:30 |
In this program, the Chamber Music Society of Lincoln center presents a program of Beethoven featuring his works for Strings and Piano. Cellist Keith Robinson and pianist Orion Weiss begin the broadcast with Beethoven's Variations on "Bei Männern, welche Liebe fühlen" from Die Zauberflöte. Alexander Sitkovetsky and pianist Wu Qian perform the Sonata in C minor for Violin and Piano, Op. 30, No. 2. The program closes with a performance of Variations in E-flat major for Piano, Violin, and Cello.
PROGRAM
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Ludwig van Beethoven (1770–1827) |
Variations on "Bei Männern, welche Liebe fühlen" from Die Zauberflöte for Cello and Piano, WoO 46 (1801) Keith Robinson, cello; Orion Weiss, piano |
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Ludwig van Beethoven (1770–1827) |
Sonata in C minor for Violin and Piano, Op. 30, No. 2 (1801-02) Alexander Sitkovetsky, violin; Wu Qian, piano |
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Ludwig van Beethoven (1770–1827) |
Variations in E-flat major for Piano, Violin, and Cello, Op. 44 (1804) Orion Weiss, piano; Sean Lee, violin; Paul Watkins, cello |
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Orion Weiss
Alexander Sitkovetsky
Wu Qian
Sean Lee
Paul Watkins
One of the most sought-after soloists and chamber music collaborators of his generation, Orion Weiss is widely regarded as a “brilliant pianist” (New York Times) with “powerful technique and exceptional insight” (Washington Post). He has performed with dozens of orchestras in North America including the Chicago Symphony, Baltimore Symphony, Boston Symphony, San Francisco Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, and New York Philharmonic and at major venues and festivals worldwide.
Known for his affinity for chamber music, Weiss performs regularly with violinists Augustin Hadelichand James Ehnes; pianists Michael Brown and Shai Wosner; and the Ariel, Parker, and Pacifica Quartets. In recent seasons, he has also performed with the Israel Philharmonic Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra. Weiss can be heard on the Naxos, Telos, Bridge, First Hand, Yarlung, and Artek labels.
Weiss has been awarded the Classical Recording Foundation’s Young Artist of the Year, Gilmore Young Artist Award, an Avery Fisher Career Grant, and the Mieczyslaw Munz Scholarship. A native of Ohio, Weiss attended the Cleveland Institute of Music and the Juilliard School, where he studied with Emanuel Ax.
Violinist Alexander Sitkovetsky was born in Moscow into a family with a well-established musical tradition. Since his concerto debut at the age of eight, he has performed as soloist and chamber musician in many of the major venues around the world including Vienna’s Musikverein, Amsterdam’s Concertgebouw and the Wigmore Hall in London. This season he will make his subscription debut with the Budapest Festival Orchestra, among other engagements. He is the Artistic Director of the NFM Leopoldinum Chamber Orchestra in Wrocław, Poland, and is a founding member of the Sitkovetsky Trio, which regularly performs throughout Europe, Asia, and the Americas and is recognized as one of the most important ensembles performing today. Sitkovetsky is an alum of CMS’s Bowers Program and plays the 1679 “Parera” Antonio Stradivari violin, kindly loaned to him through the Beare’s International Violin Society by a generous sponsor.
Winner of a 2016 Lincoln Center Emerging Artist Award, as well as classical music’s bright young star award for 2007 by The Independent, pianist Wu Qian has maintained a busy international career for over a decade. She has appeared as soloist in many international venues including the Wigmore, Royal Festival, and Bridgewater halls in the UK, City Hall in Hong Kong, Amsterdam’s Concertgebouw, and the Kennedy Center in Washington, DC. As a soloist she has appeared with the Konzerthaus Orchester in Berlin, the Brussels Philharmonic, the London Mozart Players, I Virtuosi Italiani, the European Union Chamber Orchestra, and the Munich Symphoniker. She won first prize in the Trio di Trieste Duo Competition and the Kommerzbank Piano Trio competition in Frankfurt, and has received numerous other awards. Appearances this season include performances in the UK, Germany, USA, Korea, Australia, Spain, and The Netherlands and collaborations with Alexander Sitkovetsky, Leticia Moreno, Cho-Liang Lin, Clive Greensmith, and Wu Han. Her debut recording of Schumann, Liszt, and Alexander Prior was met with universal critical acclaim. She is a founding member of the Sitkovetsky Piano Trio with which, in addition to performing in major concert halls and series around the world, she has released two recordings on the BIS label and also a disc of Brahms and Schubert on the Wigmore Live Label. Wu Qian an alum of The Bowers Program.
With performances described by the New York Times as “breathtakingly beautiful,” violinist Sean Lee has performed with the Chamber Music Society of Lincoln Center for over a decade, following his participation in CMS’s Bowers Program. A recipient of Lincoln Center’s Avery Fisher Career Grant, Lee has performed as a soloist with orchestras including the San Francisco Symphony, Jerusalem Symphony, and Orchestra del Teatro Carlo Felice. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before studying at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, and a bow made circa 1890 by Joseph Arthur Vigneron.
Paul Watkins enjoys a varied and distinguished career as soloist, chamber musician, and conductor. The cellist of the Emerson String Quartet from 2013 until its disbanding in 2023, he is also the Artistic Director of the Great Lakes Chamber Music Festival, and in 2019 he was appointed Professor of Cello at the Yale School of Music. He has performed as concerto soloist with prestigious orchestras throughout the world. A dedicated chamber musician, he was a member of the Nash Ensemble from 1997 until 2013 and is a regular guest artist at CMS. Watkins has held the positions of Music Director of the English Chamber Orchestra and Principal Guest Conductor of the Ulster Orchestra. His extensive discography as a cellist includes more than 70 recordings, and his first recording as a conductor, of the Britten and Berg violin concertos with Daniel Hope, received a Grammy nomination.