Summer Evenings V
Tue, Jul 22, 2025, 7:30 pm
Alice Tully Hall
2 hours, including intermission
CMS’s summer tradition returns for its tenth anniversary. Get this year’s hottest ticket, featuring beloved chamber music works in the cool atmosphere of Alice Tully Hall. Stay after the performance and get to know the artists in the lobby with a complimentary glass of wine.
Program
Mikhail Glinka
(1804–1857)Variations on a Theme of Mozart for Piano
(1822, rev. 1827)Ludwig van Beethoven
(1770–1827)Variations in G major for Piano, Violin, and Cello, Op. 121a, "Kakadu"
(1803, rev. 1816)Franz Schubert
(1797–1828)Adagio and rondo concertante in F major for Piano, Violin, Viola, and Cello, D. 487
(1816)Reinhold Glière
(1875–1956)Selections from Ten Duos for Two Cellos, Op. 53
(1911)Anton Arensky
(1861–1906)Quartet No. 2 in A minor for Violin, Viola, and Two Cellos, Op. 35
(1894)Anna Geniushene
Francisco Fullana
Lawrence Dutton
Sterling Elliott
Inbal Segev
Anna Geniushene’s fresh, layered, and powerful interpretations defined her participation at the 2022 Van Cliburn International Piano Competition—and won her the coveted silver medal and the adoration of fans around the globe. Critics praised her “powerhouse sound, forceful musical personality, and sheer virtuosity” (Musical America) and likened her performance to “Cliburn at his best” (Gramophone). Born in Moscow on New Year’s Day in 1991, Anna made her recital debut just seven years later in the small hall of the Berlin Philharmonic. She has since developed a versatile career, with performances in major world venues such as the Town Hall in Leeds, National Concert Hall in Dublin, Museum of Arts in Tel Aviv, Teatro Carlo Felice in Genova, Great Hall of Moscow Conservatory, and Sala Greppi in Bergamo. A dedicated chamber musician, she has performed piano duo repertoire with her husband, Lukas Geniušas, and has collaborated with the Quartetto di Cremona. The 2024 season features her debut in Washington, DC, and multiple engagement across the United States; an Asian tour including solo recitals in Singapore, China, and Taiwan; the season opening in Florence with Tchaikovsky’s First Piano Concerto under Gabor Takacs-Nagy; her debut at the Vienna Konzerthaus; and the beginning of her tenure in CMS’s Bowers Program.
Spanish-born violinist Francisco Fullana, winner of the 2018 Avery Fisher Career Grant and the 2023 Khaledi Prize, has been hailed as “frighteningly awesome” (Buffalo News). His latest album on Orchid Classics, Bach’s Long Shadow, was named BBC Music Magazine’s Instrumental Choice of the Month. Its five-star review stated: "Fullana manages to combine Itzhak Perlman's warmth with the aristocratic poise of Henryk Szeryng." His thoughtful virtuosity has led to collaborations with conducting greats like Sir Colin Davis, Hans Graf, and Gustavo Dudamel. Besides his career as a soloist, which includes recent debuts with the Philadelphia and St. Paul Chamber Orchestras and a season-long artist residency with the Grammy-winning orchestra Apollo’s Fire, he is making an impact as an innovative educator. He created the Fortissimo Youth Initiative, a series of seminars and performances in partnership with youth and university orchestras, and co-founded San Antonio’s Classical Music Institute, an outreach-focused chamber music festival that serves hundreds of Title I underrepresented minority students every summer. He was a first-prize winner of the Johannes Brahms and Angel Munetsugu International Violin Competitions and is an alum of CMS’s Bowers Program. A graduate of the Juilliard School and the University of Southern California, Fullana performs on the 1735 Mary Portman ex-Kreisler Guarneri del Gesù violin, on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.
Lawrence Dutton was the violist of the nine-time Grammy-winning Emerson String Quartet, which in 2023 performed its final concert after a storied 47-year career. He has also performed as guest artist with the Beaux Arts and Kalichstein-Laredo-Robinson Trios and the Juilliard and Guarneri String Quartets. With the late Isaac Stern he collaborated on the International Chamber Music Encounters at Carnegie Hall and in Jerusalem. He began violin studies with Margaret Pardee and viola studies with Francis Tursi at the Eastman School. He holds degrees from the Juilliard School, where he studied with Lillian Fuchs. Currently, Dutton is Distinguished Professor of Viola and Chamber Music at Stony Brook University; Distinguished Artist at the Robert McDuffie Center for Strings at Mercer University in Macon, Georgia; and Artistic Director of the Hoch Chamber Music Series in Bronxville, New York. He exclusively uses Thomastik Spirocore strings, and his viola is a Samuel Zygmuntowicz (Brooklyn, 2003).
Cellist Sterling Elliott is a 2021 Avery Fisher Career Grant recipient and winner of the Senior Division 2019 National Sphinx Competition. He has appeared with the Philadelphia Orchestra, the New York Philharmonic, the Boston Symphony, the Cleveland Orchestra, and the Dallas and Detroit symphonies. The 2022–23 season saw debuts with the Colorado Symphony and the Cincinnati Symphony, among others, with return appearances including the Buffalo Philharmonic. He was presented in recital by the San Francisco Symphony, the New York Philharmonic, Shriver Hall, and Tippet Rise. This summer, Sterling returns to the Hollywood Bowl to perform with the Los Angeles Philharmonic. He also serves on faculty at the Sphinx Performance Academy at Juilliard, and he performs chamber music at festivals including La Jolla SummerFest, Edinburgh Festival, Chamberfest Cleveland, and Festival Mozaic. Elliott is pursuing an Artist Diploma at the Juilliard School, studying with Joel Krosnick and Clara Kim. He performs on a 1741 Gennaro Gagliano cello on loan through the Robert F. Smith Fine String Patron Program, in partnership with the Sphinx Organization.
Inbal Segev is “a cellist with something to say” (Gramophone). She has appeared with orchestras including the Berlin Philharmonic, London Philharmonic, Israel Philharmonic, Baltimore Symphony, St. Louis Symphony, and Pittsburgh Symphony, collaborating with such prominent conductors as Marin Alsop, Stéphane Denève, Lorin Maazel, Cristian Macelaru, and Zubin Mehta. Committed to reinvigorating the cello repertoire, she has commissioned and premiered new cello concertos by Timo Andres, Anna Clyne, Avner Dorman, Dan Visconti, Vijay Iyer, and Victoria Poleva, whose new concerto Segev looks forward to premiering with the Dallas Symphony and the London Philharmonic in the 2023–24 season. Recorded with Alsop and the London Philharmonic, Segev’s 2020 premiere recording of Clyne’s cello concerto, DANCE, was an instant success, topping the Amazon Classical Concertos chart and receiving nine million listens on Spotify. At the start of the pandemic, she launched 20 for 2020, a commissioning, recording, and video project featuring 20 cutting-edge composers, including John Luther Adams, Viet Cuong, and James Lee III. Her discography includes acclaimed recordings of Elgar’s Cello Concerto, Romantic cello works, and Bach’s Cello Suites, while her popular YouTube masterclass series, Musings with Inbal Segev, has inspired a generation of cellists. A native of Israel, at 16 Segev was invited by Isaac Stern to continue her cello studies in the US, where she earned degrees from Yale University and the Juilliard School, before co-founding the Amerigo Trio with former New York Philharmonic concertmaster Glenn Dicterow and violist Karen Dreyfus. Segev’s cello was made by Francesco Ruggieri in 1673.