Bach Concertos
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Bach Italian Concerto in F major for Keyboard, BWV 971 (1735)
Bach Concerto in A minor for Violin, Strings, and Continuo, BWV 1041 (1717-1723)
Bach Concerto in C minor for Oboe, Violin, Strings, and Continuo, BWV 1060R (1736, RECONSTRUCTED FROM CONCERTO FOR TWO HARPSICHORDS, BWV 1060)
Bach Concerto in F minor for Keyboard, Strings, and Continuo, BWV 1056 (1738)
Bach Concerto in F major for Oboe, Strings, and Continuo, BWV 1053R (BEFORE 1738, RECONSTRUCTED FROM HARPSICHORD CONCERTO, BWV 1053)
Bach Concerto in D minor for Two Violins, Strings, and Continuo, BWV 1043 (C. 1718-20)
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Shai Wosner
Bella Hristova
Ani Kavafian
Ida Kavafian
Cho-Liang Lin
Julian Rhee
Danbi Um
Paul Neubauer
James Thompson
Timothy Eddy
Anthony Manzo
Juri Vallentin
Pianist Shai Wosner has attracted international recognition for his exceptional artistry, musical integrity, and creative insight. His performances of a broad range of repertoire—from Beethoven and Schubert to Ligeti and the music of today—communicate his imaginative programming and intellectual curiosity. Wosner is Resident Artist of the New York–based Peoples’ Symphony Concerts from 2020 to 2023. In spring 2023, he curated a second annual festival devoted to the music of György Kurtág at Bard Conservatory, where he is on faculty. Additional highlights of his season include a European tour with clarinetist Martin Fröst and violist Antoine Tamestit; concerts with the Chamber Music Society of Lincoln Center, the Columbus Symphony, and the Israel Chamber Orchestra; and performances as part of the Zukerman Trio with violinist Pinchas Zukerman and cellist Amanda Forsyth. He performs regularly at chamber music festivals, including Chamber Music Northwest, Jerusalem Chamber Music Festival, Oregon Bach Festival, and Santa Fe Chamber Music Festival. His acclaimed recordings for Onyx Classics range from Schubert sonatas, to chamber works by Bartók and Kurtág, to concerti by Haydn and Ligeti. He is the recipient of Lincoln Center’s Martin E. Segal Award, an Avery Fisher Career Grant, and a Borletti-Buitoni Trust Award. Born in Israel, Wosner enjoyed a broad musical education from a very early age, studying piano with Opher Brayer and Emanuel Krasovsky, as well as composition, theory, and improvisation with André Hajdu. He later studied at The Juilliard School with Emanuel Ax.
Acclaimed for her passionate, powerful performances, beautiful sound, and compelling command of her instrument, violinist Bella Hristova has appeared as a soloist with orchestras across the US, Asia, Europe, Latin America, and New Zealand. She was the featured soloist for an eight-orchestra concerto commission, written for her by her husband, composer David Serkin Ludwig, and recently recorded it with the Buffalo Philharmonic and JoAnn Falletta. Her discography also includes the complete Beethoven and Brahms sonatas with pianist Michael Houstoun. A champion of new music, she has commissioned works by Joan Tower, Nokuthula Ngwenyama, and Ellen Taaffe Zwilich for her project Lineage. She is a recipient of a 2013 Avery Fisher Career Grant and first-prize winner of the Michael Hill and Young Concert Artists competitions. Hristova studied with Ida Kavafian and Jaime Laredo, is an alum of CMS’s Bowers Program, and plays a 1655 Nicolò Amati violin.
Violinist Ani Kavafian enjoys a prolific career as a soloist, chamber musician, and professor. She has performed with many of America’s leading orchestras, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Los Angeles Chamber Orchestra, and San Francisco Symphony. In the 2019-20 season, she continued her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals, including the Heifetz International Institute and the Sarasota Chamber Music, Bridgehampton, Meadowmount, Norfolk, and Angel Fire festivals. She and her sister, violinist and violist Ida Kavafian, have performed with the symphonies of Detroit, Colorado, Tucson, San Antonio, and Cincinnati, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch, RCA, Columbia, Arabesque, and Delos labels. Born in Istanbul of Armenian heritage, Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin.
Violinist/violist Ida Kavafian recently retired after 35 successful years as artistic director of Music from Angel Fire, the renowned festival in New Mexico. She leaves a legacy of over 40 world premieres commissioned by the festival. Her close association with The Curtis Institute continues with her large and superb class, the endowment of her faculty chair by former Curtis Board President Baroness Nina von Maltzahn, and the awarding of the Lindback Foundation Award for Distinguished Teaching, which is presented in recognition of outstanding service in stimulating and guiding Curtis students. In addition to her solo engagements, she continues to perform with her piano quartet, OPUS ONE and Trio Valtorna. Co-founder of those ensembles as well as Tashi and the Bravo! Vail Valley Music Festival (which she ran for ten years), she has toured and recorded with the Guarneri, Orion, Shanghai, Harlem, and American string quartets (as violist); as a member of the Beaux Arts Trio for six years; and with such artists as Chick Corea, Mark O'Connor, and Wynton Marsalis. A graduate of The Juilliard School, where she studied with Oscar Shumsky, she was presented in her debut by Young Concert Artists with her long time chamber music partner, pianist Peter Serkin. Kavafian and her husband, violist Steven Tenenbom, have also found success outside of music in the breeding, training, and showing of champion Vizsla dogs, including the 2003 Number One Vizsla All Systems in the US, the 2007 National Champion, and a recent Gold Grand Champion as well as a master hunter. She has performed with the Chamber Music Society since 1973.
Born in Taiwan, Cho-Liang Lin moved to Sydney at age 12 to further his violin studies with Robert Pikler. After playing for Itzhak Perlman in a master class, the 13-year-old decided that he must study with Mr. Perlman’s teacher, Dorothy DeLay. At age 15, he traveled alone to New York, auditioned for the Juilliard School, and spent the next six years working with Ms. DeLay. His concert career launched in 1980 with his debut playing the Mendelssohn Concerto with the New York Philharmonic and Zubin Mehta. He has since performed as soloist with virtually every major orchestra in the world. At the age of 31 he joined the faculty of the Juilliard School, and in 2006 was appointed professor at Rice University. He was music director of La Jolla SummerFest for 18 years, currently serves as artistic director of the Hong Kong International Chamber Music Festival, and recently founded the Taipei Music Academy and Festival. Many of today’s composers have written for him, including John Harbison, Christopher Rouse, Tan Dun, John Williams, Steven Stucky, Esa-Pekka Salonen, Bright Sheng, Paul Schoenfield, Lalo Schifrin, Joan Tower, and others. Recently, he was soloist with the New York Philharmonic, Detroit Symphony, Munich Philharmonic, Toronto Symphony, Cincinnati Symphony, Nashville Symphony, and Royal Philharmonic. Lin performs on the 1715 “Titian” Stradivari and a 2000 Samuel Zygmuntowicz. His many recordings can be heard on the Sony Classical, Decca, BIS, Delos, and Ondine labels. His albums have won Gramophone Record of the Year, Grammy nominations, and Penguin Guide Rosettes.
Winner of the prestigious 2024 Avery Fisher Career Grant, Korean-American violinist Julian Rhee has enthralled listeners internationally, praised for his refinement and beauty of sound, and “the kind of poise and showmanship that thrills audiences” (The Strad). Rhee came to international prominence following his prize-winning performances at the 2024Queen Elisabeth International Violin Competition and the 11th Quadrennial International Violin Competition of Indianapolis. He has appeared with orchestras including the Milwaukee Symphony, Belgian National Orchestra, Antwerp Symphony, Indianapolis Symphony, Pittsburgh Symphony, Richmond Symphony, and San Diego Symphony alongside conductors such as Francesco Lecce-Chong, Valentina Peleggi, Antony Hermus, Leonard Slatkin, and Rune Bergmann. Equally passionate about chamber music, Rhee is a member of CMS’s Bowers Program. He has performed at festivals including the Ravinia Steans Institute, Marlboro Music, and North Shore Chamber Music Festival, performing alongside esteemed musicians such as Vadim Gluzman, Jonathan Biss, and Mitsuko Uchida. Rhee received his bachelor’s and master’s degrees at the New England Conservatory, and currently studies with Christian Tetzlaff at the Kronberg Academy. He is the recipient of the outstanding 1699 “Lady Tennant” Antonio Stradivari violin and a Jean Pierre Marie Persoit bow on extended loan through the generosity of the Mary B. Galvin Foundation and the Stradivari Society.
Praised by The Strad as an “utterly dazzling” artist, violinist Danbi Um captivates audiences with her virtuosity, individual sound, and interpretive sensitivity. She is a Menuhin International Violin Competition Silver Medalist, a winner of the prestigious 2018 Salon de Virtuosi Career Grant, and a recent top prizewinner of the Naumburg International Violin Competition. Recent and upcoming engagements include appearances with the Chamber Orchestra of Philadelphia and her Washington, DC, recital debut at the Phillips Collection. This season will also see her return to the Rockport, Moab, Saratoga Performing Arts (SPAC), Santa Fe, and North Shore Music Festivals, as well as her debuts at the Cleveland Chamber Music Society, Chamber Music San Francisco, and the Mostly Music, Newburyport, La Musica (Sarasota), and Chelsea Music Festivals. In addition, she embarks on a duo recital tour with guitarist Jiji to Delaware, Houston, New York, and Nova Scotia. Her debut album, Much Ado: Romantic Violin Masterworks, will be released in fall 2023. Past concerto engagements include appearances with the Israel Symphony, Auckland Philharmonic, Vermont Symphony, and Dartmouth Symphony. Born in Seoul, South Korea, Ms. Um moved to the United States to study at the Curtis Institute of Music, where she earned a bachelor’s degree. She also holds an Artist Diploma from Indiana University. Her teachers have included Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. She is an alum of CMS’s Bowers Program and plays a 1683 “ex-Petschek” Nicolo Amati violin, on loan from a private collection.
Violist Paul Neubauer has been called a “master musician” by the New York Times. He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia was released on Signum Records, and his recording of the complete viola/piano music by Ernest Bloch with pianist Margo Garrett was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower, and has been featured on CBS's Sunday Morning and A Prairie Home Companion as well as in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical, and is a member of SPA, a trio with soprano Susanna Phillips and pianist Anne-Marie McDermott. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of the Juilliard School and Mannes College.
Violinist James Thompson enjoys a multifaceted career as a chamber musician, soloist, educator, and lecturer. He is currently on faculty at Music@Menlo and has been a member of CMS’s Bowers Program since 2021. He has performed for prestigious chamber music organizations across the country, including the Chamber Music Society of Lincoln Center, Music@Menlo, the Four Arts Society, Parlance Chamber Concerts, the Perlman Music Program, and the Taos School of Music. Solo engagements include appearances with the Cleveland Orchestra, the Cleveland Institute of Music Orchestra, the Cleveland Pops Orchestra, and the Blue Water Chamber Orchestra. He was invited to perform in Budapest as part of the First Bartók World Competition and in Sendai for the Seventh Sendai International Violin Competition. Recently, his abilities as a presenter have earned him invitations to speak at a variety of established concert series. His multimedia live interview with the Kalichstein-Laredo-Robinson Trio, hosted by CMS, was a highlight of his 2021–22 season. Alongside his career on stage, he is forming a strong reputation as a private instructor and chamber music coach, and has recently served as a teaching fellow at both the Encore Chamber Music Festival and the Western Reserve Chamber Music Festival. Thompson holds bachelor’s, master’s, and artist diploma degrees from the Cleveland Institute of Music; his primary teachers include Jaime Laredo, William Preucil, and Paul Kantor.
Cellist Timothy Eddy has earned distinction as a recitalist, soloist with orchestra, chamber musician, recording artist, and teacher of cello and chamber music. He has performed with numerous symphonies, including Dallas, Colorado, Jacksonville, North Carolina, and Stamford. He has appeared at the Mostly Mozart, Ravinia, Aspen, Santa Fe, Marlboro, Lockenhaus, Spoleto, and Sarasota music festivals. He has won prizes in numerous national and international competitions, including the 1975 Gaspar Cassado International Violoncello Competition in Italy. Eddy is currently Professor of Cello at the Juilliard School and New York’s Mannes College of Music, and he was a frequent faculty member at the Isaac Stern Chamber Music Workshops at Carnegie Hall. A former member of the Galimir Quartet, the New York Philomusica, and the Bach Aria Group, he collaborates regularly in recital with pianist Gilbert Kalish. He has recorded a wide range of repertoire from Baroque to avant-garde for the Angel, Arabesque, Columbia, CRI, Delos, Musical Heritage, New World, Nonesuch, Vanguard, Vox, and Sony Classical labels. He performs on a 1728 Matteo Goffriller cello.
Anthony Manzo’s vibrantly interactive and highly communicative music-making has made him a ubiquitous figure in the upper echelons of classical music, performing at noted venues including Lincoln Center, Boston’s Symphony Hall, and the Spoleto Festival in Charleston. He appears regularly with the Chamber Music Society, both in New York and across the country. He serves as the solo bassist of San Francisco’s New Century Chamber Orchestra and as a guest with the Orpheus Chamber Orchestra and A Far Cry. He is a regular guest with the National Symphony Orchestra, the Smithsonian Chamber Society, and the Baltimore Symphony when he happens to be near his home in Washington, DC. Formerly the solo bassist of the Munich Chamber Orchestra in Germany, he has also been guest principal with Camerata Salzburg in Austria, where collaborations have included a summer residency at the Salzburg Festival and two tours as soloist alongside bass-baritone Thomas Quasthoff, performing Mozart’s “Per questa bella mano.” He is an active performer on period instruments, with groups including the Handel & Haydn Society of Boston (where his playing was lauded as “endowed with beautiful and unexpected plaintiveness” by the Boston Musical Intelligencer), Philharmonia Baroque in San Francisco, and Opera Lafayette in Washington, DC. He is on the double bass and chamber music faculty of the University of Maryland. Manzo performs on a double bass made around 1890 by Jérôme Thibouville-Lamy in Paris (which now has a removable neck for travel!).
German oboist Juri Vallentin has gained international attention as a prize winner of major competitions such as the International Tchaikovsky Competition as first oboist, the German Music Competition, and the International Oboe Competition of Japan. He has performed as soloist with the MDR Symphony Orchestra; the Mariinsky Orchestra, St. Petersburg; the Beethoven Orchestra, Bonn; the Lower Saxony State Orchestra, Hanover; Musikkollegium Winterthur; the Brandenburg State Orchestra, Frankfurt; and the Munich Chamber Orchestra, among others. In 2021 he won the Berlin Prize for Young Artists curated by VAN magazine with his solo performance Inner Voices developed together with stage director Neil Barry Moss. His albums Bridges, with music from five centuries, and Ebenbild, which combines music and literature, as well as numerous radio productions for BR, SWR, and Deutschlandfunk document his artistic work. Together with four other distinguished woodwind players, he founded the wind quintet BREEZE in 2021 as a playing field for new approaches to wind music. Born in Mainz, he studied in Nuremberg and at the renowned Conservatoire de Paris, where he graduated with highest honors. In 2021, Vallentin was appointed professor of oboe at the Karlsruhe University of Music. He joins CMS’s Bowers Program in 2024.