As the Western world turned giddy with 1920s post-war optimism, composers fed the cultural fires with an astonishing array of newly-conceived musical ideas. Gershwin painted his Parisian experience with a piano duo, Janáček confessed his secret passions in a string quartet, and Korngold released a torrent of post-romantic music that would find its way to Hollywood’s biggest screens.
- Janáček Quartet No. 2 for Strings, “Intimate Letters” (1928)
- Copland Lento molto from Two Pieces for String Quartet (1928)
- Gershwin An American in Paris for Two Pianos (1928)
- Korngold Suite for Piano Left Hand, Two Violins, and Cello, Op. 23 (1930)