Rameau: Concert IV from Pièces de Clavecin en Concerts for Flute, Violin, and Continuo
Jean-Philippe Rameau Concert IV from Pièces de Clavecin en Concerts for Flute, Violin, and Continuo (1726–27)
La Pantomime
L'Indiscrète: Rondeau
La Rameau
Recorded live in Alice Tully Hall on Sunday, December 3, 2023.
Video produced by Ibis Productions
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Sooyun Kim
James Thompson
Dmitri Atapine
Kenneth Weiss
Since her concerto debut with the Seoul Philharmonic Orchestra, flutist Sooyun Kim has enjoyed a flourishing career performing with orchestras, including the Bavarian Radio Symphony, Munich Philharmonic, Munich Chamber Orchestra, and Boston Pops. She has appeared in recital in Budapest’s Liszt Hall, Millennium Stage at the Kennedy Center, and the Louvre Museum in Paris. She is a winner of the Georg Solti Foundation Career Grant and ARD International Flute Competition. An alum of CMS’s Bowers Program, she studied at the New England Conservatory under the tutelage of Paula Robison. She is recently appointed Assistant Professor of Flute at University Cincinnati College-Conservatory and teaches summer courses at Orford Musique. Kim plays on a rare 18-karat gold flute made especially for her by Verne Q. Powell Flutes and has recorded for labels including ArtistLed, Naxos, Toccata Classics, and BR-Klassik. Her album Confluence was released to great acclaim in 2025 on the Musica Solis label.
Violinist/violist James Thompson enjoys a multifaceted career as a chamber musician, concertmaster, educator, and lecturer. He is a recent graduate of the Chamber Music Society of Lincoln Center’s Bowers Program. Thompson performs regularly for chamber music organizations across the country, and he serves as the director of Music@Menlo’s annual winter residency in California. Solo engagements include appearances with the Cleveland Orchestra, the Asheville Symphony, the Cleveland Institute of Music Orchestra, and the Cleveland Pops orchestra. He currently serves as concertmaster of the Erie Philharmonic, the BlueWater Chamber Orchestra, and the Caroga Arts Ensemble. As a guest artist, he has recently led classes for the Eastman School of Music and the Music Institute of Chicago, among others. Thompson holds bachelor’s, master’s, and artist diploma degrees from the Cleveland Institute of Music; his primary teachers include Jaime Laredo, William Preucil, and Paul Kantor.
Cellist Dmitri Atapine has been praised for his “brilliant technical chops” (Gramophone) and performances that are “highly impressive throughout” (The Strad). He has appeared at leading venues, including Carnegie Hall’s Zankel and Weill halls, the National Auditorium of Spain, and Beijing’s Forbidden City Concert Hall. He performs frequently with CMS, where he is an alum of the Bowers Program. He has been featured at festivals including Music@Menlo, La Musica Sarasota, Aldeburgh, and Aix-en-Provence. His many recordings include a world-premiere release of Lowell Liebermann’s cello sonatas. He has received multiple performance and teaching awards, including first prize at the Carlos Prieto International Cello Competition. He holds a doctorate from the Yale School of Music, where he studied with Aldo Parisot. Atapine is Professor of Cello at the University of Nevada, Reno. Together with pianist Hyeyeon Park, he serves as Artistic Co-Director of Friends of Chamber Music Kansas City and Apex Concerts (Nevada). He is also the Artistic Co-Director designate of Music@Menlo.
Kenneth Weiss, a New York native, is a distinguished musician renowned for his expertise in early keyboard repertoire. A student of the legendary Gustav Leonhardt, he has garnered acclaim for his prize-winning recordings, including Bach’s Art of Fugue, The Well-Tempered Clavier, and Goldberg Variations. With a rich background as both a performer and educator, Kenneth has taught harpsichord at esteemed institutions such as Juilliard and the Haute École de Musique de Geneva. Currently, he serves as a professor of Chamber Music at the Paris Conservatory, where he inspires the next generation of musicians. This season, he will perform with the Chamber Music Society of Lincoln Center and participate in Bach festivals in Weimar, Leipzig, Lausanne, and in the Berkshires, showcasing his profound passion for Bach’s masterpieces. Kenneth’s performances continue to resonate with audiences worldwide, reflecting his deep commitment to the art of early music.