Reicha: Quintet in E minor for Flute, Oboe, Clarinet, Bassoon, and Horn, Op. 88, No. 1
Recorded live in Alice Tully Hall on July 13, 2022.
Video produced by Ibis Productions.
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Tara Helen O'Connor
Sebastian Manz
Marc Goldberg
David Byrd-Marrow
Tara Helen O’Connor, recipient of an Avery Fisher Career Grant and a two-time Grammy nominee, was the first wind player to participate in CMS’s Bowers Program. A regular performer at major music festivals around the country, she is also the Co-Artistic Director of the Music from Angel Fire Festival in New Mexico, the Artistic Director of the Essex Winter Series, a member of the woodwind quintet Windscape, and a founding member of the Naumburg Award–winning New Millennium Ensemble. She has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings, and Bridge Records, and can be heard on numerous film and television soundtracks. She has premiered hundreds of new works and has collaborated with the Orion, St. Lawrence, and Emerson String Quartets. A Wm. S. Haynes flute artist, O’Connor is on faculty at Yale School of Music. Additionally, she teaches at Bard College and the Manhattan School of Music.
Clarinetist Sebastian Manz has performed as a soloist with major European orchestras, including the Nuremberg Symphony Orchestra and the Munich Chamber Orchestra. As a chamber musician, he has appeared at venues such as the Elbphilharmonie Hamburg, the Beethovenhaus Bonn, the Festspiele Mecklenburg-Vorpommern and the Schleswig-Holstein Music Festival. He has collaborated with artists like Danae Dörken, the Danish String Quartet, the Amaryllis Quartet, and the Schumann Quartett. At age 22, Manz won first prize in the clarinet category at the ARD International Music Competition, a prize that had not been awarded for 40 years, as well as the coveted Audience Prize. He is the principal clarinetist of the SWR Symphony Orchestra in Stuttgart. His recordings include A Bernstein Story, which won the 2020 Opus Klassik award; clarinet concertos by Nielsen and Lindberg; and a recital of works by Brahms and Schumann with pianist Herbert Schuch. His double album, Quasi Cool, showcases his stylistic versatility as a clarinetist and arranger. He is an alum of CMS’s Bowers Program.
A member of the St. Luke’s Chamber Ensemble and New York Woodwind Quintet, Marc Goldberg is principal bassoonist of the Festival Orchestra of Lincoln Center, Orchestra of St. Luke’s, American Ballet Theater, the Saito Kinen Orchestra, and the NYC Opera. Previously the associate principal bassoonist of the New York Philharmonic, he has also been a frequent guest of the Boston Symphony Orchestra, Metropolitan Opera, and Orpheus Chamber Orchestra, touring with these ensembles across four continents and joining them on numerous recordings. A long-time season artist of the Chamber Music Society of Lincoln Center, he has been a guest of the Boston Symphony Chamber Players, the Brentano Quartet, Music@Menlo, Musicians from Marlboro, and Carnegie Hall’s Zankel Band. Goldberg is on the faculty of the Juilliard School Pre-College Division, Mannes College, New England Conservatory, the Hartt School, and the Bard College Conservatory of Music.
Hailed as “stunning and assured” by the New York Times, Atlanta native David Byrd-Marrow is a member of the International Contemporary Ensemble and The Knights. He has premiered works by composers like Anna Webber, Hilda Paredes, George Lewis, Paul Wiancko, Du Yun, Marcos Balter, Eric Wubbels, and Jörg Widmann. David has performed at major festivals including the Ojai Music Festival, the Spoleto Music Festival, the Tanglewood Music Center, Summerfest! at the La Jolla Music Society, and others. He is an alum of Carnegie Hall’s Ensemble Connect, and has appeared with the New York Philharmonic, the Cleveland Orchestra, the Atlanta, Seattle, and Tokyo symphony orchestras, the Orpheus Chamber Orchestra, the Mostly Mozart Festival Orchestra, the Washington National Opera, and the Metropolitan Opera. He has recorded on the Tundra, More Is More, Nonesuch, EMI, Deutsche Grammophon, and Naxos labels. Byrd-Marrow holds degrees from the Juilliard School and Stony Brook University, and is Associate Professor of Horn at the Oberlin Conservatory.
