Schwanengesang
Schubert Schwanengesang for Voice and Piano, D. 957 (1828)
Schumann Quintet in E-flat major for Piano, Two Violins, Viola, and Cello, Op. 44 (1842)
| Title | Date |
|---|---|
| Streaming live | {{ViewModel.StreamingOn.date}}, {{ViewModel.StreamingOn.time}} |
| Available on-demand until | {{ViewModel.AvailableUntil.date}}, {{ViewModel.AvailableUntil.time}} |
{{ViewModel.BuySubscription.prompt}}
Matthew Polenzani
Gloria Chien
Ken Noda
Sean Lee
Richard Lin
Milena Pájaro-van de Stadt
Nicholas Canellakis
American tenor Matthew Polenzani is lauded as one of the most gifted and distinguished lyric tenors of his generation. In the 2024–25 season he will make a role debut as Maurizio in Adriana Lecouvreur at Teatro Real, and bring his acclaimed portrayal of Pinkerton in Madama Butterfly to Gran Teatre del Liceu. Returning to the Metropolitan Opera, he will star as Rodolfo in La Bohème, and will take on the role of Anatol in concert performances of Samuel Barber’s Vanessa at the Kennedy Center with the National Symphony Orchestra under Gianandrea Noseda. This season he also appears in major titular roles, including Werther at Wiener Staatsoper, Otello at Staatsoper Stuttgart, and Idomeneo at San Francisco Opera. On the concert stage, he will offer recitals at the Hungarian State Opera and Oper Frankfurt. Polenzani was the recipient of the 2004 Richard Tucker Award, The Metropolitan Opera’s 2008 Beverly Sills Artist Award, and a 2017 Opera News Award.
Taiwanese-born pianist Gloria Chien has a diverse musical life as a performer, concert presenter, and educator. She made her orchestral debut at the age of 16 with the Boston Symphony Orchestra under Thomas Dausgaard, and performed again with the BSO under Keith Lockhart. Recently she has performed as a recitalist and chamber musician at Alice Tully Hall, the Library of Congress, the Phillips Collection, the Kissingen Sommer festival, the Dresden Chamber Music Festival, and the National Concert Hall in Taiwan. A former member of The Bowers Program, she performs frequently with CMS. In 2009 she launched String Theory, a chamber music series at the Hunter Museum of American Art in Chattanooga, which has become one of Tennessee’s premier classical music presenters. The following year she was appointed Director of the Chamber Music Institute at Music@Menlo by Artistic Directors David Finckel and Wu Han, a position she held for the next decade. In 2017, she joined her husband, violinist Soovin Kim, as Co-Artistic Director of the Lake Champlain Chamber Music Festival in Burlington, Vermont. The duo became Artistic Directors at Chamber Music Northwest in Portland, OR, in 2020, and were named the recipients of the 2021 Award for Extraordinary Service to Chamber Music from CMS, recognizing their efforts during the pandemic. Ms. Chien received her bachelor’s, master’s, and doctoral degrees from New England Conservatory of Music as a student of Russell Sherman and Wha-Kyung Byun. She is an artist-in-residence at Lee University in Cleveland, Tennessee, and is a Steinway Artist.
Ken Noda is Musical Advisor to the Lindemann Young Artist Development Program at the Metropolitan Opera. After a 28-year tenure, he retired from his full-time Met position as a coach and teacher in July 2019. He is a guest coach at the Carnegie Hall/Weill Music Institute, the Verbier Festival in Switzerland, the Marlboro Music Festival, and the Chamber Music Society at Lincoln Center. From 2020 through 2023, he coached a Mozart/da Ponte opera cycle in Salzburg conducted by Sir András Schiff that will be repeated from 2026 through 2028 in Vicenza, Italy. He studied piano with Daniel Barenboim and in his first career as a piano soloist, played with the Berlin, Vienna, Israel, New York, and Los Angeles Philharmonics; the London, Boston, Chicago, San Francisco, Toronto, and Montreal Symphonies; as well as the Philharmonia Orchestra in London, the Cleveland Orchestra, and L’Orchestre de Paris under Abbado, Barenboim, Chailly, Kubelik, Leinsdorf, Levine, Mehta, Ozawa, and Previn. He has collaborated in chamber music with Itzhak Perlman, Pinchas Zukerman, Lynn Harrell, Nigel Kennedy, Cho-Liang Lin, and the Emerson String Quartet, and as vocal accompanist to Paul Appleby, Kathleen Battle, Hildegard Behrens, Maria Ewing, Ying Fang, Ryan Speedo Green, Kate Lindsey, Tamara Mumford, Aprile Millo, Erin Morley, Lisette Oropesa, Ailyn Pérez, James Morris, Kurt Moll, Jessye Norman, Matthew Polenzani, Morris Robinson, Russell Thomas, Dawn Upshaw, and Deborah Voigt.
Violinist Sean Lee has captured the attention of audiences around the world with his lively performances of the classics. A recipient of a 2016 Avery Fisher Career Grant, he is one of few violinists who dares to perform Niccolò Paganini’s 24 Caprices in concert, and his YouTube series, Paganini POV, continues to draw praise for its use of technology in sharing unique perspectives and insight into violin playing. He has performed as a soloist with orchestras including the San Francisco Symphony, Israel Camerata Jerusalem, and Orchestra del Teatro Carlo Felice, and his recital appearances have taken him to Vienna's Konzerthaus, Tel Aviv Museum of Art, and Carnegie Hall’s Weill Recital Hall. As a season artist at the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program, he continues to perform regularly at Lincoln Center and on tour. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before moving at the age of 17 to study at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, with bows made circa 1890 by Joseph Arthur Vigneron and circa 1910 by W. E. Hill & Sons.
Taiwanese-American violinist Richard Lin continues to gain international prominence since his Gold Medal prize at the 2018 International Violin Competition of Indianapolis. Following his June 2022 Carnegie Hall Stern Auditorium recital debut, New York Concert Review asserted, “Richard Lin. Remember the name. For he has everything required to take the world by storm.” He has collaborated with numerous orchestras and performed at celebrated concert venues throughout Asia, Europe, and the United States. He is a laureate of the Sendai, Joseph Joachim, Singapore, and Michael Hill International Violin competitions and has just joined the faculty of the National Taipei University of Education. He opened the 2022–23 season as soloist with the Chippewa Valley Symphony and Hong Kong Sinfonietta. He appeared in recitals in Indianapolis, Washington, DC, and Baton Rouge. Passionate about chamber music, he continues to perform with the Chamber Music Society of Lincoln Center, at many music festivals, and on tours of Asia. In the spring of 2023, he released a new album with pianist Thomas Hoppe on the Azica label featuring his Carnegie Hall program with works by Vitali, Richard Strauss, John Corigliano, and Frolov. Born in Phoenix, Arizona, and raised in Taiwan, Lin graduated from the Curtis Institute of Music and The Juilliard School, where he studied with Aaron Rosand and Lewis Kaplan, respectively.
Violist Milena Pájaro-van de Stadt has established herself as one of the most sought-after violists of her generation. In addition to appearing as soloist with the Tokyo Philharmonic, the Jacksonville Symphony, and the Sphinx Chamber Orchestra, she has performed in recitals and chamber-music concerts throughout the United States, Latin America, Europe, and Asia, including an acclaimed 2011 debut recital at London’s Wigmore Hall. She was the founding violist of the Dover Quartet, and played in the group from 2008 to 2022. In 2013 the Dover Quartet was the first-prize winner and recipient of every special award at the Banff International String Quartet Competition, and won the gold medal and grand prize in the 2010 Fischoff Chamber Music Competition. Her numerous awards also include first prize of the Lionel Tertis International Viola Competition and top prizes at the Sphinx Competition and Tokyo International Viola Competition. While in the Dover Quartet, she was on faculty at Curtis Institute of Music and Northwestern University’s Bienen School of Music, and a part of the Quartet in Residence of the Kennedy Center in Washington, DC. A violin student of Sergiu Schwartz and Melissa Pierson-Barrett for several years, she began studying viola with Michael Klotz at the Bowdoin International Music Festival in 2005. Pájaro-van de Stadt graduated from the Curtis Institute of Music, where she studied with Roberto Diaz, Michael Tree, Misha Amory, and Joseph de Pasquale. She then received her master’s degree at Rice University’s Shepherd School of Music, as a student of James Dunham.
Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised as a “superb young soloist” (New Yorker) and for being “impassioned . . . the audience seduced by Mr. Canellakis's rich, alluring tone” (New York Times). A multifaceted artist, Canellakis has forged a unique voice combining his talents as soloist, chamber musician, curator, filmmaker, and composer/arranger. His recent highlights include solo debuts with the Virginia, Albany, Bangor, Stamford, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony as artist-in-residence, and the American Symphony Orchestra in Carnegie Hall; Europe and Asia tours with the Chamber Music Society of Lincoln Center; and recitals throughout the United States with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, Canellakis is a regular guest artist at many of the world’s leading music festivals, including Santa Fe, Ravinia, Music@Menlo, Bard, Bridgehampton, La Jolla, Hong Kong, Moab, Music in the Vineyards, and Saratoga Springs. He is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music and New England Conservatory. Filmmaking and acting are special interests of his; he has produced, directed, and starred in several short films and music videos. Canellakis plays on an outstanding Jean-Baptiste Vuillaume cello, circa 1840.
