Telemann, Corelli, and Vivaldi
1. | Introduction | 00:01:00 |
2. | Telemann: Gulliver Suite in D major for Two Violins from Der Getreue Musik-Meister | 00:09:45 |
3. | Corelli: Concerto Grosso in G minor for Two Violins, Cello, Strings, and Continuo, Op. 6, No. 8, "Christmas Concerto" | 00:14:23 |
4. | Telemann: Trauer-musik eines kunsterfahrenen Canarienvogels for Soprano, Strings, and Continuo, "Canary Cantata" | 00:18:44 |
5. | Vivaldi: Concerto in B minor for Four Violins, Cello, Strings, and Continuo, Op. 3, No. 10, RV 580 | 00:14:36 |
6. | Closing | 00:00:30 |
This broadcast features a Baroque collection of works for strings. The program begins with Vivaldi's Gulliver Suite in D major for Two Violins from Der Getreue Musik-Meister performed by Ida Kavafian and Arnaud Sussman. This is followed by a performance of Corelli's popular "Christmas" Concerto, Telemann’s secular "Canary Cantata" lamenting the death of a pet canary by a cat, and lastly, Vivaldi's Concerto in B Minor for four virtuoso violinists.
PROGRAM
Georg Philipp Telemann (1681–1767) |
Gulliver Suite in D major for Two Violins from Der Getreue Musik-Meister (1627) Ida Kavafian, Arnaud Sussmann, violin |
Arcangelo Corelli (1653–1713) |
Concerto Grosso in G minor for Two Violins, Cello, Strings, and Continuo, Op. 6, No. 8, "Christmas Concerto" (1714) Lily Francis, Arnaud Sussmann, violin solo; Julie Albers, cello; Ida Kavafian, Erin Keefe, violin; Paul Neubauer, viola; Fred Sherry, cello; Edgar Meyer, double bass; Anthony Newman, harpsichord |
Georg Philipp Telemann (1681–1767) |
Trauer-musik eines kunsterfahrenen Canarienvogels for Soprano, Strings, and Continuo, "Canary Cantata" (1737) Monica Groop, mezzo-soprano; Ida Kavafian, Lily Francis, violin; David Kim, viola; Fred Sherry, cello; Edgar Meyer, double bass; Anthony Newman, harpsichord |
Antonio Vivaldi (1678–1741) |
Concerto in B minor for Four Violins, Cello, Strings, and Continuo, Op. 3, No. 10, RV 580 (1711) Ida Kavafian, Erin Keefe, Lily Francis, Arnaud Sussmann, violin solo; David Kim, Paul Neubauer, viola; Fred Sherry, cello; Edgar Meyer, double bass; Anthony Newman, harpsichord |
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Ida Kavafian
Arnaud Sussmann
Paul Neubauer
Edgar Meyer
Violinist/violist Ida Kavafian recently retired after 35 successful years as artistic director of Music from Angel Fire, the renowned festival in New Mexico. She leaves a legacy of over 40 world premieres commissioned by the festival. Her close association with The Curtis Institute continues with her large and superb class, the endowment of her faculty chair by former Curtis Board President Baroness Nina von Maltzahn, and the awarding of the Lindback Foundation Award for Distinguished Teaching, which is presented in recognition of outstanding service in stimulating and guiding Curtis students. In addition to her solo engagements, she continues to perform with her piano quartet, OPUS ONE and Trio Valtorna. Co-founder of those ensembles as well as Tashi and the Bravo! Vail Valley Music Festival (which she ran for ten years), she has toured and recorded with the Guarneri, Orion, Shanghai, Harlem, and American string quartets (as violist); as a member of the Beaux Arts Trio for six years; and with such artists as Chick Corea, Mark O'Connor, and Wynton Marsalis. A graduate of The Juilliard School, where she studied with Oscar Shumsky, she was presented in her debut by Young Concert Artists with her long time chamber music partner, pianist Peter Serkin. Kavafian and her husband, violist Steven Tenenbom, have also found success outside of music in the breeding, training, and showing of champion Vizsla dogs, including the 2003 Number One Vizsla All Systems in the US, the 2007 National Champion, and a recent Gold Grand Champion as well as a master hunter. She has performed with the Chamber Music Society since 1973.
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura, and profound musicianship. Minnesota’s Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener.” A thrilling musician capturing the attention of classical critics and audiences around the world, he has recently appeared as a soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at the Tel Aviv Museum in Israel, London’s Wigmore Hall, Lincoln Center’s Alice Tully Hall, the Dresden Music Festival in Germany, and the Phillips Collection in Washington, DC. He has been presented in recital in Omaha on the Tuesday Musical Club series, in New Orleans by the Friends of Music, and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. He has performed with many of today’s leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenasi, Wu Han, David Finckel, and Jan Vogler. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, Sussmann was named Founding Artistic Director of the Boscobel Chamber Music Festival.
Violist Paul Neubauer has been called a “master musician” by the New York Times. He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia was released on Signum Records, and his recording of the complete viola/piano music by Ernest Bloch with pianist Margo Garrett was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower, and has been featured on CBS's Sunday Morning and A Prairie Home Companion as well as in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical, and is a member of SPA, a trio with soprano Susanna Phillips and pianist Anne-Marie McDermott. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of the Juilliard School and Mannes College.
Hailed by the New Yorker as "the most remarkable virtuoso in the relatively un-chronicled history of his instrument,” Edgar Meyer’s uniqueness in the field was recognized when he became the only bassist to be awarded the Avery Fisher Prize and a MacArthur Award. His most recent recording is Not Our First Goat Rodeo with Stuart Duncan, Aoife O’Donovan, Yo-Yo Ma, and Chris Thile. He was honored with his fifth Grammy Award in 2015 for his Bass & Mandolin recording with Chris Thile. His compositions have been premiered and recorded by Emanuel Ax, Joshua Bell, Yo-Yo Ma, the Boston Symphony Orchestra, Bela Fleck, Zakir Hussain, Hilary Hahn, and the Emerson String Quartet, among others. The Nashville Symphony and the Aspen Music Festival and School commissioned his first purely orchestral work, which was premiered by the Nashville Symphony in March 2017. Additionally, Bravo! Vail and the Academy of St. Martin in the Fields commissioned an Overture for Violin and Orchestra that was premiered by Joshua Bell and the Academy of St. Martin in the Fields in June 2017.