Visions of a Better World
| 1. | Introduction | 00:00:46 |
| 2. | Messiaen: Visions de l’Amen for Two Pianos | 00:48:10 |
| 3. | Mendelssohn: Lied ohne Worte in E major for Piano, Op. 19b, No. 1 | 00:09:33 |
PROGRAM
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Olivier Messiaen (1908–1992) |
Visions de l’Amen for Two Pianos (1943) Michael Brown, Piano I; Orion Weiss, Piano II |
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Felix Mendelssohn (1809–1847) |
Lied ohne Worte in E major for Piano, Op. 19b, No. 1 (1832) Anne-Marie McDermott, Piano |
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Anne-Marie McDermott
Michael Stephen Brown
Orion Weiss
One of the most dazzling American pianists of her generation, Anne-Marie McDermott has played concertos, recitals, and chamber music throughout the United States, Europe, and Asia. She is an insightful interpreter of Baroque and Classical masterpieces, 20th-century modernism, and music by influential contemporary composers. McDermott has soloed with the New York Philharmonic, Hong Kong Philharmonic, and the National Symphony Orchestra. She continues her tenure as Music and Artistic Director of the Bravo! Vail Music Festival through 2026. She is the Artistic Director of the Ocean Reef Chamber Music Festival and Artistic Director of the McKnight Center’s Chamber Music Festival. McDermott is currently recording the complete Beethoven piano concertos with Mexico City’s Orquesta Sinfónica de Minería under Carlos Miguel Prieto. Her recordings also include the complete piano sonatas of Prokofiev, solo works by Chopin, Bach’s English Suites and Partitas, and Gershwin’s works for piano and orchestra. She received a 2024 honorary doctorate from the Manhattan School of Music.
Michael Stephen Brown is a composer and pianist hailed by the New York Times as “one of the leading figures in the current renaissance of performer-composers.” He has appeared as soloist with the Seattle Symphony, American Symphony Orchestra, The Orchestra Now, Phoenix Symphony, and Poland’s NFM Leopoldinum, and performs at major festivals worldwide. The recipient of the 2026 Andrew Wolf Award, Lincoln Center’s Emerging Artist Award, and an Avery Fisher Career Grant, he was recently in residence at MacDowell and Yaddo. Recent highlights include a recital at Alice Tully Hall with CMS and collaborations with longtime artistic partner Nicholas Canellakis, as well as Pinchas Zukerman, Kristin Lee, and Arnaud Sussmann. His first album devoted entirely to his own music, Twelve Blocks, was released in 2026 to critical acclaim. Current projects include The Carnival of Endangered Wonders and the score for Angeline Gragasin’s film Look But Don’t Touch. An alum of CMS’s Bowers Program, Brown lives in New York City with his two 19th-century Steinways, Octavia and Daria.
One of the most sought-after soloists and chamber music collaborators of his generation, Orion Weiss is widely regarded as a “brilliant pianist” (New York Times) with “powerful technique and exceptional insight” (Washington Post). He has performed with dozens of orchestras in North America including the Chicago Symphony, Baltimore Symphony, Boston Symphony, San Francisco Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, and New York Philharmonic and at major venues and festivals worldwide.
Known for his affinity for chamber music, Weiss performs regularly with violinists Augustin Hadelichand James Ehnes; pianists Michael Brown and Shai Wosner; and the Ariel, Parker, and Pacifica Quartets. In recent seasons, he has also performed with the Israel Philharmonic Orchestra, Pittsburgh Symphony, Toronto Symphony Orchestra, National Arts Centre Orchestra, and Orpheus Chamber Orchestra. Weiss can be heard on the Naxos, Telos, Bridge, First Hand, Yarlung, and Artek labels.
Weiss has been awarded the Classical Recording Foundation’s Young Artist of the Year, Gilmore Young Artist Award, an Avery Fisher Career Grant, and the Mieczyslaw Munz Scholarship. A native of Ohio, Weiss attended the Cleveland Institute of Music and the Juilliard School, where he studied with Emanuel Ax.