Early Works
| 1. | Introduction | 00:00:50 |
| 2. | Britten: Novelletten for String Quartet | 00:14:15 |
| 3. | Ligeti: Sonata for Cello | 00:09:23 |
| 4. | Mendelssohn: Quartet in C minor for Piano, Violin, Viola, and Cello, Op. 1 | 00:34:00 |
PROGRAM
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Frank Bridge (1879–1941) |
Novelletten for String Quartet (1904) Shanghai Quartet, String Quartet (Weigang Li, Violin I; Yi-Wen Jiang, Violin II; Honggang Li, Viola; Nicholas Tzavaras, Cello) |
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György Ligeti (1923–2006) |
Sonata for Cello (1953) Dmitri Atapine, Cello |
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Felix Mendelssohn (1809–1947) |
Quartet in C minor for Piano, Violin, Viola, and Cello, Op. 1 (1822) Wu Qian, Piano; Chad Hoopes, Violin; Paul Neubauer, Viola; Gary Hoffman, Cello |
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Chad Hoopes
Paul Neubauer
Dmitri Atapine
Wu Qian
Shanghai Quartet
American violinist Chad Hoopes is a consistent and versatile performer with the world’s leading orchestras, including the Philadelphia Orchestra, l’Orchestre de Paris, l’Orchestre National du Capitole de Toulouse, Orpheus Chamber Orchestra, the Konzerthausorchester Berlin, and the Minnesota and National Arts Centre orchestras, as well the San Francisco, Pittsburgh, Houston, and National symphonies. An alum of CMS’s Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center. He has been a guest of the Moritzburg Festival, Rheingau Musik Festival, and Aspen Music Festival, and has been featured on recordings including the recent Moritzburg Festival Dvořák album with cellist Jan Vogler, released by Sony Classical, and with the MDR Leipzig and conductor Kristjan Järvi performing the Mendelssohn Violin Concerto on the Naïve label. He has performed in recital at the Ravinia Festival, the Tonhalle Zürich, and the Louvre, as well as on Lincoln Center’s Great Performers series. He is a 2017 recipient of Lincoln Center’s Avery Fisher Career Grant and appeared as the cover feature on the November 2021 edition of The Strad. Hoopes attended the Cleveland Institute of Music before studying with Ana Chumachenco at the Kronberg Academy. He plays the 1991 Samuel Zygmuntowicz, ex Isaac Stern violin.
Last summer, violist Paul Neubauer premiered a new viola concerto by Ellen Taaffe Zwilich with conductor JoAnn Falletta at the Brevard Music Center. This season, he will record and perform the work with the Buffalo Philharmonic Orchestra. In 2025, he released two albums on First Hand Records featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21, Neubauer has appeared as soloist with the New York, Los Angeles, and Helsinki Philharmonics; the Chicago, National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth Symphonies; and the Santa Cecilia, English Chamber, and Beethovenhalle Orchestras. A two-time Grammy nominee, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.
Cellist Dmitri Atapine has been praised for his “brilliant technical chops” (Gramophone) and performances that are “highly impressive throughout” (The Strad). He has appeared at leading venues, including Carnegie Hall’s Zankel and Weill halls, the National Auditorium of Spain, and Beijing’s Forbidden City Concert Hall. He performs frequently with CMS, where he is an alum of the Bowers Program. He has been featured at festivals including Music@Menlo, La Musica Sarasota, Aldeburgh, and Aix-en-Provence. His many recordings include a world-premiere release of Lowell Liebermann’s cello sonatas. He has received multiple performance and teaching awards, including first prize at the Carlos Prieto International Cello Competition. He holds a doctorate from the Yale School of Music, where he studied with Aldo Parisot. Atapine is Professor of Cello at the University of Nevada, Reno. Together with pianist Hyeyeon Park, he serves as Artistic Co-Director of Friends of Chamber Music Kansas City and Apex Concerts (Nevada). He is also the Artistic Co-Director designate of Music@Menlo.
Winner of a 2016 Lincoln Center Emerging Artist Award, as well as classical music’s bright young star award for 2007 by The Independent, pianist Wu Qian has maintained a busy international career for over a decade. She has appeared as soloist in many international venues including the Wigmore, Royal Festival, and Bridgewater halls in the UK, City Hall in Hong Kong, Amsterdam’s Concertgebouw, and the Kennedy Center in Washington, DC. As a soloist she has appeared with the Konzerthaus Orchester in Berlin, the Brussels Philharmonic, the London Mozart Players, I Virtuosi Italiani, the European Union Chamber Orchestra, and the Munich Symphoniker. She won first prize in the Trio di Trieste Duo Competition and the Kommerzbank Piano Trio competition in Frankfurt, and has received numerous other awards. Appearances this season include performances in the UK, Germany, USA, Korea, Australia, Spain, and The Netherlands and collaborations with Alexander Sitkovetsky, Leticia Moreno, Cho-Liang Lin, Clive Greensmith, and Wu Han. Her debut recording of Schumann, Liszt, and Alexander Prior was met with universal critical acclaim. She is a founding member of the Sitkovetsky Piano Trio with which, in addition to performing in major concert halls and series around the world, she has released two recordings on the BIS label and also a disc of Brahms and Schubert on the Wigmore Live Label. Wu Qian an alum of The Bowers Program.
Over the past 40 years, the Shanghai Quartet has become one of the world’s foremost chamber ensembles. The quartet’s elegant style, impressive technique, and emotional breadth allows the group to move seamlessly between masterpieces of Western music, traditional Chinese folk music, and cutting-edge contemporary works. Formed at the Shanghai Conservatory in 1983, soon after the end of China’s harrowing Cultural Revolution, the group came to the United States to complete its studies; since then the members have been based in the US while maintaining a robust touring schedule at leading chamber music series throughout North America, Europe, and Asia.
Recent performance highlights include performances at Carnegie Hall, the Metropolitan Museum of Art, the Freer Gallery (Washington, DC), the Festival Pablo Casals in France, the Brevard Music Center, the Beethoven Festival in Poland, and throughout China. The quartet also frequently performs at Wigmore Hall, the Budapest Spring Festival, Suntory Hall, and with the NCPA and Shanghai Symphony Orchestras. Recent highlights include the premiere of a new work by Marcos Balter for the Quartet and countertenor Anthony Roth Costanzo for the Phillips Collection, return performances for Maverick Concerts and the Taos School of Music, and engagements in Los Angeles, Syracuse, Albuquerque, and Salt Lake City.
Among innumerable collaborations with eminent artists, they have performed with the Tokyo, Juilliard, and Guarneri Quartets; cellists Yo-Yo Ma and Lynn Harrell; pianists Menahem Pressler, Peter Serkin, Jean-Yves Thibaudet, and Yuja Wang; pipa virtuoso Wu Man; and the vocal ensemble Chanticleer. The Shanghai Quartet appears regularly at many of North America’s most prominent chamber music festivals, including annual performances for Maverick Concerts, the Brevard Music Center, and Music Mountain.
The Shanghai Quartet has a long history of championing new music, with a special interest in works that juxtapose the traditions of Eastern and Western music. The quartet has commissioned works from some of the most important composers of our time, including William Bolcom, Sebastian Currier, David Del Tredici, Tan Dun, Vivian Fung, Lowell Lieberman, Zhou Long, Marc Neikrug, Krzysztof Penderecki, Bright Sheng, Chen Yi, and Du Yun. The quartet had a particularly close relationship with Krzysztof Penderecki; they premiered his third quartet, Leaves From an Unwritten Diary, at the composer’s 75th birthday concert and repeated it again at both his 80th and 85th birthday celebrations. Recent commissions include new works from Judith Weir, Tan Dun, and Wang Lei.
The Shanghai Quartet has an extensive discography of more than thirty recordings, ranging from Schumann and Dvořák piano quintets with Rudolf Buchbinder to Zhou Long’s Poems from Tang for string quartet and orchestra with the Singapore Symphony. The quartet has recorded the complete Beethoven string quartets and is currently recording the complete Bartók quartets.
Serving as Quartet-in-Residence at the John J. Cali School of Music at Montclair State University since 2002, the Shanghai Quartet joined the Tianjin (China) Juilliard School in fall 2020 as resident faculty members. The Quartet also is the Ensemble-in-Residence with the Shanghai Symphony Orchestra and visiting guest professors of the Shanghai Conservatory and Central Conservatory in Beijing.