Schumann: Dichterliebe for Voice and Piano, Op. 48
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Ken Noda
Ken Noda is Musical Advisor to the Metropolitan Opera’s Lindemann Young Artist Development Program. He has been a coach and teacher at the Met since 1991. He is also a guest coach at the Verbier Festival, Salzburg Mozartwoche, and Carnegie Hall’s Weill Music Institute. He has performed with CMS since 1989. Born in New York to Japanese parents in 1962, Mr. Noda worked as a solo pianist in the 1980s with Zubin Mehta, Seiji Ozawa, Claudio Abbado, Daniel Barenboim, Riccardo Chailly, Rafael Kubelik, James Levine, and André Previn with such orchestras as the Berlin, Vienna, New York, Israel, and Los Angeles Philharmonics; the London, Boston, Chicago, and San Francisco Symphonies; the Cleveland Orchestra; and Orchestre de Paris. He has performed chamber music with Itzhak Perlman, Pinchas Zukerman, Lynn Harrell, and Nigel Kennedy, Cho-Liang Lin, and the Emerson Quartet. As a vocal accompanist, he has collaborated with Kathleen Battle, Hildegard Behrens, Maria Ewing, Aprile Millo, Kurt Moll, James Morris, Jessye Norman, Matthew Polenzani, Frederica von Stade, and Dawn Upshaw. He worked closely from the 1990s to 2010s with Marilyn Horne and Renata Scotto at their invitations as a faculty member in their training programs for young singers.
SOMETHING TO KNOW:
At the age of 18, Robert Schumann met the poet Heinrich Heine, whose poems are used in Dichterliebe, and commented on both his kindness and his wry, ironic attitude towards the world.
SOMETHING TO LISTEN FOR:
The piano has the last word in all 16 of the songs in this work. At the close of songs X, XII, and XVI, the keyboard delivers extended outros derived from the ghostly arpeggio figure introduced at the outset of the cycle.
Recorded live in Alice Tully Hall on November 19, 2019.
Video produced by Ibis Productions.