Exquisite Winds
| 1. | Introduction | 00:00:50 |
| 2. | Ibert: Trois pièces brèves for Flute, Oboe, Clarinet, Bassoon, and Horn | 00:11:14 |
| 3. | Taffanel: Quintet in G minor for Flute, Oboe, Clarinet, Bassoon, and Horn | 00:25:25 |
| 4. | Martinů: Nonet for Winds and Strings | 00:21:00 |
PROGRAM
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Jacques Ibert (1890–1962) |
Trois pièces brèves for Flute, Oboe, Clarinet, Bassoon, and Horn (1930) Sooyun Kim, Flute; Stephen Taylor, Oboe; Tommaso Lonquich, Clarinet; Marc Goldberg, Bassoon; Eric Reed, Horn |
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Paul Taffanel (1844–1908) |
Quintet in G minor for Flute, Oboe, Clarinet, Bassoon, and Horn (1876) Demarre McGill, Flute; Juri Vallentin, Oboe; Romie de Guise-Langlois, Clarinet; Eleni Katz, Bassoon; Hugo Valverde, Horn |
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Bohuslav Martinů (1890–1959) |
Nonet for Winds and Strings (1959) Tara Helen O'Connor, Flute; James Austin Smith, Oboe; Sebastian Manz, Clarinet; Marc Goldberg, Bassoon; David Byrd-Marrow, Horn; Alexander Sitkovetsky, Violin; Paul Neubauer, Viola; Dmitri Atapine, Cello; Blake Hinson, Double Bass |
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Sooyun Kim
Demarre McGill
Tara Helen O'Connor
James Austin Smith
Stephen Taylor
Juri Vallentin
Romie de Guise-Langlois
Tommaso Lonquich
Sebastian Manz
Marc Goldberg
David Byrd-Marrow
Eric Reed
Hugo Valverde
Alexander Sitkovetsky
Paul Neubauer
Dmitri Atapine
Blake Hinson
Since her concerto debut with the Seoul Philharmonic Orchestra, flutist Sooyun Kim has enjoyed a flourishing career performing with orchestras, including the Bavarian Radio Symphony, Munich Philharmonic, Munich Chamber Orchestra, and Boston Pops. She has appeared in recital in Budapest’s Liszt Hall, Millennium Stage at the Kennedy Center, and the Louvre Museum in Paris. She is a winner of the Georg Solti Foundation Career Grant and ARD International Flute Competition. An alum of CMS’s Bowers Program, she studied at the New England Conservatory under the tutelage of Paula Robison. She is recently appointed Assistant Professor of Flute at University Cincinnati College-Conservatory and teaches summer courses at Orford Musique. Kim plays on a rare 18-karat gold flute made especially for her by Verne Q. Powell Flutes and has recorded for labels including ArtistLed, Naxos, Toccata Classics, and BR-Klassik. Her album Confluence was released to great acclaim in 2025 on the Musica Solis label.
Flutist Demarre McGill has gained international recognition as a soloist, recitalist, chamber, and orchestral musician. Winner of an Avery Fisher Career Grant and the Sphinx Medal of Excellence, he has appeared as a soloist with the Philadelphia Orchestra, and the San Francisco, Seattle, Pittsburgh, Dallas, Grant Park, San Diego, Chicago, and Baltimore Symphony Orchestras. Now principal flute of the Seattle Symphony, he previously served as principal flute of the Dallas Symphony, San Diego Symphony, Florida Orchestra, and Santa Fe Opera Orchestra. He has also served as acting principal flute of the Metropolitan Opera Orchestra and the Pittsburgh Symphony Orchestra. McGill is an alum of CMS’s Bowers Program and has participated in the Santa Fe, Marlboro, Seattle, and Stellenbosch chamber music festivals, among others.
Tara Helen O’Connor, recipient of an Avery Fisher Career Grant and a two-time Grammy nominee, was the first wind player to participate in CMS’s Bowers Program. A regular performer at major music festivals around the country, she is also the Co-Artistic Director of the Music from Angel Fire Festival in New Mexico, the Artistic Director of the Essex Winter Series, a member of the woodwind quintet Windscape, and a founding member of the Naumburg Award–winning New Millennium Ensemble. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings, and Bridge Records, and can be heard on numerous film and television soundtracks. She has premiered hundreds of new works and has collaborated with the Orion, St. Lawrence, and Emerson String Quartets. A Wm. S. Haynes flute artist, O’Connor is on faculty at Yale School of Music. Additionally, she teaches at Bard College and the Manhattan School of Music.
Performer, curator, and on-stage host James Austin Smith “proves that an oboist can have an adventurous solo career” (The New Yorker). Smith appears at leading national and international chamber music festivals, as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music, Smith creates intimate evenings of music, food, and drink in New York, San Francisco, and beyond. He serves as Artistic Advisor to Coast Live Music in the San Francisco Bay Area and mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University. Smith’s April 2027 Carnegie Hall debut recital, Elemental, connects the oboe to ancient, global traditions of double reed playing, asserting its role in the human soundscape. A Fulbright scholar and alum of Carnegie Hall’s Ensemble Connect and CMS’s Bowers Program, he holds degrees in music and political science from Northwestern and Yale University.
Stephen Taylor is solo oboist with the New York Woodwind Quintet, the Orchestra of St. Luke’s, the St. Luke’s Chamber Ensemble, the American Composers Orchestra, and the New England Bach Festival Orchestra, and is co-principal oboist of Orpheus Chamber Orchestra. Among his more than 300 recordings are Bach arias with Kathleen Battle and Itzhak Perlman, and Elliott Carter’s Oboe Quartet, for which he received a Grammy nomination. He has performed and recorded many of Carter’s works, giving several world and US premieres. He was awarded a performer’s grant from the Fromm Foundation at Harvard University and has collaborated with the Vermeer, Shanghai, Orion, American, and Artis-Vienna String Quartets, among others. Taylor is on the faculties of the Manhattan, Juilliard and Yale schools of music. He plays rare James Caldwell model Lorée oboes, and spends as much time as possible with his old wooden boats in Maine.
German oboist Juri Vallentin has gained international attention as a prize winner of major competitions such as the International Tchaikovsky Competition as first oboist, the German Music Competition, and the International Oboe Competition of Japan. He has performed as soloist with the MDR Symphony Orchestra, the Mariinsky Orchestra, the Lower Saxony State Orchestra, the Brandenburg State Orchestra, and the Munich Chamber Orchestra, among others. His albums Bridges, featuring Italian concertos, Ebenbild, which combines music and literature, and Bridges, with music from five centuries, as well as numerous radio productions for BR, SWR, and Deutschlandfunk, document his artistic work. He co-founded the wind quintet BREEZE in 2021. Born in Mainz, he studied in Nuremberg and at the Conservatoire de Paris, where he graduated with highest honors. Vallentin is Professor of Oboe at the Karlsruhe University of Music and a member of CMS’s Bowers Program.
Romie de Guise-Langlois has performed as soloist with the Houston Symphony, Ensemble Connect, the Burlington Chamber Orchestra, and the Guanajuato Symphony Orchestra, as well as at Festival Mozaic, Music@Menlo, and the Banff Center for the Arts. She was awarded first prize in the Houston Symphony Ima Hogg competition, the Yale University Woolsey Hall Competition, the McGill University Classical Concerto Competition, and the Canadian Music Competition. She has performed as principal clarinetist for the Orpheus and Saint Paul chamber orchestras, NOVUS NY, the Orchestra of St. Luke’s, the New Haven and Stamford symphony orchestras, and The Knights Chamber Orchestra. A native of Montreal, de Guise-Langlois holds degrees from McGill University and the Yale School of Music. She is a member of the Boston Chamber Music Society and an alum of Ensemble Connect and CMS’s Bowers Program. Associate Professor of Clarinet at University of Massachusetts, Amherst, she previously served on the faculty of Montclair State University.
Italian clarinetist Tommaso Lonquich enjoys a distinguished international career. He is Solo Clarinetist with Ensemble MidtVest, and as a chamber musician has partnered with Christian Tetzlaff, Pekka Kuusisto, Carolin Widmann, Ani and Ida Kavafian, Nicolas Dautricourt, David Shifrin, David Finckel, Nicolas Altstaedt, Wu Han, Gilbert Kalish, Anneleen Lenaerts, Yura Lee, Gilles Vonsattel, and the Danish and Vertavo string quartets. As a guest principal in several orchestras, he has collaborated with conductors including Zubin Mehta, Vladimir Ashkenazy, Fabio Luisi, and Leonard Slatkin. As a soloist, he has appeared with the Radio Television Orchestra of Slovenia, Orchestra Canova, and the Orchestra del Teatro Olimpico of Vicenza, among others. An alum of CMS’s Bowers Program, Lonquich is Founder and Co-Artistic Director of Schackenborg Musikfest, and can be heard on more than twenty albums.
Clarinetist Sebastian Manz has performed as a soloist with major European orchestras, including the Nuremberg Symphony Orchestra and the Munich Chamber Orchestra. As a chamber musician, he has appeared at venues such as the Elbphilharmonie Hamburg, the Beethovenhaus Bonn, the Festspiele Mecklenburg-Vorpommern and the Schleswig-Holstein Music Festival. He has collaborated with artists like Danae Dörken, the Danish String Quartet, the Amaryllis Quartet, and the Schumann Quartett. At age 22, Manz won first prize in the clarinet category at the ARD International Music Competition, a prize that had not been awarded for 40 years, as well as the coveted Audience Prize. He is the principal clarinetist of the SWR Symphony Orchestra in Stuttgart. His recordings include A Bernstein Story, which won the 2020 Opus Klassik award; clarinet concertos by Nielsen and Lindberg; and a recital of works by Brahms and Schumann with pianist Herbert Schuch. His double album, Quasi Cool, showcases his stylistic versatility as a clarinetist and arranger. He is an alum of CMS’s Bowers Program.
A member of the St. Luke’s Chamber Ensemble and New York Woodwind Quintet, Marc Goldberg is principal bassoonist of the Festival Orchestra of Lincoln Center, Orchestra of St. Luke’s, American Ballet Theater, the Saito Kinen Orchestra, and the NYC Opera. Previously the associate principal bassoonist of the New York Philharmonic, he has also been a frequent guest of the Boston Symphony Orchestra, Metropolitan Opera, and Orpheus Chamber Orchestra, touring with these ensembles across four continents and joining them on numerous recordings. A long-time season artist of the Chamber Music Society of Lincoln Center, he has been a guest of the Boston Symphony Chamber Players, the Brentano Quartet, Music@Menlo, Musicians from Marlboro, and Carnegie Hall’s Zankel Band. Goldberg is on the faculty of the Juilliard School Pre-College Division, Mannes College, New England Conservatory, the Hartt School, and the Bard College Conservatory of Music.
Hailed as “stunning and assured” by the New York Times, Atlanta native David Byrd-Marrow is a member of the International Contemporary Ensemble, as well as The Knights. He enjoys an active chamber music calendar, and has performed at festivals including the Ojai Music Festival, the Spoleto Music Festival, Music@Menlo, the Tanglewood Music Center, Summerfest! at La Jolla Music Society, and the Denver Chamber Music Festival. Formerly a member of Carnegie Hall’s Ensemble Connect, he has also appeared with the New York Philharmonic, the Cleveland Orchestra, the Atlanta, Seattle and Tokyo symphony orchestras, the Orpheus Chamber Orchestra, the Mostly Mozart Festival Orchestra, the Washington National Opera, and the Metropolitan Opera. He has recorded on labels including Tundra, More Is More, Nonesuch, EMI, Deutsche Grammophon, and Naxos. Byrd-Marrow received his bachelor’s degree from the Juilliard School and master’s from Stony Brook University. He is Associate Professor of Horn at Oberlin College and Conservatory.
Eric Reed is the horn player of the American Brass Quintet, and co-principal horn of the Orpheus Chamber Orchestra. Also a member of the Orchestra of St. Luke’s, Eric is a former member of the Canadian Brass, Ensemble Connect, and the New Jersey, Oregon, New World, and Harrisburg symphonies. He serves on the faculty of the Juilliard School, New York University, and Mannes School of Music. Eric is a member of Brassology, a genre-bending brass octet formed in 2023, and Ensemble Échappé, a sinfonietta dedicated to music of the 21st century. Recent world premieres include chamber works by Tyshawn Sorey, Jennifer Higdon, John Zorn, Nina C. Young, Anthony Barfield, William Bolcom, David Biedenbender, Philip Lasser, Kenneth Fuchs and Timo Andres. Recent festival appearances include Aspen, Bridgehampton, Bard, Emerald City, North Shore, Crescent City, Cape Cod, Steamboat Springs, and Mostly Mozart. Eric resides in the Bronx with his wife, violinist Sarah Zun, and their sons Oliver and Elliot.
Horn player Hugo Valverde enjoys a prolific career in the United States and abroad as an orchestral player and soloist, currently holding the Second Horn position at the Metropolitan Opera Orchestra in New York City. Other commitments as an orchestral musician include performances with the National Symphony Orchestra of his native Costa Rica, the Philadelphia Orchestra, the Los Angeles Philharmonic, the Houston Symphony, and the New York City Ballet Orchestra, as well as major festivals. He is a faculty member at the Bard College Conservatory of Music and the Precollege Division at Manhattan School of Music. Valverde studied at the Shepherd School of Music at Rice University in Houston, Texas, Lynn University Conservatory of Music in Boca Raton, Florida, and the National Music Institute in San José, Costa Rica. His main teachers are Daniel León, Luis Murillo, Gregory Miller, and William VerMeulen.
Violinist Alexander Sitkovetsky was born in Moscow into a family with a well-established musical tradition. Since his concerto debut at the age of eight, he has performed as soloist and chamber musician in many of the major venues around the world including Vienna’s Musikverein, Amsterdam’s Concertgebouw and the Wigmore Hall in London. This season he will make his subscription debut with the Budapest Festival Orchestra, among other engagements. He is the Artistic Director of the NFM Leopoldinum Chamber Orchestra in Wrocław, Poland, and is a founding member of the Sitkovetsky Trio, which regularly performs throughout Europe, Asia, and the Americas and is recognized as one of the most important ensembles performing today. Sitkovetsky is an alum of CMS’s Bowers Program and plays the 1679 “Parera” Antonio Stradivari violin, kindly loaned to him through the Beare’s International Violin Society by a generous sponsor.
Last summer, violist Paul Neubauer premiered a new viola concerto by Ellen Taaffe Zwilich with conductor JoAnn Falletta at the Brevard Music Center. This season, he will record and perform the work with the Buffalo Philharmonic Orchestra. In 2025, he released two albums on First Hand Records featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21, Neubauer has appeared as soloist with the New York, Los Angeles, and Helsinki Philharmonics; the Chicago, National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth Symphonies; and the Santa Cecilia, English Chamber, and Beethovenhalle Orchestras. A two-time Grammy nominee, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.
Cellist Dmitri Atapine has been praised for his “brilliant technical chops” (Gramophone) and performances that are “highly impressive throughout” (The Strad). He has appeared at leading venues, including Carnegie Hall’s Zankel and Weill halls, the National Auditorium of Spain, and Beijing’s Forbidden City Concert Hall. He performs frequently with CMS, where he is an alum of the Bowers Program. He has been featured at festivals including Music@Menlo, La Musica Sarasota, Aldeburgh, and Aix-en-Provence. His many recordings include a world-premiere release of Lowell Liebermann’s cello sonatas. He has received multiple performance and teaching awards, including first prize at the Carlos Prieto International Cello Competition. He holds a doctorate from the Yale School of Music, where he studied with Aldo Parisot. Atapine is Professor of Cello at the University of Nevada, Reno. Together with pianist Hyeyeon Park, he serves as Artistic Co-Director of Friends of Chamber Music Kansas City and Apex Concerts (Nevada). He is also the Artistic Co-Director designate of Music@Menlo.
Blake Hinson is a New York–based performer and educator. Assistant Principal Bass of the New York Philharmonic since 2016, and a member of the bass section since 2012; he maintains an active career that blends orchestral work, chamber music, and teaching. Beyond the Philharmonic, he has performed with Gerard Schwarz’s All-Star Orchestra in its 2022 and 2023 seasons and has recorded on major film soundtracks, including West Side Story (2021), In the Heights, and Don’t Worry Darling. Previously, he served as Principal Bass of the Grand Rapids Symphony and performed with the Festival Orchestra of Lincoln Center. An avid chamber musician, Hinson appears frequently with the Chamber Music Society of Lincoln Center as well as the Chamber Music Society of Palm Beach, and on the Philharmonic’s Merkin Hall series. He teaches at the Manhattan School of Music and has held faculty and guest teaching roles at leading institutions.