Bach: Brandenburg Concerto No. 3 in G major, BWV 1048
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Chad Hoopes
Paul Huang
Paul Neubauer
Daniel Phillips
Inbal Segev
Kenneth Weiss
American violinist Chad Hoopes is a consistent and versatile performer with the world’s leading orchestras, including the Philadelphia Orchestra, l’Orchestre de Paris, l’Orchestre National du Capitole de Toulouse, Orpheus Chamber Orchestra, the Konzerthausorchester Berlin, and the Minnesota and National Arts Centre orchestras, as well the San Francisco, Pittsburgh, Houston, and National symphonies. An alum of CMS’s Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center. He has been a guest of the Moritzburg Festival, Rheingau Musik Festival, and Aspen Music Festival, and has been featured on recordings including the recent Moritzburg Festival Dvořák album with cellist Jan Vogler, released by Sony Classical, and with the MDR Leipzig and conductor Kristjan Järvi performing the Mendelssohn Violin Concerto on the Naïve label. He has performed in recital at the Ravinia Festival, the Tonhalle Zürich, and the Louvre, as well as on Lincoln Center’s Great Performers series. He is a 2017 recipient of Lincoln Center’s Avery Fisher Career Grant and appeared as the cover feature on the November 2021 edition of The Strad. Hoopes attended the Cleveland Institute of Music before studying with Ana Chumachenco at the Kronberg Academy. He plays the 1991 Samuel Zygmuntowicz, ex Isaac Stern violin.
Recipient of a 2015 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang’s recent appearances included the Detroit Symphony, Rotterdam and Seoul philharmonics, and the BBC, San Francisco, Dallas, Baltimore, Houston, San Diego and NHK symphonies. In the 2025–26 season, he debuts with London Philharmonic, Tampere Philharmonia, Naples and Rochester philharmonics, and returns to Rotterdam Philharmonic, National Symphony of Taiwan, and North Carolina, Colorado, Pacific, and Vancouver symphonies. In fall 2021, he became the first classical violinist to perform his own arrangement of the US national anthem for the opening game of the NFL to an audience of 75,000. His recent recital appearances included those at the Kennedy Center, Lincoln Center, Aspen, and Lucerne Festivals. He plays on the legendary 1742 ex-Wieniawski Guarneri del Gesù on loan through the Stradivari Society of Chicago.
Last summer, violist Paul Neubauer premiered a new viola concerto by Ellen Taaffe Zwilich with conductor JoAnn Falletta at the Brevard Music Center. This season, he will record and perform the work with the Buffalo Philharmonic Orchestra. In 2025, he released two albums on First Hand Records featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21, Neubauer has appeared as soloist with the New York, Los Angeles, and Helsinki Philharmonics; the Chicago, National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth Symphonies; and the Santa Cecilia, English Chamber, and Beethovenhalle Orchestras. A two-time Grammy nominee, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.
Violinist/violist Daniel Phillips enjoys a versatile career as a chamber musician, soloist, and teacher. A graduate of Juilliard, he counts among his teachers his father, Eugene Phillips, Ivan Galamian, Sally Thomas, Nathan Milstein, Sándor Végh, and George Neikrug. He co-founded the Orion String Quartet, which played worldwide for 37 years. Since winning the 1976 Young Concert Artists Competition, he has performed as soloist with many major orchestras. Along with his wife, Tara Helen O’Connor, he is the Co-Artistic Director of Music from Angel Fire. He was a member of the renowned Bach Aria Group and has toured and recorded in a string quartet for Sony with Gidon Kremer, Kim Kashkashian, and Yo-Yo Ma. Phillips is a professor at the Aaron Copland School of Music at Queens College and on the faculties of Bard College Conservatory and Juilliard. He plays a violin made by Samuel Zygmuntowicz in 2017 and a 1702 Stradivarius, and a viola made by his grandfather, Benjamin F. Phillips.
Inbal Segev has appeared with orchestras including the Berlin Philharmonic, Israel Philharmonic, London Philharmonic, and Pittsburgh Symphony, led by Marin Alsop, Stéphane Denève, Lorin Maazel, Cristian Macelaru, Zubin Mehta, and others. She has commissioned and premiered new concertos from Timo Andres, Anna Clyne, Avner Dorman, and Victoria Poleva. Recorded with Alsop and the London Philharmonic, her premiere recording of Clyne’s concerto topped the Amazon Classical Concertos chart, its opening movement receiving more than 13 million listens on Spotify. During the early pandemic lockdowns, she launched 20 for 2020, a commissioning, recording, and video project for 20 composers, including John Luther Adams, Viet Cuong, Angélica Negrón, and the cellist herself. A dedicated chamber musician, she co-founded the Amerigo Trio with Glenn Dicterow and Karen Dreyfus, and her acclaimed discography includes a collaboration with Juho Pohjonen. Her cello was made by Francesco Ruggieri in 1673.
Kenneth Weiss, a New York native, is a distinguished musician renowned for his expertise in early keyboard repertoire. A student of the legendary Gustav Leonhardt, he has garnered acclaim for his prize-winning recordings, including Bach’s Art of Fugue, The Well-Tempered Clavier, and Goldberg Variations. With a rich background as both a performer and educator, Kenneth has taught harpsichord at esteemed institutions such as Juilliard and the Haute École de Musique de Geneva. Currently, he serves as a professor of Chamber Music at the Paris Conservatory, where he inspires the next generation of musicians. This season, he will perform with the Chamber Music Society of Lincoln Center and participate in Bach festivals in Weimar, Leipzig, Lausanne, and in the Berkshires, showcasing his profound passion for Bach’s masterpieces. Kenneth’s performances continue to resonate with audiences worldwide, reflecting his deep commitment to the art of early music.
Recorded live in Alice Tully Hall on December 15, 2015.
Video produced by Ibis Productions.