Mozart Quintets
| 1. | Introduction | 00:00:50 |
| 2. | Mozart: Quintet in B-flat major for Two Violins, Two Violas, and Cello, K. 174 | 00:27:10 |
| 3. | Mozart: Quintet in E-flat major for Oboe, Clarinet, Bassoon, Horn, and Piano, K. 452 | 00:30:29 |
| 4. | Closing | 00:00:30 |
Mozart was only seventeen years old when he composed his first string quintet, the Quintet in B-flat major. Composed shortly after returning home to Salzburg after a failed trip to secure a position in Italy, the work may have become eclipsed by his quintets to follow, but Mozart was clearly pleased with it and enjoyed playing one of the viola parts with his friends. Mozart’s later Quintet in E-flat major for Piano and Winds is a near perfect embodiment of chamber music itself. After it’s 1784 premiere, Mozart wrote to his father, “I consider it the best work I have ever written” and went on to note that it, “received the most remarkable applause.”
PROGRAM
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Wolfgang Amadeus Mozart (1756–1791) |
Quintet in B-flat major for Two Violins, Two Violas, and Cello, K. 174 (1773) Sean Lee, Arnaud Sussmann, violin; Mark Holloway, Matthew Lipman, viola; David Requiro, cello |
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Wolfgang Amadeus Mozart (1756–1791) |
Quintet in E-flat major for Oboe, Clarinet, Bassoon, Horn, and Piano, K. 452 (1784) Stephen Taylor, oboe; Sebastian Manz, clarinet; Peter Kolkay, bassoon; Radovan Vlatkovic, horn; Michael Stephen Brown, piano |
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Sean Lee
Arnaud Sussmann
Matthew Lipman
David Requiro
Stephen Taylor
Sebastian Manz
Peter Kolkay
Radovan Vlatković
Michael Stephen Brown
With performances described by the New York Times as “breathtakingly beautiful,” violinist Sean Lee has performed with the Chamber Music Society of Lincoln Center for over a decade, following his participation in CMS’s Bowers Program. A recipient of Lincoln Center’s Avery Fisher Career Grant, Lee has performed as a soloist with orchestras including the San Francisco Symphony, Jerusalem Symphony, and Orchestra del Teatro Carlo Felice. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before studying at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, and a bow made circa 1890 by Joseph Arthur Vigneron.
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has recently appeared as soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at London’s Wigmore Hall, the Dresden Music Festival, and the Phillips Collection in Washington, DC. He has also given concerts at the Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, he was named Founding Artistic Director of the Boscobel Chamber Music Festival. Mr. Sussmann plays a 1731 Stradivarius violin on loan from a private owner.
American violist Matthew Lipman, recognized by the New York Times for his “rich tone and elegant phrasing,” has made recent appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra; and at Carnegie Hall, Vienna Musikverein, Berlin Philharmonie, and the Zürich Tonhalle. He made his recording debut with Sir Neville Marriner and the Academy of St Martin in the Fields and has since recorded on Sony and Deutsche Grammophon. Lipman has premiered works by Clarice Assad, Andreia Pinto Correia, Joel Thompson, and John Williams, and made his film debut in A. Rimbaud, playing the role of Paul Verlaine. He is an alum of CMS’s Bowers Program and the recipient of an Avery Fisher Career Grant. Lipman is on faculty at Stony Brook University and is a visiting professor at Juilliard.
First Prize winner of the 2008 Naumburg International Violoncello Competition, David Requiro (pronounced re-KEER-oh) is recognized as one of today’s finest American cellists. After winning First Prize in both the Washington International and Irving M. Klein International String Competitions, he captured a top prize at the Gaspar Cassadó International Violoncello Competition in Hachioji, Japan, coupled with the prize for the best performances of works by Cassadó. He has appeared as soloist with the Tokyo Philharmonic, National Symphony Orchestra, Seattle Symphony, and numerous orchestras across North America. His Carnegie Hall debut recital at Weill Hall was followed by a critically acclaimed San Francisco Performances recital at the Herbst Theatre. Soon after making his Kennedy Center debut, he completed a cycle of Beethoven’s cello sonatas at the Phillips Collection in Washington, DC. An alum of CMS’s Bowers Program, he has performed with the Chamber Music Society of Lincoln Center, Seattle Chamber Music Society, Jupiter Symphony Chamber Players, and is a founding member of the Baumer String Quartet. Mr. Requiro serves as Associate Professor of Cello at the University of Colorado Boulder, where he joined faculty in 2015. He has previously served as Artist-in-Residence at the University of Puget Sound and Guest Lecturer at the University of Michigan. His teachers have included Milly Rosner, Bonnie Hampton, Mark Churchill, Michel Strauss, and Richard Aaron.
Stephen Taylor is solo oboist with the New York Woodwind Quintet, the Orchestra of St. Luke’s, the St. Luke’s Chamber Ensemble, the American Composers Orchestra, and the New England Bach Festival Orchestra, and is co-principal oboist of Orpheus Chamber Orchestra. Among his more than 300 recordings are Bach arias with Kathleen Battle and Itzhak Perlman, and Elliott Carter’s Oboe Quartet, for which he received a Grammy nomination. He has performed and recorded many of Carter’s works, giving several world and US premieres. He was awarded a performer’s grant from the Fromm Foundation at Harvard University and has collaborated with the Vermeer, Shanghai, Orion, American, and Artis-Vienna String Quartets, among others. Taylor is on the faculties of the Manhattan, Juilliard and Yale schools of music. He plays rare James Caldwell model Lorée oboes, and spends as much time as possible with his old wooden boats in Maine.
Clarinetist Sebastian Manz has performed as a soloist with major European orchestras, including the Nuremberg Symphony Orchestra and the Munich Chamber Orchestra. As a chamber musician, he has appeared at venues such as the Elbphilharmonie Hamburg, the Beethovenhaus Bonn, the Festspiele Mecklenburg-Vorpommern and the Schleswig-Holstein Music Festival. He has collaborated with artists like Danae Dörken, the Danish String Quartet, the Amaryllis Quartet, and the Schumann Quartett. At age 22, Manz won first prize in the clarinet category at the ARD International Music Competition, a prize that had not been awarded for 40 years, as well as the coveted Audience Prize. He is the principal clarinetist of the SWR Symphony Orchestra in Stuttgart. His recordings include A Bernstein Story, which won the 2020 Opus Klassik award; clarinet concertos by Nielsen and Lindberg; and a recital of works by Brahms and Schumann with pianist Herbert Schuch. His double album, Quasi Cool, showcases his stylistic versatility as a clarinetist and arranger. He is an alum of CMS’s Bowers Program.
Called “stunningly virtuosic” by the New York Times and “superb” by the Washington Post, Peter Kolkay is the only bassoonist to be awarded an Avery Fisher Career Grant. In addition to performing with CMS, he regularly appears as a chamber musician at the Sarasota, Music@Menlo, and Bridgehampton summer festivals. Kolkay has commissioned and premiered solo works by Joan Tower, Mark-Anthony Turnage, Elliott Carter, and Tania León, among many others, and his most recent recordings include an album of music for bassoon and strings with the Calidore String Quartet, and the Christopher Rouse concerto with the Albany Symphony. He is Professor of Bassoon at the Vanderbilt University Blair School of Music and has given master classes throughout the US, Mexico, and South Korea. Kolkay is an alum of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. He is a native of Naperville, Illinois.
Radovan Vlatković has popularized the horn around the globe as a recording artist and teacher. He is the winner of numerous competitions, including the 1979 Premio Ancona and the 1983 ARD Competition. He has premiered works by Elliott Carter, Sofia Gubaidulina, Heinz Holliger, Krzysztof Penderecki, and several Croatian composers. As a chamber musician, he has performed at Gidon Kremer’s Lockenhaus, Sviatoslav Richter’s December Evenings in Moscow, and András Schiff’s Mondsee, as well as major festivals. He has appeared as soloist with many orchestras, such as the Bavarian Symphony Orchestra, Stuttgart Radio Orchestra, Deutsches Symphonie-Orchester, Mozarteum Orchestra, Santa Cecilia Orchestra Rome, Melbourne Orchestra, the NHK Orchestra in Tokyo, and the Scottish Chamber Orchestra. Vlatković is on the faculty of the Mozarteum Salzburg and Hochschule Zürich, holds the Canón horn chair at the Queen Sofia School in Madrid, and is an Honorary Member of the Royal Academy of Music.
Michael Stephen Brown is a composer and pianist hailed by the New York Times as “one of the leading figures in the current renaissance of performer-composers.” He has appeared as soloist with the Seattle Symphony, American Symphony Orchestra, The Orchestra Now, Phoenix Symphony, and Poland’s NFM Leopoldinum, and performs at major festivals worldwide. The recipient of the 2026 Andrew Wolf Award, Lincoln Center’s Emerging Artist Award, and an Avery Fisher Career Grant, he was recently in residence at MacDowell and Yaddo. Recent highlights include a recital at Alice Tully Hall with CMS and collaborations with longtime artistic partner Nicholas Canellakis, as well as Pinchas Zukerman, Kristin Lee, and Arnaud Sussmann. His first album devoted entirely to his own music, Twelve Blocks, was released in 2026 to critical acclaim. Current projects include The Carnival of Endangered Wonders and the score for Angeline Gragasin’s film Look But Don’t Touch. An alum of CMS’s Bowers Program, Brown lives in New York City with his two 19th-century Steinways, Octavia and Daria.