Corigliano Sonata for Violin and Piano
Paul Huang, violin; Anne-Marie McDermott, piano
Beach Quintet in F-sharp minor for Piano, Two Violins, Viola, and Cello, Op. 67
Gilles Vonsattel, piano; Ida Kavafian, Francisco Fullana, violin; Matthew Lipman, viola; David Finckel, cello
|Available on-demand until
Recipient of a 2015 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang’s recent appearances include the Detroit Symphony with Leonard Slatkin, Baltimore Symphony and Seoul Philharmonic with Markus Stenz, and Houston Symphony with Andrés Orozco-Estrada. In the 2023–24 season, he returns to the National Symphony Orchestra of Taiwan with Jun Markl and makes debuts with Rotterdam Philharmonic with Lahav Shani, Vancouver Symphony with Otto Tausk, and Dallas and NHK Symphonies with Fabio Luisi. In addition, he returns to the Kennedy Center for a recital evening as well as his recital debut in Singapore at the Victoria Concert Hall. He recently stepped in for Anne-Sophie Mutter at the Bravo! Vail Music Festival, playing Mozart’s Violin Concerto No. 4 with Chamber Orchestra Vienna-Berlin, and made recital debuts at the Lucerne and Aspen Music Festivals, all to critical acclaim. In fall 2021, he also became the first classical violinist to perform his own arrangement of the US national anthem for the opening game of the NFL at the Bank of America Stadium to an audience of 75,000. Winner of the 2011 Young Concert Artists International Auditions, Huang earned both bachelor’s and master’s degrees at the Juilliard School. He plays on the legendary 1742 ex-Wieniawski Guarneri del Gesù on loan through the Stradivari Society of Chicago. He is on the faculty of Taipei National University of the Arts and resides in New York.
For over 25 years Anne-Marie McDermott has played concertos, recitals, and chamber music in hundreds of cities throughout the United States, Europe, and Asia. She also serves as artistic director of the Bravo! Vail Music and Ocean Reef Music festivals, as well as Curator for Chamber Music for the Mainly Mozart Festival in San Diego. Recent performance highlights include appearances with the Colorado Symphony, Florida Orchestra, San Antonio Symphony, New World Symphony, Louisiana Philharmonic, Tucson Symphony, Mexico National Symphony, and Taipei Symphony. She also returned to play Mozart with the Chamber Orchestra Vienna-Berlin at the Bravo! Vail Festival. She has performed with leading orchestras, including the New York Philharmonic, Minnesota Orchestra, Dallas Symphony, Columbus Symphony, Seattle Symphony, National Symphony, and Houston Symphony. Her recordings include the complete Prokofiev piano sonatas, Bach’s English Suites and partitas (Editor’s Choice, Gramophone), Gershwin’s complete works for piano and orchestra with the Dallas Symphony (Editor’s Choice, Gramophone), and, most recently, the Haydn piano sonatas and concertos with the Odense Philharmonic in Denmark. McDermott studied at the Manhattan School of Music, has been awarded the Mortimer Levitt Career Development Award for Women and an Avery Fisher Career Grant, and won the Young Concert Artists auditions.
Swiss-born American pianist Gilles Vonsattel is celebrated for his versatility and originality. He has been honored with an Avery Fisher Career Grant, the 2016 Andrew Wolf Chamber Music Award, and top prizes in the Naumburg and Geneva competitions, and has performed alongside world-renowned orchestras like the Boston Symphony Orchestra, Orchestre Symphonique de Montréal, San Francisco Symphony, Munich Philharmonic, Detroit Symphony, Chicago Symphony Orchestra, and Philharmonisches Staatsorchester Hamburg. He has performed recitals and chamber music at venues including Ravinia, Tokyo’s Musashino Hall, Wigmore Hall, the Lucerne Festival, Bravo! Vail, Chamber Music Northwest, the Santa Fe Chamber Music Festival, and Music@Menlo. An advocate of contemporary music, he has premiered compositions in the United States and Europe, collaborating closely with composers Jörg Widmann, Heinz Holliger, Anthony Cheung, and George Benjamin. Recent milestones in his career encompass a performance of Carlos Chávez’s Piano Concerto at Carnegie Hall’s Stern Auditorium with The Orchestra Now, a debut at Mostly Mozart, and a critically acclaimed recording of Richard Strauss and Kurt Leimer’s music with the Bern Symphony Orchestra and Mario Venzago for Schweizer Fonogramm. An alum of CMS’s Bowers Program, he earned his bachelor’s degree in political science and economics from Columbia University and a master’s degree from the Juilliard School. Vonsattel is Professor of Piano at the University of Massachusetts, Amherst, and is on the faculty at Bard College Conservatory of Music.
Violinist/violist Ida Kavafian recently retired after 35 successful years as artistic director of Music from Angel Fire, the renowned festival in New Mexico. She leaves a legacy of over 40 world premieres commissioned by the festival. Her close association with The Curtis Institute continues with her large and superb class, the endowment of her faculty chair by former Curtis Board President Baroness Nina von Maltzahn, and the awarding of the Lindback Foundation Award for Distinguished Teaching, which is presented in recognition of outstanding service in stimulating and guiding Curtis students. In addition to her solo engagements, she continues to perform with her piano quartet, OPUS ONE and Trio Valtorna. Co-founder of those ensembles as well as Tashi and the Bravo! Vail Valley Music Festival (which she ran for ten years), she has toured and recorded with the Guarneri, Orion, Shanghai, Harlem, and American string quartets (as violist); as a member of the Beaux Arts Trio for six years; and with such artists as Chick Corea, Mark O'Connor, and Wynton Marsalis. A graduate of The Juilliard School, where she studied with Oscar Shumsky, she was presented in her debut by Young Concert Artists with her long time chamber music partner, pianist Peter Serkin. Kavafian and her husband, violist Steven Tenenbom, have also found success outside of music in the breeding, training, and showing of champion Vizsla dogs, including the 2003 Number One Vizsla All Systems in the US, the 2007 National Champion, and a recent Gold Grand Champion as well as a master hunter. She has performed with the Chamber Music Society since 1973.
Spanish-born violinist Francisco Fullana, winner of the 2018 Avery Fisher Career Grant and the 2023 Khaledi Prize, has been hailed as “frighteningly awesome” (Buffalo News). His latest album on Orchid Classics, Bach’s Long Shadow, was named BBC Music Magazine’s Instrumental Choice of the Month. Its five-star review stated: "Fullana manages to combine Itzhak Perlman's warmth with the aristocratic poise of Henryk Szeryng." His thoughtful virtuosity has led to collaborations with conducting greats like Sir Colin Davis, Hans Graf, and Gustavo Dudamel. Besides his career as a soloist, which includes recent debuts with the Philadelphia and St. Paul Chamber Orchestras and a season-long artist residency with the Grammy-winning orchestra Apollo’s Fire, he is making an impact as an innovative educator. He created the Fortissimo Youth Initiative, a series of seminars and performances in partnership with youth and university orchestras, and co-founded San Antonio’s Classical Music Institute, an outreach-focused chamber music festival that serves hundreds of Title I underrepresented minority students every summer. He was a first-prize winner of the Johannes Brahms and Angel Munetsugu International Violin Competitions and is an alum of CMS’s Bowers Program. A graduate of the Juilliard School and the University of Southern California, Fullana performs on the 1735 Mary Portman ex-Kreisler Guarneri del Gesù violin, on loan from Clement and Karen Arrison through the Stradivari Society of Chicago.
American violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing” and by the Chicago Tribune for a “splendid technique and musical sensitivity.” Recent seasons have included appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra. He has performed recitals at Carnegie Hall, Aspen Music Festival, and the Zürich Tonhalle; was invited by Michael Tilson Thomas to be a soloist at the New World Symphony Viola Visions Festival; and has appeared in chamber music with Anne-Sophie Mutter at the Berlin Philharmonie, Vienna Musikverein, and on Deutsche Grammophon Stage+. An alum of the Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center, where he occupies the Wallach Chair. In 2022, he made his Sony Classical debut on The Dvořák Album, and his 2019 solo debut recording, Ascent, was released by Cedille Records, marking world premieres of the Shostakovich Impromptu and Clarice Assad Metamorfose. Additionally, he recorded the Mozart Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields, conducted by the late Sir Neville Marriner. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions, he studied with Heidi Castleman at Juilliard and Tabea Zimmermann at the Kronberg Academy. Lipman is on faculty at Stony Brook University and performs on a 2021 Samuel Zygmuntowicz viola, made for him in New York.
Co-Artistic Director of CMS since 2004, cellist David Finckel’s dynamic musical career has included performances on the world’s stages in the roles of recitalist, chamber artist, and orchestral soloist. The first American student of Mstislav Rostropovich, he joined the Emerson String Quartet in 1979, and during 34 seasons garnered nine Grammy Awards and the Avery Fisher Prize. His quartet performances and recordings include quartet cycles of Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Dvorák, Brahms, Bartók, and Shostakovich, as well as collaborative masterpieces and commissioned works. In 1997, he and pianist Wu Han founded ArtistLed, the first internet-based, artist-controlled classical recording label. ArtistLed’s catalog of more than 20 releases includes the standard literature for cello and piano, plus works composed for the duo by George Tsontakis, Gabriela Lena Frank, Bruce Adolphe, Lera Auerbach, Edwin Finckel, Augusta Read Thomas, and Pierre Jalbert. In 2022, Music@Menlo, an innovative summer chamber music festival in Silicon Valley founded and directed by David and Wu Han, celebrated its 20th season. As a young student, David was winner of the Philadelphia Orchestra’s junior and senior divisions, resulting in two performances with the orchestra. Having taught extensively with the late Isaac Stern in America, Israel, and Japan, he is currently a professor at both the Juilliard School and Stony Brook University, and oversees both CMS’s Bowers Program and Music@Menlo’s Chamber Music Institute. David’s 100 online Cello Talks, lessons on cello technique, are viewed by an international audience of musicians. Along with Wu Han, he was the recipient of Musical America’s 2012 Musicians of the Year Award.