Glass: Echorus for Two Violins and Strings
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Danbi Um
Bella Hristova
Alexander Sitkovetsky
Anthony Manzo
Praised by The Strad as an “utterly dazzling” artist, violinist Danbi Um appears internationally as a concerto soloist, recitalist, and chamber musician. She is a Silver Medalist at the Menuhin International Violin Competition, prizewinner of the Michael Hill International Violin Competition and the Naumburg International Violin Competition, and recipient of the Salon de Virtuosi Career Grant. In 2026, she was appointed Assistant Professor of Violin at the Cincinnati College-Conservatory of Music. Recent and upcoming engagements include performances with the Chamber Orchestra of Philadelphia, the Ridgewood Symphony, and the Phillips Collection. Her second album, Poème Mystique, recorded with pianist Juho Pohjonen, was released in February 2025. Her principal teachers include Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. An alum of CMS’s Bowers Program and a winner of Astral Artists’ National Auditions, she performs on the 1683 “ex-Petschek” Nicolò Amati violin, generously loaned by a private collection.
Acclaimed for her passionate, powerful performances, beautiful sound, and compelling command of her instrument, violinist Bella Hristova has appeared as a soloist with orchestras across the US, Asia, Europe, Latin America, and New Zealand. She was the featured soloist for an eight-orchestra concerto commission, written by her husband, composer David Serkin Ludwig, and recently recorded it with the Buffalo Philharmonic and JoAnn Falletta. Her discography also includes the complete Beethoven and Brahms sonatas with pianist Michael Houstoun. A champion of new music, her project Lineage features six new solo violin commissions by Dai Wei, Gloria Kravchenko, Nokuthula Ngwenyama, Eunike Tanzil, Joan Tower, and Ellen Taaffe Zwilich. She is a recipient of a 2013 Avery Fisher Career Grant and first-prize winner of the Michael Hill and YCA competitions. Hristova studied with Ida Kavafian and Jaime Laredo, is an alum of CMS’s Bowers Program, and plays a 1655 Nicolò Amati violin.
Violinist Alexander Sitkovetsky was born in Moscow into a family with a well-established musical tradition. Since his concerto debut at the age of eight, he has performed as soloist and chamber musician in many of the major venues around the world including Vienna’s Musikverein, Amsterdam’s Concertgebouw and the Wigmore Hall in London. This season he will make his subscription debut with the Budapest Festival Orchestra, among other engagements. He is the Artistic Director of the NFM Leopoldinum Chamber Orchestra in Wrocław, Poland, and is a founding member of the Sitkovetsky Trio, which regularly performs throughout Europe, Asia, and the Americas and is recognized as one of the most important ensembles performing today. Sitkovetsky is an alum of CMS’s Bowers Program and plays the 1679 “Parera” Antonio Stradivari violin, kindly loaned to him through the Beare’s International Violin Society by a generous sponsor.
Anthony Manzo’s vibrantly interactive music-making has made him a ubiquitous figure in the chamber music world. He appears regularly with CMS and at festivals including Spoleto USA, La Jolla SummerFest, Santa Fe Chamber Music, and the Bowdoin Festival. Currently a core member of ECCO (the East Coast Chamber Orchestra), he was previously the solo bassist of the Munich Chamber Orchestra and the New Century Chamber Orchestra. He has also been guest principal with Camerata Salzburg, where collaborations included a summer residency at the Salzburg Festival and two tours as soloist alongside bass-baritone Thomas Quasthoff, performing Mozart’s “Per questa bella mano.” Mr. Manzo also appears regularly with the Handel & Haydn Society and the Philharmonia Baroque, and is on the double bass and chamber music faculty at the University of Maryland. His instrument was made in Paris around 1890—and has been fitted with a removable neck for all his traveling!
Recorded live in Alice Tully Hall on March 4, 2016.
Video produced by Ibis Productions.