From Bach to Beethoven
Fri, Feb 20, 2026, 7:30 pm
Alice Tully Hall
2 hours, including intermission
Invented in the mid-16th century, the violin emerged as the stringed instrument of choice during the Baroque era, culminating with the concertos, chamber music, and solo works of J. S. Bach. Virtuosi such as Tartini added flair; Mozart, a proficient violinist himself, contributed sonatas on a sublime new level; and Beethoven, master of drama and musical prophet, paved the way to the future with new heights of expression for the instrument.
Program
Johann Sebastian Bach
(1685–1750)Sonata in E major for Violin and Keyboard, BWV 1016
(Before 1725)Giuseppe Tartini
(1692–1770)Sonata in G minor for Violin and Continuo, "Devil's Trill"
(before 1756)Wolfgang Amadeus Mozart
(1756–1791)Sonata in B-flat major for Violin and Piano, K. 454
(1784)Ludwig van Beethoven
(1770–1827)Sonata in C minor for Violin and Piano, Op. 30, No. 2
(1801-02)Sahun Sam Hong
Evren Ozel
Chad Hoopes
Ani Kavafian
Sean Lee
Cho-Liang Lin
Pianist Sahun Sam Hong was the winner of the 2017 Vendome Prize at Verbier, and a prizewinner of the 2023 Naumburg International Piano Competition and 2017 International Beethoven Competition Vienna. He was also the recipient of a 2021 American Pianists Award. He has been invited to perform at major chamber music festivals and is a prolific arranger of chamber music and orchestral works. He is the Co-Artistic Director of ensemble132, a chamber music collective that presents his transcriptions on annual tours. At the age of 16, Hong graduated from Texas Christian University, studying with John Owings. He also studied with Leon Fleisher and Yong Hi Moon at the Peabody Institute. A member of CMS’s Bowers Program, Hong is currently based in New York City and serves on the faculty of CUNY Queens College.
American pianist Evren Ozel has established himself as a musician of “refined restraint” (Third Coast Review), combining fluent virtuosity with probing, thoughtful interpretations. Having performed extensively in the United States and abroad, Ozel is the recipient of a 2023 Avery Fisher Career Grant, 2022 Salon de Virtuosi Career Grant, and is currently represented by Concert Artists Guild as an Ambassador Prize Winner of their 2021 Victor Elmaleh Competition.
Since his debut with the Minnesota Orchestra at age 11, Ozel has been a featured soloist with the Cleveland Orchestra, Jacksonville Symphony, and The Orchestra Now at Bard College, with conductors Jahja Ling, Ruth Reinhardt, Courtney Lewis, and Leon Botstein. In March of 2025, his first album of Mozart Concertos with the ORF Radio Symphony of Vienna and conductor Howard Griffiths will be released on Alpha Classics.
Ozel’s 2024–25 season highlights include solo recitals for La Jolla Music Society, Capital Region Classical, and Cal Performances. Previously, he has performed recitals for Harvard Musical Association, Schubert Club, Chopin Society of Minnesota, and The Gilmore. Carrying a vast and varied recital repertoire, his 2023–24 season included a program ranging from Bach and Rameau to Ligeti, as well as a program of Beethoven’s last three Piano Sonatas. As a laureate of the 2024 Cleveland International Piano Competition, Ozel will appear in recitals internationally in the coming years at Salle Cortot in Paris, Brandenburgische Sommerkonzerte in Germany, and Vilnius Piano Festival in Lithuania.
An esteemed chamber musician, Ozel performs alongside artists like David Finckel and Wu Han, Stella Chen, Zlatomir Fung, Paul Huang, and Peter Wiley. He spent four summers at the Marlboro Festival, and is currently a 2024–27 Bowers Program Artist for the Chamber Music Society of Lincoln Center. His 2024–25 season includes a tour with Musicians from Marlboro, as well as CMS concerts at Alice Tully Hall.
Ozel resides in Boston, where he is currently part of New England Conservatory’s prestigious and highly-exclusive Institute for Concert Artists, under the tutelage of Wha Kyung Byun. Other important mentors include Jonathan Biss, Imogen Cooper, Richard Goode, Sir András Schiff, and Mitsuko Uchida.
American violinist Chad Hoopes is a consistent and versatile performer with the world’s leading orchestras, including the Philadelphia Orchestra, l’Orchestre de Paris, l’Orchestre National du Capitole de Toulouse, Orpheus Chamber Orchestra, the Konzerthausorchester Berlin, and the Minnesota and National Arts Centre orchestras, as well the San Francisco, Pittsburgh, Houston, and National symphonies. An alum of CMS’s Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center. He has been a guest of the Moritzburg Festival, Rheingau Musik Festival, and Aspen Music Festival, and has been featured on recordings including the recent Moritzburg Festival Dvořák album with cellist Jan Vogler, released by Sony Classical, and with the MDR Leipzig and conductor Kristjan Järvi performing the Mendelssohn Violin Concerto on the Naïve label. He has performed in recital at the Ravinia Festival, the Tonhalle Zürich, and the Louvre, as well as on Lincoln Center’s Great Performers series. He is a 2017 recipient of Lincoln Center’s Avery Fisher Career Grant and appeared as the cover feature on the November 2021 edition of The Strad. Hoopes attended the Cleveland Institute of Music before studying with Ana Chumachenco at the Kronberg Academy. He plays the 1991 Samuel Zygmuntowicz, ex Isaac Stern violin.
Violinist Ani Kavafian enjoys a prolific career as a soloist, chamber musician, and professor. She has performed with many of America’s leading orchestras, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Los Angeles Chamber Orchestra, and San Francisco Symphony. In the 2019-20 season, she continued her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals, including the Heifetz International Institute and the Sarasota Chamber Music, Bridgehampton, Meadowmount, Norfolk, and Angel Fire festivals. She and her sister, violinist and violist Ida Kavafian, have performed with the symphonies of Detroit, Colorado, Tucson, San Antonio, and Cincinnati, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch, RCA, Columbia, Arabesque, and Delos labels. Born in Istanbul of Armenian heritage, Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin.
Violinist Sean Lee has captured the attention of audiences around the world with his lively performances of the classics. A recipient of a 2016 Avery Fisher Career Grant, he is one of few violinists who dares to perform Niccolò Paganini’s 24 Caprices in concert, and his YouTube series, Paganini POV, continues to draw praise for its use of technology in sharing unique perspectives and insight into violin playing. He has performed as a soloist with orchestras including the San Francisco Symphony, Israel Camerata Jerusalem, and Orchestra del Teatro Carlo Felice, and his recital appearances have taken him to Vienna's Konzerthaus, Tel Aviv Museum of Art, and Carnegie Hall’s Weill Recital Hall. As a season artist at the Chamber Music Society of Lincoln Center and an alum of CMS’s Bowers Program, he continues to perform regularly at Lincoln Center and on tour. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before moving at the age of 17 to study at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, with bows made circa 1890 by Joseph Arthur Vigneron and circa 1910 by W. E. Hill & Sons.
Born in Taiwan, Cho-Liang Lin moved to Sydney at age 12 to further his violin studies with Robert Pikler. After playing for Itzhak Perlman in a master class, the 13-year-old decided that he must study with Mr. Perlman’s teacher, Dorothy DeLay. At age 15, he traveled alone to New York, auditioned for the Juilliard School, and spent the next six years working with Ms. DeLay. His concert career launched in 1980 with his debut playing the Mendelssohn Concerto with the New York Philharmonic and Zubin Mehta. He has since performed as soloist with virtually every major orchestra in the world. At the age of 31 he joined the faculty of the Juilliard School, and in 2006 was appointed professor at Rice University. He was music director of La Jolla SummerFest for 18 years, currently serves as artistic director of the Hong Kong International Chamber Music Festival, and recently founded the Taipei Music Academy and Festival. Many of today’s composers have written for him, including John Harbison, Christopher Rouse, Tan Dun, John Williams, Steven Stucky, Esa-Pekka Salonen, Bright Sheng, Paul Schoenfield, Lalo Schifrin, Joan Tower, and others. Recently, he was soloist with the New York Philharmonic, Detroit Symphony, Munich Philharmonic, Toronto Symphony, Cincinnati Symphony, Nashville Symphony, and Royal Philharmonic. Lin performs on the 1715 “Titian” Stradivari and a 2000 Samuel Zygmuntowicz. His many recordings can be heard on the Sony Classical, Decca, BIS, Delos, and Ondine labels. His albums have won Gramophone Record of the Year, Grammy nominations, and Penguin Guide Rosettes.