An Evening with Benjamin Beilman and Gloria Chien
Sun, Nov 23, 2025, 5:00 pm
Alice Tully Hall
2 hours, including intermission
Violinist Benjamin Beilman has built an international audience of listeners enthralled by his golden tone, impeccable technique, and magnetic musicianship. Truly a violinist’s violinist, Beilman excels at whatever he plays, from classic to contemporary, with equal appeal. Partnering with Beilman for this special concert is pianist Gloria Chien, a long-time presence at CMS and one of today’s most sought-after collaborators. The program includes works by violin virtuoso Eugene Ysaÿe (whose 1740 Guarneri del Gesù violin Beilman plays) and Béla Bartók, as well as César Franck’s darkly lyrical showpiece dedicated as a wedding present to Ysaÿe.
Program
Eugène Ysaÿe
(1858–1931)Sonata in D minor for Violin, Op. 27, No. 3, “Ballade”
(1923)Béla Bartók
(1881–1945)Sonata No. 2 for Violin and Piano, BB 85
(1922)Karol Szymanowski
(1882-1937)Nocturne and Tarantella for Violin and Piano, Op. 28
(1915)Chris Rogerson
(b. 1988)Arietta for Violin and Piano
(New York Premiere) (2021)César Franck
(1822-1890)Sonata in A major for Violin and Piano
(1886)Benjamin Beilman
Gloria Chien
Benjamin Beilman is one of the leading violinists of his generation. He has won international praise for his passionate performances and deep rich tone which the New York Times described as “muscular with a glint of violence”, and the Strad described as “pure poetry.“ Le Monde has described him as “a prodigious artist, who combines the gift of utmost sound perfection and a deep, delicate, intense, simmering sensitivity”.
Benjamin's 2024–25 season includes a return to the Antwerp Symphony performing Korngold with Roderick Cox, and to the Hamburger Symphoniker performing Bruch with Ha-Na Chang at the Laeiszhalle. He also makes his debut with the Belgian National Orchestra reuniting with Michael Schønwandt in a performance of Stravinsky’s concerto, and with the Tokyo Metropolitain Symphony performing Korngold. In the US, performances include a return to the Cincinnati Symphony for Saint-Saëns Violin Concerto No.3 with Ramón Tebar, and a recital tour with Steven Osborne.
Last season included Benjamin's subscription debut with the Chicago Symphony with Semyon Bychkov, and six weeks of performances in Europe, including concerts with the SWR Symphonieorchester Stuttgart alongside Elim Chan, a return to the Kölner Philharmonie with the Deutsche Radio Philharmonie Saarbrücken, and appearances at the Grafenegg Festival, Festpielhaus St. Pölten, and the Musikverein in Vienna with the Tonkünstler Orchester and Tabita Berglund. He also returned to play-direct the London Chamber Orchestra, and re-united with Ryan Bancroft for his debut with BBC National Orchestra of Wales. Meanwhile, performances in the US included his debut with the St Louis Symphony under Cristian Macelaru, as well as returns to the Minnesota Orchestra with Elim Chan.
In past seasons, Benjamin has performed with many major orchestras worldwide including the Chicago Symphony, Philadelphia Orchestra, San Francisco Symphony, Rotterdam Philharmonic, London Philharmonic, Trondheim Symphony, Oslo Philharmonic, Taipei Symphony, Frankfurt Radio Symphony, Zurich Tonhalle, Sydney Symphony, and Houston Symphony. He has also extensively toured Australia in recital under Musica Aviva, and in 2022, became one of the youngest artists to be appointed to the faculty of the Curtis Institute of Music.
In recent seasons Beilman’s commitment to and passion for contemporary music has led to new works written for him by Frederic Rzewski (commissioned by Music Accord), and Gabriella Smith (commissioned by the Schubert Club in St. Paul, and the San Francisco Conservatory of Music). He has also given multiple performances of Jennifer Higdon’s violin concerto, and recorded Thomas Larcher’s concerto with Hannu Lintu and the Tonkünstler Orchester, as well as premiered Chris Rogerson’s Violin Concerto (“The Little Prince”) with the Kansas City Symphony and Gemma New.
Conductors with whom he works include Yannick Nézet-Séguin, Cristian Măcelaru, Lahav Shani, Krzysztof Urbański, Ryan Bancroft, Matthias Pintscher, Gemma New, Karina Canellakis, Jonathon Heyward, Juraj Valčuha, Han-Na Chang, Elim Chan, Roderick Cox, Rafael Payare, Osmo Vänskä, and Giancarlo Guerrero.
Beilman studied at the Curtis Institute of Music with Ida Kavafian and Pamela Frank, and with Christian Tetzlaff at the Kronberg Academy, and has received many prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant and a London Music Masters Award. He has also recorded works by Stravinsky, Janáček and Schubert for Warner Classics. He perfoms with the ex-Balaković F. X. Tourte bow (c. 1820), and plays the “Ysaÿe” Guarneri del Gesù from 1740, generously on loan from the Nippon Music Foundation.
Taiwanese-born pianist Gloria Chien has a diverse musical life as a performer, concert presenter, and educator. She made her orchestral debut at the age of 16 with the Boston Symphony Orchestra under Thomas Dausgaard, and performed again with the BSO under Keith Lockhart. Recently she has performed as a recitalist and chamber musician at Alice Tully Hall, the Library of Congress, the Phillips Collection, the Kissingen Sommer festival, the Dresden Chamber Music Festival, and the National Concert Hall in Taiwan. A former member of The Bowers Program, she performs frequently with CMS. In 2009 she launched String Theory, a chamber music series at the Hunter Museum of American Art in Chattanooga, which has become one of Tennessee’s premier classical music presenters. The following year she was appointed Director of the Chamber Music Institute at Music@Menlo by Artistic Directors David Finckel and Wu Han, a position she held for the next decade. In 2017, she joined her husband, violinist Soovin Kim, as Co-Artistic Director of the Lake Champlain Chamber Music Festival in Burlington, Vermont. The duo became Artistic Directors at Chamber Music Northwest in Portland, OR, in 2020, and were named the recipients of the 2021 Award for Extraordinary Service to Chamber Music from CMS, recognizing their efforts during the pandemic. Ms. Chien received her bachelor’s, master’s, and doctoral degrees from New England Conservatory of Music as a student of Russell Sherman and Wha-Kyung Byun. She is an artist-in-residence at Lee University in Cleveland, Tennessee, and is a Steinway Artist.