Praised by the New York Times as an “excellent young pianist”, Chelsea Wang has appeared as a soloist and chamber musician throughout North America in venues including Carnegie Hall, Kennedy Center, Merkin Hall, Kimmel Center’s Perelman Hall, Isabella Stewart Gardner Museum, Phillips Collection, Benjamin Franklin Hall, Guarneri Hall, and more. She has also performed extensively in Europe and Asia, appearing in venues including Konzerthaus Berlin, Munich’s Allerheiligen-Hofkirche, Konzertsaal at Hochschule für Musik Carl Maria von Weber, Dresden Hochschule fur Musik, Chamber Hall of Warsaw Philharmonic, Seoul Arts Center, Taipei National Concert Hall, Kaohsiung Weiwuying Center for the Arts, Hong Kong City Hall, and Taitung Cultural Performing Arts Center. She is a prizewinner and finalist of many national and international piano competitions including the Seoul International Piano Competition, Washington International Piano Competition, and New York International Piano Competition. 

Ms. Wang made her orchestral debut at the age of six and has performed with many orchestras since then including the Fort Worth Symphony Orchestra, Des Moines Symphony Orchestra, musicians from the Metropolitan Opera Orchestra, New Orleans Civic Symphony, Waterloo-Cedar Falls Symphony Orchestra, Fort Dodge Symphony Orchestra, Northwestern University Chamber Orchestra, among others. Her festival appearances include the Music@Menlo, Ravinia Steans Institute, Bravo!Vail, Tippet Rise, Music Academy of the West, Orford, PianoTexas, Fontainebleau, Music from Angel Fire, Four Seasons, Banff, Amalfi Coast, and Norfolk Chamber Music Festivals.  

Ms. Wang has performed as a guest artist with the Chamber Music Society of Lincoln Center, Manhattan Chamber Players, Buffalo Chamber Music Society, Hong Kong Intimacy of Creativity, and the Dame Myra Hess Series. She has collaborated with eminent artists including Ida Kavafian, Ani Kavafian, Anne-Marie McDermott, David Finckel, Roberto Diaz, Paul Neubauer, Dmitri Murrath, Peter Wiley, Bright Sheng, and many others. Ms. Wang’s radio appearances include “What Makes It Great” with host Rob Kapilow, NPR’s “From the Top”, along with programs on New York’s WQXR, Chicago’s WFMT, Philadelphia’s WHYY Public Radios, Sarasota’s WSMR, and other radio programs in Iowa, Kansas, and Minnesota. 

A native of West Des Moines, Iowa, Ms. Wang began playing the piano at four years old, and her early formal piano studies were under the tutelage of Chiu-Ling Lin and Ksenia Nosikova. She received a Bachelor’s degree at the Curtis Institute of Music in Philadelphia where she studied with Meng-Chieh Liu and Ignat Solzhenitsyn, and was awarded the prestigious Sergei Rachmaninoff Award upon graduation. She received her Master of Music degree and Graduate Performance Diploma at the Peabody Conservatory under the tutelage of Leon Fleisher and Yong-Hi Moon, and is currently pursuing a Doctor of Musical Arts degree at Northwestern University’s Bienen School of Music with James Giles. Additionally, Chelsea is a member of the prestigious New York-based Ensemble Connect, a highly selective two-year fellowship program under the joint auspices of Carnegie Hall, The Weill Institute, and The Juilliard School.

Lun Li is a violinist committed to creating thought-provoking, boundary-pushing concert experiences for contemporary audiences around the world. A native of Shanghai who is currently based in New York, he won first prize in the 2021 Young Concert Artists Susan Wadsworth International Auditions. Additionally, he is also joint winner of the first prize at the Lillian and Maurice Barbash J.S. Bach Competition 2021. He has appeared on major musical stages around the world, including Helsinki Music Centre, Konzerthaus Berlin, Kulturpalast Dresden, Wiener Konzerthaus, and Verizon Hall at the Kimmel Center. This season, he will make his solo recital debut in Merkin Hall at the Kaufman Music Center in New York and at the Kennedy Center in Washington, DC, as well as his concerto debut at Lincoln Center. An avid chamber musician, he has participated in the Marlboro, Music@Menlo, Verbier, and Angelfire music festivals. This season, he will go on tours with Marlboro Music Festival and Young Concert Artists, bringing him to Carnegie Hall, Merkin Concert Hall, Kimmel Center in Philadelphia, and others. In 2024, he begins his tenure as a member of CMS’s Bowers Program. He holds degrees from the Curtis Institute of Music and the Juilliard School; his mentors include Ida Kavafian, Catherine Cho, and Joseph Lin. Li plays on the Stradivarius “Samazeuilh” 1735 violin, on a generous loan from the Nippon Music Foundation.

Cellist and performer Coleman Itzkoff stands at the intersection of baroque/classical/new music, contemporary dance, and experimental theater. Whether premiering works by living composers and performing baroque music on historical instruments in the same concert, delivering enigmatic monologues in a piece of avant-garde dance theater (as well as dancing in said piece), composing, arranging, and recording music for the Amazon film ‘Le Bal des Folles’, or simply playing a piece of solo Bach for hospital patients in the time of COVID, Coleman continues to push the boundaries of what it means to be a musician of the 21st century, bringing his diverse range of interests and shape-shifting presence to every room and stage he occupies.

Hailed by Alex Ross in the New Yorker for his “flawless technique and keen musicality,” Coleman has performed in the great halls and festivals of America and abroad. As a soloist, he has had the privilege of being the featured soloist with many great orchestras, including recent appearances with the Houston, San Diego, and Cincinnati Symphonies. As a recitalist, he is allowed to express his eclectic taste and inventive programming, and is constantly experimenting with the form and format of a solo concert, playing with unique lighting, unconventional spaces, and often with an accompaniment of dance or text.

Collaboration is the heart of Coleman’s art making. To that end, he is a dedicated member of several ensembles, including the early music ensembles Ruckus and Twelfth Night, and is a founding member of AMOC, the American Modern Opera Company. Coleman holds a Bachelors in Music from Rice University, a Masters in Music from USC, and an Artist Diploma from The Juilliard School. For more information, please visit colemanitzkoff.com