Sonic Spectrum IV
Thu, Apr 29, 2027, 7:30 pm
Daniel and Joanna S. Rose Studio at CMS
90 minutes, no intermission
Experience music of the late 20th and 21st centuries, including premieres, in the intimate setting of the Rose Studio at CMS. Designed in collaboration with CMS artists, Sonic Spectrum concerts are an opportunity to hear the boundaries of chamber music expanded in real time.
Program
Ken Ueno
(b. 1970)Atlas of Crossed Destinies for Violin and Viola
(2019)Paul Wiancko
(b. 1983)American Haiku for Viola and Cello
(2015)Sofia Gubaidulina
(1931-2025)Rejoice for Violin and Cello
(1981)Salina Fisher
(b. 1993)Mata-Au for Violin, Viola, and Cello
(2021)
Yura Lee
Matthew Lipman
Camden Shaw
Violinist/violist Yura Lee is a multifaceted musician, as a soloist and as a chamber musician, and one of the very few that is equally virtuosic on both violin and viola. She has performed with major orchestras including those of New York, Chicago, Baltimore, Cleveland, San Francisco, and Los Angeles. She has given recitals in London’s Wigmore Hall, Vienna’s Musikverein, Salzburg’s Mozarteum, the Palais des Beaux-Arts in Brussels, and the Concertgebouw in Amsterdam. At age 12, she became the youngest artist ever to receive the Debut Artist of the Year prize at the Performance Today awards given by National Public Radio. She is the recipient of a 2007 Avery Fisher Career Grant and the first prize winner of the 2013 ARD Competition. She has received numerous other international prizes, including top prizes in the Mozart, Indianapolis, Hannover, Kreisler, Bashmet, and Paganini competitions. Her CD Mozart in Paris, with Reinhard Goebel and the Bayerische Kammerphilharmonie, received the prestigious Diapason d’Or Award. As a chamber musician, she regularly takes part in the festivals of Seattle, Marlboro, Salzburg, Verbier, and Caramoor. Her main teachers included Dorothy DeLay, Hyo Kang, Miriam Fried, Paul Biss, Thomas Riebl, Ana Chumachenko, and Nobuko Imai. An alum of CMS's Bowers Program, Lee is on the faculty at the USC Thornton School of Music in Los Angeles. She lives in Los Angeles with her dog Nugget.
American violist Matthew Lipman has made recent appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra. He has performed recitals at Carnegie Hall and the Zürich Tonhalle, and has recorded on the Sony, Deutsche Grammophon, Cedille, and Avie labels. An alum of CMS’s Bowers Program, he performs regularly on tour and at Alice Tully Hall with CMS. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions, Lipman is on faculty at Stony Brook University. He performs on a 2021 Samuel Zygmuntowicz viola.
Camden Shaw is the cellist of the Dover Quartet, the Penelope P. Watkins Ensemble in Residence at the Curtis Institute of Music. He has appeared with the ensemble in performances all over the world to great acclaim. Mr. Shaw has collaborated in chamber music with such renowned artists as Daniel Hope, Nadja Salerno-Sonnenberg, and the late Leon Fleischer, and maintains an active career as a soloist. Highlights from recent seasons include a performance of Beethoven’s Triple Concerto, Op. 56 with the Artosphere Festival Orchestra, where Shaw also holds the principal chair; and the release of his solo album by Unipheye Music, which was met with critical praise.
With the Dover Quartet Mr. Shaw won first prize and every special award at the Banff International String Quartet Competition in 2013, and the gold medal and grand prize in the Fischoff National Chamber Music Competition in 2010. He graduated from the Curtis Institute of Music in 2010, where he studied with Peter Wiley. Other major teachers include Norman Fischer, David Finckel, and Steven Isserlis. He performs on an instrument made in 2010 by Frank Ravatin.
Mr. Shaw joined the faculty of the Curtis Institute of Music in 2020. He also teaches at Northwestern University’s Bienen School of Music.
Mr. Shaw performs on a Joseph Hill, London, 1770.