The Romantic Voice
| 1. | Introduction | 00:00:56 |
| 2. | Fauré: La Bonne Chanson for Mezzo-Soprano, Two Violins, Viola, Cello, Bass, and Piano, Op. 61 (1894) | 00:32:15 |
| 3. | Brahms: Liebeslieder Walzer for Vocal Quartet and Piano, Four Hands, Op. 52 (1869) | 00:25:18 |
PROGRAM
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Gabriel Fauré (1845–1924) |
La Bonne Chanson for Mezzo-Soprano, Two Violins, Viola, Cello, Bass, and Piano, Op. 61 (1894) Meigui Zhang, Soprano; Arnaud Sussmann, Paul Huang, Violin; Matthew Lipman, Viola; David Requiro, Cello; Timothy Cobb, Double Bass; Gloria Chien, Piano |
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Johannes Brahms (1833–1897) |
Liebeslieder Walzer for Vocal Quartet and Piano, Four Hands, Op. 52 (1869) Susanna Phillips, Soprano; Tamara Mumford, Mezzo-soprano; Nicholas Phan, Tenor; Nathan Gunn, Baritone; Sebastian Knauer, Piano; Anne-Marie McDermott, Piano |
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Susanna Phillips
Gloria Chien
Anne-Marie McDermott
Arnaud Sussmann
Paul Huang
Matthew Lipman
David Requiro
Soprano Susanna Phillips has established herself as one of today’s most sought-after musicians. Career highlights include the Metropolitan Opera in multiple roles, premiering the role of Rose in Awakenings at Opera Theatre of Saint Louis, and performing the role of Stella in A Streetcar Named Desire opposite Renée Fleming. Ms. Phillips has also sung leading roles with Boston Baroque, including Cleopatra in Giulio Cesare and the title role in Agrippina. Other opera house engagements include the Lyric Opera of Chicago, Cincinnati Opera, Dallas Opera, and Gran Teatro del Liceu. Dedicated to symphonic works, she has collaborated with highly esteemed orchestras including the Chicago Symphony Orchestra and her native Huntsville Symphony. An avid chamber music collaborator, she has performed a tribute concert to Clara Schumann at the Library of Congress and has sung for Washington Performing Arts in a program co-curated by the late Justice Ruth Bader Ginsburg. She is an alum of Lyric Opera of Chicago’s Ryan Opera Center and holds bachelor’s and master’s degrees from the Juilliard School.
Pianist Gloria Chien has a diverse musical life as a performer, concert presenter, and educator. She made her orchestral debut at age 16 with the Boston Symphony Orchestra under Thomas Dausgaard. In 2009 she launched String Theory, a chamber music series in Chattanooga, and the following year was appointed Director of the Chamber Music Institute at Music@Menlo. In 2017, she joined her husband, violinist Soovin Kim, as Co-Artistic Director of the Lake Champlain Chamber Music Festival in Burlington, Vermont. The duo became Artistic Directors at Chamber Music Northwest in 2020, and were named the recipients of the 2021 Award for Extraordinary Service to Chamber Music from CMS. Ms. Chien received her bachelor’s, master’s, and doctoral degrees from New England Conservatory, where she was named the Advisor for the prestigious Institute for Concert Artists in 2024. She is an artist-in-residence at Lee University in Cleveland, Tennessee; a Steinway Artist; and an alum of CMS’s Bowers Program.
One of the most dazzling American pianists of her generation, Anne-Marie McDermott has played concertos, recitals, and chamber music throughout the United States, Europe, and Asia. She is an insightful interpreter of Baroque and Classical masterpieces, 20th-century modernism, and music by influential contemporary composers. McDermott has soloed with the New York Philharmonic, Hong Kong Philharmonic, and the National Symphony Orchestra. She continues her tenure as Music and Artistic Director of the Bravo! Vail Music Festival through 2026. She is the Artistic Director of the Ocean Reef Chamber Music Festival and Artistic Director of the McKnight Center’s Chamber Music Festival. McDermott is currently recording the complete Beethoven piano concertos with Mexico City’s Orquesta Sinfónica de Minería under Carlos Miguel Prieto. Her recordings also include the complete piano sonatas of Prokofiev, solo works by Chopin, Bach’s English Suites and Partitas, and Gershwin’s works for piano and orchestra. She received a 2024 honorary doctorate from the Manhattan School of Music.
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has recently appeared as soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at the Tel Aviv Museum, London’s Wigmore Hall, the Dresden Music Festival, and the Phillips Collection in Washington, DC. He has also given concerts at the Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, he was named Founding Artistic Director of the Boscobel Chamber Music Festival. Mr. Sussmann plays a 1731 Stradivarius violin on loan from a private owner.
Recipient of a 2015 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang’s recent appearances included the Detroit Symphony, Rotterdam and Seoul philharmonics, and the BBC, San Francisco, Dallas, Baltimore, Houston, San Diego and NHK symphonies. In the 2025–26 season, he debuts with London Philharmonic, Tampere Philharmonia, Naples and Rochester philharmonics, and returns to Rotterdam Philharmonic, National Symphony of Taiwan, and North Carolina, Colorado, Pacific, and Vancouver symphonies. In fall 2021, he became the first classical violinist to perform his own arrangement of the US national anthem for the opening game of the NFL to an audience of 75,000. His recent recital appearances included those at the Kennedy Center, Lincoln Center, Aspen, and Lucerne Festivals. He plays on the legendary 1742 ex-Wieniawski Guarneri del Gesù on loan through the Stradivari Society of Chicago.
American violist Matthew Lipman has made recent appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra. He has performed recitals at Carnegie Hall and the Zürich Tonhalle, and has recorded on the Sony, Deutsche Grammophon, Cedille, and Avie labels. An alum of CMS’s Bowers Program, he performs regularly on tour and at Alice Tully Hall with CMS. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions, Lipman is on faculty at Stony Brook University. He performs on a 2021 Samuel Zygmuntowicz viola.
First Prize winner of the 2008 Naumburg International Violoncello Competition, David Requiro (pronounced re-KEER-oh) is recognized as one of today’s finest American cellists. After winning First Prize in both the Washington International and Irving M. Klein International String Competitions, he captured a top prize at the Gaspar Cassadó International Violoncello Competition in Hachioji, Japan, coupled with the prize for the best performances of works by Cassadó. He has appeared as soloist with the Tokyo Philharmonic, National Symphony Orchestra, Seattle Symphony, and numerous orchestras across North America. His Carnegie Hall debut recital at Weill Hall was followed by a critically acclaimed San Francisco Performances recital at the Herbst Theatre. Soon after making his Kennedy Center debut, he completed a cycle of Beethoven’s cello sonatas at the Phillips Collection in Washington, DC. An alum of CMS’s Bowers Program, he has performed with the Chamber Music Society of Lincoln Center, Seattle Chamber Music Society, Jupiter Symphony Chamber Players, and is a founding member of the Baumer String Quartet. Mr. Requiro serves as Associate Professor of Cello at the University of Colorado Boulder, where he joined faculty in 2015. He has previously served as Artist-in-Residence at the University of Puget Sound and Guest Lecturer at the University of Michigan. His teachers have included Milly Rosner, Bonnie Hampton, Mark Churchill, Michel Strauss, and Richard Aaron.