Liszt and Bartók
Fri, Apr 10, 2026, 7:30 pm
Alice Tully Hall
2 hours, including intermission
This program’s four stars of Hungarian music, from the ultra-Romantic Franz Liszt to the ground-breaking György Ligeti, reveal the breadth, color, and infectious energy of their country’s music and folk culture. Closing the performance is Ernő Dohnányi’s first published work, composed around age 17, of which Brahms said that he “could not have done it better” himself.
Program
Franz Liszt
(1811–1886)Tristia (transcription of Vallée d’Obermann) for Piano, Violin, and Cello, S. 378c
(c. 1880)Béla Bartók
(1881–1945)Sonata for Violin, BB 124
(1944)György Ligeti
(1923-2006)Sonata for Cello
(1948-53)Ernő Dohnányi
(1877–1960)Quintet No. 1 in C minor for Piano, Two Violins, Viola, and Cello, Op. 1
(1895)Quick Note
Dohnányi's Quintet No. 1 serves as the composer's debut opus, written during his studies at the Franz Liszt Academy of Music in Budapest.
Pay attention to the thematic development throughout the piece, as Dohnányi navigates through various emotions and moods, from dramatic intensity in the first movement to lyrical tenderness or introspection in the second movement.
Anna Geniushene
Yura Lee
Arnaud Sussmann
Daniel Phillips
Nicholas Canellakis
Anna Geniushene won the silver medal at the 2022 Van Cliburn International Piano Competition and is a current member of CMS’s Bowers Program. Born in Moscow in 1991, she made her recital debut just seven years later in the small hall of the Berlin Philharmonic. She has since developed a versatile career, with performances in major venues such as the Town Hall in Leeds, National Concert Hall in Dublin, Museum of Arts in Tel Aviv, Teatro Carlo Felice in Genova, Great Hall of Moscow Conservatory, and Sala Greppi in Bergamo. A dedicated chamber musician, she has performed piano duo repertoire with her husband, Lukas Geniušas, and has collaborated with the Quartetto di Cremona. Recent and upcoming engagements include debuts with the Atlanta Symphony Orchestra, Orquesta Filarmónica de Buenos Aires, Stavanger Symphony Orchestra, Des Moines Symphony, Kristiansand Symfonieorkester, and Osaka Philharmonic. She also returns to the Taipei Symphony Orchestra and Grand Teton Music Festival Orchestra.
Violinist/violist Yura Lee is a multifaceted musician, as a soloist and as a chamber musician, and one of the very few that is equally virtuosic on both violin and viola. She has performed with major orchestras including those of New York, Chicago, Baltimore, Cleveland, San Francisco, and Los Angeles. She has given recitals in London’s Wigmore Hall, Vienna’s Musikverein, Salzburg’s Mozarteum, the Palais des Beaux-Arts in Brussels, and the Concertgebouw in Amsterdam. At age 12, she became the youngest artist ever to receive the Debut Artist of the Year prize at the Performance Today awards given by National Public Radio. She is the recipient of a 2007 Avery Fisher Career Grant and the first prize winner of the 2013 ARD Competition. She has received numerous other international prizes, including top prizes in the Mozart, Indianapolis, Hannover, Kreisler, Bashmet, and Paganini competitions. Her CD Mozart in Paris, with Reinhard Goebel and the Bayerische Kammerphilharmonie, received the prestigious Diapason d’Or Award. As a chamber musician, she regularly takes part in the festivals of Seattle, Marlboro, Salzburg, Verbier, and Caramoor. Her main teachers included Dorothy DeLay, Hyo Kang, Miriam Fried, Paul Biss, Thomas Riebl, Ana Chumachenko, and Nobuko Imai. An alum of CMS's Bowers Program, Lee is on the faculty at the USC Thornton School of Music in Los Angeles. She lives in Los Angeles with her dog Nugget.
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has recently appeared as soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at the Tel Aviv Museum, London’s Wigmore Hall, the Dresden Music Festival, and the Phillips Collection in Washington, DC. He has also given concerts at the Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, he was named Founding Artistic Director of the Boscobel Chamber Music Festival. Mr. Sussmann plays a 1731 Stradivarius violin on loan from a private owner.
Violinist Daniel Phillips enjoys a versatile career as a chamber musician, solo artist, and teacher. A graduate of Juilliard, his major teachers were his father Eugene Phillips, Ivan Galamian, Sally Thomas, Nathan Milstein, Sandor Végh, and George Neikrug. Since winning the 1976 Young Concert Artists Competition, he has performed as a soloist with many orchestras, including the Pittsburgh, Houston, New Jersey, Phoenix, San Antonio, and Yakima symphonies. He appears regularly at the Spoleto USA Festival, Santa Fe Chamber Music Festival, Chamber Music Northwest, Chesapeake Music Festival, the International Musicians Seminar in England, Marlboro Music Festival, and Music from Angel Fire, where he is co-artistic director. He has served on the faculty of the Heifetz Institute and the St. Lawrence String Quartet Seminar at Stanford. He was a member of the renowned Bach Aria Group and has toured and recorded in a string quartet for Sony with Gidon Kremer, Kim Kashkashian, and Yo-Yo Ma. A judge in the 2022 Leipzig Bach Competition and 2018 Seoul International Violin Competition, Phillips is a professor at the Aaron Copland School of Music at Queens College and on the faculties of the Mannes College of Music, Bard College Conservatory, and the Juilliard School. He lives with his wife, flutist Tara Helen O'Connor, and their two dachshunds on Manhattan's Upper West Side.
Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised in the New Yorker as a “superb young soloist.” Recent highlights include solo debuts with the Virginia, Albany, Bangor, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony, and the American Symphony Orchestra; Europe and Asia tours with CMS; and recitals throughout the US with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, he is a regular guest artist at many of the world’s leading music festivals. Canellakis is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music (where he was recently appointed to the cello faculty) and New England Conservatory.
