Bach: Brandenburg Concerto No. 2 in F major, BWV 1047
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Francisco Fullana
Sooyun Kim
James Austin Smith
Daniel Phillips
Bella Hristova
Nicholas Canellakis
Marc Goldberg
Hyeyeon Park
Spanish-American violinist Francisco Fullana has been praised by BBC Music Magazine for “managing to combine Itzhak Perlman’s warmth with the aristocratic poise of Henryk Szeryng.” Recipient of the Avery Fisher Career Grant and an alum of CMS’s Bowers Program, Fullana makes concerto appearances across three continents this season, including debuts with the San Francisco and Utah Symphonies, and serves as artistic advisor to the Chamber Orchestra of Philadelphia and The Orchestra San Antonio. As Outhere Music’s newest recording artist, he will release an album of Lalo and Ginastera concertos under Carlos Miguel Prieto. His passion for curating audience experiences continues with a new project centered on Goya’s The Forge, premiering at the opening night of the Frick Collection’s Music at the Frick series in fall 2026. Fullana performs on the 1735 “Mary Portman” ex-Kreisler Guarneri del Gesù, generously loaned by Clement and Karen Arrison through the Stradivari Society of Chicago.
Since her concerto debut with the Seoul Philharmonic Orchestra, flutist Sooyun Kim has enjoyed a flourishing career performing with orchestras, including the Bavarian Radio Symphony, Munich Philharmonic, Munich Chamber Orchestra, and Boston Pops. She has appeared in recital in Budapest’s Liszt Hall, Millennium Stage at the Kennedy Center, and the Louvre Museum in Paris. She is a winner of the Georg Solti Foundation Career Grant and ARD International Flute Competition. An alum of CMS’s Bowers Program, she studied at the New England Conservatory under the tutelage of Paula Robison. She is recently appointed Assistant Professor of Flute at University Cincinnati College-Conservatory and teaches summer courses at Orford Musique. Kim plays on a rare 18-karat gold flute made especially for her by Verne Q. Powell Flutes and has recorded for labels including ArtistLed, Naxos, Toccata Classics, and BR-Klassik. Her album Confluence was released to great acclaim in 2025 on the Musica Solis label.
Performer, curator, and on-stage host James Austin Smith “proves that an oboist can have an adventurous solo career” (The New Yorker). Smith appears at leading national and international chamber music festivals, as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music, Smith creates intimate evenings of music, food, and drink in New York, San Francisco, and beyond. He serves as Artistic Advisor to Coast Live Music in the San Francisco Bay Area and mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University. Smith’s April 2027 Carnegie Hall debut recital, Elemental, connects the oboe to ancient, global traditions of double reed playing, asserting its role in the human soundscape. A Fulbright scholar and alum of Carnegie Hall’s Ensemble Connect and CMS’s Bowers Program, he holds degrees in music and political science from Northwestern and Yale University.
Violinist/violist Daniel Phillips enjoys a versatile career as a chamber musician, soloist, and teacher. A graduate of Juilliard, he counts among his teachers his father, Eugene Phillips, Ivan Galamian, Sally Thomas, Nathan Milstein, Sándor Végh, and George Neikrug. He co-founded the Orion String Quartet, which played worldwide for 37 years. Since winning the 1976 Young Concert Artists Competition, he has performed as soloist with many major orchestras. Along with his wife, Tara Helen O’Connor, he is the Co-Artistic Director of Music from Angel Fire. He was a member of the renowned Bach Aria Group and has toured and recorded in a string quartet for Sony with Gidon Kremer, Kim Kashkashian, and Yo-Yo Ma. Phillips is a professor at the Aaron Copland School of Music at Queens College and on the faculties of Bard College Conservatory and Juilliard. He plays a violin made by Samuel Zygmuntowicz in 2017 and a 1702 Stradivarius, and a viola made by his grandfather, Benjamin F. Phillips.
Bulgarian-American violinist Bella Hristova has won international acclaim for her “expressive nuance and rich tone” (New York Times) and “impressive power and control” (Washington Post). A recipient of the Avery Fisher Career Grant, she is known for a diverse repertoire, bold programming, and a warmly beguiling stage presence. Hristova has performed as a soloist with orchestras across the United States, Asia, Europe, Latin America, and New Zealand, and has given recitals at Carnegie Hall, Lincoln Center, the Kennedy Center, and Boston’s Isabella Stewart Gardner Museum. A devoted champion of living composers, she has premiered new concertos by Anthony Ritchie and her husband, David Serkin Ludwig. Her commissioning project, Lineage, features six new solo violin works and will be released as an album on Azica Records in 2027. She plays a 1655 Nicolò Amati violin once owned by Louis Krasner.
Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised in the New Yorker as a “superb young soloist.” Recent highlights include solo debuts with the Virginia, Albany, Bangor, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony, and the American Symphony Orchestra; Europe and Asia tours with CMS; and recitals throughout the US with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, he is a regular guest artist at many of the world’s leading music festivals. Canellakis is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music (where he was recently appointed to the cello faculty) and New England Conservatory.
A member of the St. Luke’s Chamber Ensemble and New York Woodwind Quintet, Marc Goldberg is principal bassoonist of the Festival Orchestra of Lincoln Center, Orchestra of St. Luke’s, American Ballet Theater, the Saito Kinen Orchestra, and the NYC Opera. Previously the associate principal bassoonist of the New York Philharmonic, he has also been a frequent guest of the Boston Symphony Orchestra, Metropolitan Opera, and Orpheus Chamber Orchestra, touring with these ensembles across four continents and joining them on numerous recordings. A long-time season artist of the Chamber Music Society of Lincoln Center, he has been a guest of the Boston Symphony Chamber Players, the Brentano Quartet, Music@Menlo, Musicians from Marlboro, and Carnegie Hall’s Zankel Band. Goldberg is on the faculty of the Juilliard School Pre-College Division, Mannes College, New England Conservatory, the Hartt School, and the Bard College Conservatory of Music.
Pianist Hyeyeon Park has appeared on major concert stages around the world, performing with orchestras including the Seoul Philharmonic, Incheon Philharmonic, Gangnam Symphony, and Seoul Festival Orchestra. Named Artist of the Year by the Seoul Arts Center in 2012, she is also a laureate of numerous international competitions, including Oberlin, Ettlingen, Hugo Kauder, Prix Amadèo, Corpus Christi, Vittorio Gui, and Plowman. Her solo and chamber recordings including Klavier 1853, Wavelength, and The Complete Cello-Piano Sonatas by Lowell Liebermann. She is a graduate of the Peabody Institute, Yale School of Music, and the Korea National University of Arts; her teachers include Yong Hi Moon, Peter Frankl, Claude Frank, Daejin Kim, and Kyungsook Lee. Piano Professor at the University of Nevada, Reno, together with cellist Dmitri Atapine, Park shares the Artistic Directorship of Apex Concerts and the Friends of Chamber Music Kansas City, co-leads the Music@Menlo Smith Family Young Performers Program, and will begin as Artistic Co-Director of Music@Menlo in 2027.
Recorded live in Alice Tully Hall on December 13, 2019.
Video produced by Ibis Productions.