Mozart: Quintet in E-flat major for Oboe, Clarinet, Bassoon, Horn, and Piano, K. 452
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Michael Stephen Brown
Stephen Taylor
Alexander Fiterstein
Peter Kolkay
Michael Stephen Brown is a composer and pianist hailed by the New York Times as “one of the leading figures in the current renaissance of performer-composers.” The 2026 Andrew Wolf Award Winner and a recent fellow at both MacDowell and Yaddo, he is also a recipient of Lincoln Center’s Emerging Artist Award and an Avery Fisher Career Grant. Brown performs internationally and receives commissions from orchestras, soloists, and festivals around the world. Recent highlights include a recital at Alice Tully Hall for CMS, and collaborations with cellist Nicholas Canellakis and violinists Pinchas Zukerman, Kristin Lee, and Arnaud Sussmann. He is currently composing The Carnival of Endangered Wonders, a CMS-led project co-presented by a consortium of US presenters. His first album devoted entirely to his music, Twelve Blocks, will be released in February 2026. Brown is also composing the score for Angeline Gragasin’s upcoming film Look But Don’t Touch and lives in New York City with his two 19th-century Steinways, Octavia and Daria.
Stephen Taylor is solo oboist with the New York Woodwind Quintet, the Orchestra of St. Luke’s, the St. Luke’s Chamber Ensemble, the American Composers Orchestra, and the New England Bach Festival Orchestra, and is co-principal oboist of Orpheus Chamber Orchestra. Among his more than 300 recordings are Bach arias with Kathleen Battle and Itzhak Perlman, and Elliott Carter’s Oboe Quartet, for which he received a Grammy nomination. He has performed and recorded many of Carter’s works, giving several world and US premieres. He was awarded a performer’s grant from the Fromm Foundation at Harvard University and has collaborated with the Vermeer, Shanghai, Orion, American, and Artis-Vienna String Quartets, among others. Taylor is on the faculties of the Manhattan, Juilliard and Yale schools of music. He plays rare James Caldwell model Lorée oboes, and spends as much time as possible with his old wooden boats in Maine.
Alexander Fiterstein is recognized as one of today’s most exceptional clarinetists. He has been praised by the New York Times for possessing a “beautiful liquid clarity,” and the Washington Post wrote, “Fiterstein treats his instrument as his own personal voice, dazzling in its spectrum of colors, agility, and range. Every sound he makes is finely measured without inhibiting expressiveness.”
A recipient of the prestigious Avery Fisher Career Grant and a first prize winner of the Carl Nielsen International Clarinet Competition, he performs with orchestras and chamber groups throughout the world. He appeared as a soloist with the Saint Paul Chamber Orchestra, Kansas City Symphony, Belgrade Philharmonic Orchestra, China National Symphony Orchestra, Czech Chamber Orchestra, Danish National Radio Symphony Orchestra, Israel Chamber Orchestra, Orchestra of St. Luke’s at Lincoln Center, Tokyo Philharmonic, and Vienna Chamber Orchestra. A dedicated performer of chamber music, he frequently collaborates with distinguished artists and regularly performs with the Chamber Music Society of Lincoln Center.
Among the highly regarded artists he has performed with are Daniel Barenboim, Emanuel Ax, Mitsuko Uchida, Richard Goode, Pinchas Zukerman and Steven Isserlis. Fiterstein has made several recordings for Naxos, Bridge, and Orchid Classics. He graduated from the Juilliard School and is now Chair of Winds and Professor of Clarinet at the Peabody Institute of the Johns Hopkins University.
Called “stunningly virtuosic” by the New York Times and “superb” by the Washington Post, Peter Kolkay is the only bassoonist to be awarded an Avery Fisher Career Grant. In addition to performing with CMS, he regularly appears as a chamber musician at the Sarasota, Music@Menlo, and Bridgehampton summer festivals. Kolkay has commissioned and premiered solo works by Joan Tower, Mark-Anthony Turnage, Elliott Carter, and Tania León, among many others, and his most recent recordings include an album of music for bassoon and strings with the Calidore String Quartet, and the Christopher Rouse concerto with the Albany Symphony. He is Professor of Bassoon at the Vanderbilt University Blair School of Music and has given master classes throughout the US, Mexico, and South Korea. Kolkay is an alum of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. He is a native of Naperville, Illinois.
Recorded live in the Daniel and Joanna S. Rose Studio on May 10, 2018.
Video directed by Tristan Cook.