American violinist Stella Chen garnered worldwide attention with her first-prize win at the 2019 Queen Elizabeth International Violin Competition, followed by the 2020 Avery Fisher Career Grant and 2020 Lincoln Center Emerging Artist Award. She recently made debuts with the New York Philharmonic, Chicago Symphony, Minnesota Orchestra, Israel Philharmonic, Chamber Orchestra of Europe, Baltimore Symphony, Belgian National Orchestra, and many others, and appeared at the Vienna Musikverein and Berlin Philharmonie. In recital, recent appearances include Lincoln Center, Carnegie Hall, the Phillips Collection, Rockport Music Festival, and Nume Festival in Italy. Her debut album was released in March of 2023 on the Apple Music platform Platoon, featuring an all-Schubert repertoire. She has appeared as a chamber musician in festivals including the Kronenberg Academy, Ravinia, Seattle Chamber Music, Perlman Music Program, Music@Menlo, Bridgehampton, Rockport, and Sarasota. Chamber music partners include Itzhak Perlman, James Ehnes, Matthew Lipman, and others. She is the inaugural recipient of the Robert Levin Award from Harvard University, where she was inspired by Robert Levin himself. Teachers and mentors have included Donald Weilerstein, Itzhak Perlman, Miriam Fried, and Catherine Cho. She received her doctorate from the Juilliard School, where she serves as teaching assistant to her longtime mentor, Li Lin. A member of CMS’s Bowers Program, Chen plays the 1700 ex-Petri Stradivarius, on generous loan from Dr. Ryuji Ueno and Rare Violins In Consortium, Artists and Benefactors Collaborative and the 1708 Huggins Stradivarius courtesy of the Nippon Foundation. 

For over 25 years Anne-Marie McDermott has played concertos, recitals, and chamber music in hundreds of cities throughout the United States, Europe, and Asia. She also serves as artistic director of the Bravo! Vail Music and Ocean Reef Music festivals, as well as Curator for Chamber Music for the Mainly Mozart Festival in San Diego. Recent performance highlights include appearances with the Colorado Symphony, Florida Orchestra, San Antonio Symphony, New World Symphony, Louisiana Philharmonic, Tucson Symphony, Mexico National Symphony, and Taipei Symphony. She also returned to play Mozart with the Chamber Orchestra Vienna-Berlin at the Bravo! Vail Festival. She has performed with leading orchestras, including the New York Philharmonic, Minnesota Orchestra, Dallas Symphony, Columbus Symphony, Seattle Symphony, National Symphony, and Houston Symphony. Her recordings include the complete Prokofiev piano sonatas, Bach’s English Suites and partitas (Editor’s Choice, Gramophone), Gershwin’s complete works for piano and orchestra with the Dallas Symphony (Editor’s Choice, Gramophone), and, most recently, the Haydn piano sonatas and concertos with the Odense Philharmonic in Denmark. McDermott studied at the Manhattan School of Music, has been awarded the Mortimer Levitt Career Development Award for Women and an Avery Fisher Career Grant, and won the Young Concert Artists auditions.

The Calidore String Quartet has been praised by the New York Times for its “deep reserves of virtuosity and irrepressible dramatic instinct.” The Los Angeles Times described the quartet as “astonishing,” their playing “shockingly deep,” approaching “the kind of sublimity other quartets spend a lifetime searching” and praised its balance of “intellect and expression.” Recipient of a 2018 Avery Fisher Career Grant and a 2017 Lincoln Center Emerging Artist Award, the quartet first made international headlines as winner of the $100,000 Grand Prize of the 2016 M-Prize International Chamber Music Competition. The quartet was the first North American ensemble to win the Borletti-Buitoni Trust Fellowship, was a BBC Radio 3 New Generation Artist, and is currently a season artist at the Chamber Music Society of Lincoln Center.

In summer 2021, the Calidore made debuts at the Sarasota, La Jolla, and Saratoga Music Festivals as well as the Schubert Club of St. Paul, MN. Highlights of the 21-22 season include returns to Wigmore Hall, Alice Tully Hall, and the Philadelphia Chamber Music Society. The Calidore will make its debut at the Library of Congress, the 92nd Street Y, Harvard University, Penn State University, and internationally in The Hague and Antwerp. The ensemble will premiere a new work by composer Huw Watkins commissioned by Wigmore Hall and will collaborate with the Emerson Quartet and pianists Jeffrey Kahane, Henry Kramer, and Gabriela Fahnenstiel.

The Calidore String Quartet’s second album for Signum Records, entitled BABEL, was released in 2020 and features worksby Schumann, Shostakovich, and Caroline Shaw. The Strad selected the album as the “Editor’s Choice” and praised it as “breathtaking…a universally impressive disc.” The quartet’s other recording for Signum is 2018’s Resilience including quartets by Mendelssohn, Prokofiev, Janácek, and Golijov.

The Calidore has given world premieres of works by Caroline Shaw, Hannah Lash, and Mark-Anthony Turnage. Its collaborations with esteemed artists and ensembles include Jean-Yves Thibaudet, Marc-André Hamelin, Joshua Bell, David Shifrin, Inon Barnatan, Lawrence Power, Sharon Isbin, David Finckel, and Wu Han. An alum of CMS’s Bowers Program, the Calidore has collaborated and studied closely with the Emerson Quartet and Quatuor Ébène, and has also studied with Andre Roy, Arnold Steinhardt, Günter Pichler, Guillaume Sutre, Paul Coletti, and Ronald Leonard. In 2021 the Calidore joined the faculty of the University of Delaware School of Music and serve as directors of the newly established Graduate String Quartet Residency.

The Calidore String Quartet was founded at the Colburn School in Los Angeles in 2010. Within two years, the quartet won grand prizes in virtually all the major US chamber music competitions, including the Fischoff, Coleman, Chesapeake, and Yellow Springs competitions, and it captured top prizes at the 2012 ARD International Music Competition in Munich and the International Chamber Music Competition Hamburg. An amalgamation of “California” and “doré” (French for “golden”), the ensemble’s name represents its reverence for the diversity of culture and the strong support it received from its original home: Los Angeles, California, the “golden state.”