The Miró Quartet is one of America’s most celebrated and dedicated string quartets, having been labeled by the New Yorker as “furiously committed” and noted by the Cleveland Plain Dealer for its “exceptional tonal focus and interpretive intensity.” For over 25 years the Quartet has performed throughout the world on the most prestigious concert stages, earning accolades from critics and audiences alike. Based in Austin, Texas, and thriving on the area’s storied music scene, the Miró takes pride in finding new ways to communicate with audiences of all backgrounds while cultivating the longstanding tradition of chamber music.

In their 2023–24 season, the Miró Quartet embarks on a new performance and recording project with pianist Lara Downes. Here on Earth features musical depictions of planet earth, its evolution, and the lives of its inhabitants, with works spanning a century of cultural shift that begins with Darius Milhaud’s La Création du Monde, performed in a new arrangement for piano and string quartet. Upcoming performances include the premiere of a new version of Kevin Puts’s Credo with the Naples Philharmonic, as well as performances for the Chamber Music Society of Lincoln Center, the Mondavi Center for the Performing Arts, the Saratoga Performing Arts Center, and Premiere Performances in Hong Kong.

Formed in 1995, the Miró Quartet was awarded first prize at several national and international competitions including the Banff International String Quartet Competition and the Naumburg Chamber Music Competition. Deeply committed to music education, members of the Quartet have given master classes at universities and conservatories throughout the world, and since 2003 the Miró has served as the quartet-in-residence at the University of Texas at Austin Sarah and Ernest Butler School of Music. In 2005, the Quartet became the first ensemble ever to be awarded the coveted Avery Fisher Career Grant.

Having released many celebrated recordings, the Miró recently produced an Emmy Award–winning multimedia project titled Transcendence. A work with visual and audio elements available on live stream, CD, and Blu-Ray, Transcendence encompasses philanthropy and documentary filmmaking and is centered around a performance of Franz Schubert’s Quartet in G major on rare Stradivarius instruments. The Miró records independently and makes its music available on a global scale through Apple Music, Amazon, Spotify, Pandora, and YouTube. The Miró Quartet took its name and its inspiration from the Spanish artist Joan Miró, whose Surrealist works—with subject matter drawn from the realm of memory, dreams, and imaginative fantasy—are some of the most groundbreaking, influential, and admired of the 20th century.

Hailed as “stunning and assured” by the New York Times, Atlanta native David Byrd-Marrow is the solo hornist of the International Contemporary Ensemble, as well as a member of The Knights. Working with a uniquely wide range of performers, he has premiered works by Matthias Pintscher, Arthur Kampela, George Lewis, Tyshawn Sorey, Anna Thorvaldsdottir, Du Yun, Marcos Balter, Anna Webber, Jörg Widmann, Miguel Zenón, and Chick Corea. He has performed at festivals including the Ojai Music Festival, the Spoleto Music Festival, the Mostly Mozart Festival, the Tanglewood Music Center, Summerfest! at the La Jolla Music Society, and as faculty at the Festival Napa Valley. Formerly a member of Carnegie Hall’s Ensemble Connect, he has also made appearances with the New York Philharmonic, the Cleveland Orchestra, the Atlanta, Seattle, and Tokyo symphony orchestras, the Orpheus Chamber Orchestra, the Mostly Mozart Festival Orchestra, the Washington National Opera, the Metropolitan Opera, and the Chamber Music Society of Lincoln Center. He has recorded on many labels including Tundra, More Is More, Nonesuch, EMI, Deutsche Grammophon, and Naxos. Byrd-Marrow received his bachelor’s degree from the Juilliard School and his master’s from Stony Brook University. He is the Assistant Professor of Horn at the Lamont School of Music, of the University of Denver.