Superb Cello Sonatas
| 1. | Introduction | 00:00:46 |
| 2. | Beethoven: Sonata in A major for Cello and Piano, Op. 69 | 00:30:34 |
| 3. | Mendolssohn: Sonata in D major for Cello and Piano, Op. 58 | 00:27:10 |
It took the creativity and drive of Ludwig van Beethoven to truly unlock the cello’s potential. His A major Cello Sonata broke new ground by turning the cellist into an equal partner with the powerful, dominating keyboard. Every thrilling run, every soaring melody, is lovingly shared by the two musicians in this lush and mesmerizing piece of music. After this heroic masterpiece by Beethoven was published in 1809, composers realized all they could do with these instruments. Felix Mendelssohn, a lover of Beethoven, took up the gauntlet and brought cello sonata writing into the Romantic era. His D major Cello Sonata is full of bubbling excitement and long, singing lines. But the heart of the piece is the touching slow movement: a heavenly chorale blended with a heart-stopping aria that Mendelssohn likely wrote in memory of his mother, who had recently passed away. His cello writing was generally inspired by his brother Paul, and fittingly the performance presented here is by two brothers—cellist Paul Watkins and pianist Huw Watkins—who give a showstopping rendition of this superb cello sonata.
PROGRAM
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Ludwig van Beethoven (1770–1827) |
Sonata in A major for Cello and Piano, Op. 69 (1807–08) Paul Watkins, cello; Alessio Bax, piano |
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Felix Mendelssohn (1809–1847) |
Sonata in D major for Cello and Piano, Op. 58 (1843) Paul Watkins, cello; Huw Watkins, piano |
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Paul Watkins
Alessio Bax
Paul Watkins enjoys a varied and distinguished career as soloist, chamber musician, and conductor. The cellist of the Emerson String Quartet from 2013 until its disbanding in 2023, he is also the Artistic Director of the Great Lakes Chamber Music Festival, and in 2019 he was appointed Professor of Cello at the Yale School of Music. He has performed as concerto soloist with prestigious orchestras throughout the world. A dedicated chamber musician, he was a member of the Nash Ensemble from 1997 until 2013 and is a regular guest artist at CMS. Watkins has held the positions of Music Director of the English Chamber Orchestra and Principal Guest Conductor of the Ulster Orchestra. His extensive discography as a cellist includes more than 70 recordings, and his first recording as a conductor, of the Britten and Berg violin concertos with Daniel Hope, received a Grammy nomination.
Alessio Bax catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions. He has appeared with more than 150 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, and Sydney Symphonies, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden. He released his 11th Signum Classics album, Italian Inspirations, whose program was also the vehicle for his solo recital debut at New York’s 92nd Street Y as well as on tour. He and his regular piano duo partner, Lucille Chung, have given recitals at Lincoln Center and were featured with the St. Louis Symphony and Stéphane Denève. This season he makes his debut with the Milwaukee Symphony, and will return for the fourth time for two recitals at the historic Teatro Colón in Buenos Aires. Last summer he made return appearances at the Seattle Chamber Music Festival and at the Bravo! Vail Music Festival with the Dallas Symphony and Fabio Luisi conducting. At age 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. A Steinway artist, he lives in New York City with pianist Lucille Chung and their daughter, Mila. He is a former member of CMS’s Bowers Program and on the faculty at the New England Conservatory.