Wind quintets, a standard combination in the chamber music genre, have the challenge, as well as the benefits, of bringing together five distinct instruments to explore multiple blends of timbres; Klughardt’s work is a beautiful example of great writing for each of the five. The addition of piano in Louise Farrenc’s Sextet provides expanded sonic dimensions and is a true tour de force for the pianist. The program is balanced with smaller combinations featuring double reeds, the regal sound of the horn, and upper winds.
Program
Antonio Vivaldi
(1678–1741)Concerto in G minor for Flute, Oboe, Bassoon, and Continuo, RV 103
(c. 1720)Wolfgang Amadeus Mozart
(1756–1791)Sonata for Flute and Piano in C major, K. 14
Richard Strauss
(1864–1949)Andante for Horn and Piano
(1888)August Klughardt
(1847-1902)Quintet in C major for Flute, Oboe, Clarinet, Bassoon, and Horn, Op. 79
(c. 1898)Maurice Emmanuel
(1862-1938)Sonata for Flute, Clarinet, and Piano, Op. 11
(1907)Wolfgang Amadeus Mozart
(1756–1791)Quintet in E-flat major for Oboe, Clarinet, Bassoon, Horn, and Piano, K. 452
(1784)Quick Note
Michael Stephen Brown
Tara Helen O'Connor
Juri Vallentin
David Shifrin
Peter Kolkay
David Byrd-Marrow
Michael Stephen Brown is a composer and pianist hailed by the New York Times as “one of the leading figures in the current renaissance of performer-composers.” The 2026 Andrew Wolf Award Winner and a recent fellow at both MacDowell and Yaddo, he is also a recipient of Lincoln Center’s Emerging Artist Award and an Avery Fisher Career Grant. Brown performs internationally and receives commissions from orchestras, soloists, and festivals around the world. Recent highlights include a recital at Alice Tully Hall for CMS, and collaborations with cellist Nicholas Canellakis and violinists Pinchas Zukerman, Kristin Lee, and Arnaud Sussmann. He is currently composing The Carnival of Endangered Wonders, a CMS-led project co-presented by a consortium of US presenters. His first album devoted entirely to his music, Twelve Blocks, will be released in February 2026. Brown is also composing the score for Angeline Gragasin’s upcoming film Look But Don’t Touch and lives in New York City with his two 19th-century Steinways, Octavia and Daria.
Tara Helen O’Connor, recipient of an Avery Fisher Career Grant and a two-time Grammy nominee, was the first wind player to participate in CMS’s Bowers Program. A regular performer at major music festivals around the country, she is also the Co-Artistic Director of the Music from Angel Fire Festival in New Mexico, the Artistic Director of the Essex Winter Series, a member of the woodwind quintet Windscape, and a founding member of the Naumburg Award–winning New Millennium Ensemble. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings, and Bridge Records, and can be heard on numerous film and television soundtracks. She has premiered hundreds of new works and has collaborated with the Orion, St. Lawrence, and Emerson String Quartets. A Wm. S. Haynes flute artist, O’Connor is on faculty at Yale School of Music. Additionally, she teaches at Bard College and the Manhattan School of Music.
German oboist Juri Vallentin has gained international attention as a prize winner of major competitions such as the International Tchaikovsky Competition as first oboist, the German Music Competition, and the International Oboe Competition of Japan. He has performed as soloist with the MDR Symphony Orchestra, the Mariinsky Orchestra, the Lower Saxony State Orchestra, the Brandenburg State Orchestra, and the Munich Chamber Orchestra, among others. His albums Bridges, featuring Italian concertos, Ebenbild, which combines music and literature, and Bridges, with music from five centuries, as well as numerous radio productions for BR, SWR, and Deutschlandfunk, document his artistic work. He co-founded the wind quintet BREEZE in 2021. Born in Mainz, he studied in Nuremberg and at the Conservatoire de Paris, where he graduated with highest honors. Vallentin is Professor of Oboe at the Karlsruhe University of Music and a member of CMS’s Bowers Program.
A Yale University faculty member since 1987, clarinetist David Shifrin is artistic director of Yale’s Chamber Music Society and the Yale in New York concert series. He has performed with CMS since 1982 and served as its artistic director from 1992 to 2004, inaugurating CMS’s Bowers Program and the annual Brandenburg Concertos concerts. He was the artistic director of Chamber Music Northwest from 1981 to 2020. Winner of the Avery Fisher Career Grant (1987) and the Avery Fisher Prize (2000), he has held principal clarinet positions in numerous orchestras including the Cleveland Orchestra and the American Symphony under Leopold Stokowski. As soloist, Shifrin has performed recitals at Lincoln Center, Carnegie Hall, and the Library of Congress. Notable concerto performances include the Philadelphia and Minnesota orchestras; the Dallas, Seattle, Houston, Milwaukee, and Denver symphonies; as well as orchestras in China, Taiwan, Japan, Korea, Switzerland, Germany, and Italy. Shifrin performs on clarinets made by Morrie Backun in Vancouver, Canada, and Légère synthetic reeds.
Called “stunningly virtuosic” by the New York Times and “superb” by the Washington Post, Peter Kolkay is the only bassoonist to be awarded an Avery Fisher Career Grant. In addition to performing with CMS, he regularly appears as a chamber musician at the Sarasota, Music@Menlo, and Bridgehampton summer festivals. Kolkay has commissioned and premiered solo works by Joan Tower, Mark-Anthony Turnage, Elliott Carter, and Tania León, among many others, and his most recent recordings include an album of music for bassoon and strings with the Calidore String Quartet, and the Christopher Rouse concerto with the Albany Symphony. He is Professor of Bassoon at the Vanderbilt University Blair School of Music and has given master classes throughout the US, Mexico, and South Korea. Kolkay is an alum of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. He is a native of Naperville, Illinois.
Hailed as “stunning and assured” by the New York Times, Atlanta native David Byrd-Marrow is a member of the International Contemporary Ensemble, as well as The Knights. He enjoys an active chamber music calendar, and has performed at festivals including the Ojai Music Festival, the Spoleto Music Festival, Music@Menlo, the Tanglewood Music Center, Summerfest! at La Jolla Music Society, and the Denver Chamber Music Festival. Formerly a member of Carnegie Hall’s Ensemble Connect, he has also appeared with the New York Philharmonic, the Cleveland Orchestra, the Atlanta, Seattle and Tokyo symphony orchestras, the Orpheus Chamber Orchestra, the Mostly Mozart Festival Orchestra, the Washington National Opera, and the Metropolitan Opera. He has recorded on labels including Tundra, More Is More, Nonesuch, EMI, Deutsche Grammophon, and Naxos. Byrd-Marrow received his bachelor’s degree from the Juilliard School and master’s from Stony Brook University. He is Associate Professor of Horn at Oberlin College and Conservatory.