Corelli: Concerto Grosso in D major for Strings and Continuo, Op. 6, No. 4
Arcangelo Corelli: Concerto Grosso in D major for Strings and Continuo, Op. 6, No. 4 (published 1714)
Adagio—Allegro
Adagio—Vivace
Allegro
Recorded live in Alice Tully Hall on Saturday, December 6, 2025.
Video produced by Ibis Productions
Edited by Trent Casey
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Kristin Lee
Richard Lin
Edward Arron
Arnaud Sussmann
Julian Rhee
James Thompson
Anthony Manzo
Paolo Bordignon
A recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist, recitalist, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra, St. Louis Symphony, Hawai’i Symphony, the Hong Kong Philharmonic, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album, American Sketches, on First Hand Records in November 2024. In 2026, she will collaborate with Grammy-nominated ensemble Sandbox Percussion, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program.
Richard Lin rose to international prominence after winning the Gold Medal at the 2018 Indianapolis International Violin Competition. He is also a top prizewinner of the Sendai, Joseph Joachim, Singapore, and Michael Hill International Violin Competitions.Since his Carnegie Hall Stern Auditorium recital debut in 2022, he has appeared as a soloist with leading orchestras worldwide, including the NDR Radiophilharmonie, Indianapolis Symphony Orchestra, Yomiuri Nippon Symphony Orchestra, Tokyo Symphony Orchestra, Shanghai Symphony Orchestra, Hong Kong Sinfonietta, and the Taiwan Philharmonic, among others. He is also an alum of CMS’s Bowers Program. His recordings include albums on Azica Records and Fontec, and he is on the faculty of the National Taipei University of Education. Lin performs on the 1714 Antonio Stradivarius “Joachim-Ma,” generously loaned by the YAGEO Foundation, Taiwan.
Cellist Edward Arron has garnered recognition worldwide for his elegant musicianship, impassioned performances, and creative programming. The 2026–27 season marks his 14th year as the co-artistic director with his wife, pianist Jeewon Park, of the Performing Artists in Residence series at the Clark Art Institute in Williamstown, Massachusetts. He tours and records as a member of the Ehnes Quartet, and appears regularly at the Boston and Seattle Chamber Music Societies, the Brooklyn Chamber Music Society, Bargemusic, Caramoor, Bowdoin International Music Festival, Charlottesville Chamber Music Festival, Seoul Spring Festival in Korea, Music in the Vineyards Festival, Lake Champlain Chamber Music Festival, Manchester Music Festival, and the Kuhmo Chamber Music Festival in Finland. A native of Cincinnati, Ohio, Arron studied in New York with Peter Wiley and graduated from the Juilliard School, where he was a student of Harvey Shapiro. He served on the faculty at New York University from 2009 to 2016 and at University of Massachusetts Amherst from 2016 to 2026.
Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has recently appeared as soloist with the Vancouver Symphony and the New World Symphony. As a chamber musician, he has performed at London’s Wigmore Hall, the Dresden Music Festival, and the Phillips Collection in Washington, DC. He has also given concerts at the Moritzburg, Caramoor, Music@Menlo, La Jolla SummerFest, Mainly Mozart, Seattle Chamber Music, Chamber Music Northwest, and Moab Music festivals. An alum of CMS’s Bowers Program, Sussmann is Artistic Director of the Chamber Music Society of Palm Beach and Co-Director of Music@Menlo’s International Program, and teaches at Stony Brook University. In September 2022, he was named Founding Artistic Director of the Boscobel Chamber Music Festival. Mr. Sussmann plays a 1731 Stradivarius violin on loan from a private owner.
Winner of the 2024 Avery Fisher Career Grant, Korean-American violinist Julian Rhee rose to international prominence following his prize-winning performances at the 2024 Queen Elisabeth International Violin Competition and Silver Medal at the 11th Quadrennial International Violin Competition of Indianapolis. He has appeared with orchestras including the Stuttgarter Kammerorchester, Pacific Symphony, Oregon Symphony, Milwaukee Symphony, Calgary Philharmonic, Belgian National Orchestra, Antwerp Symphony, Indianapolis Symphony, Pittsburgh Symphony, and San Diego Symphony. Highlights of the 2026–2027 season include debuts with the Gürzenich-Orchester and Andrés Orozco-Estrada, La Orquesta Clásica Santa Cecilia and Daniel Raiskin, and returns to the Richmond and Milwaukee Symphony Orchestras. He is a member of CMS’s Bowers Program and has performed at festivals including Marlboro, Rockport, Bridgehampton, Music@Menlo, and North Shore Chamber Music Festivals. Rhee is the recipient of the 1699 “Lady Tennant” Antonio Stradivari violin and a Jean Pierre Marie Persoit bow on extended loan through the Mary B. Galvin Foundation and the Stradivari Society.
Violinist/violist James Thompson enjoys a multifaceted career as a chamber musician, concertmaster, educator, and lecturer. He is a recent graduate of the Chamber Music Society of Lincoln Center’s Bowers Program. Thompson performs regularly for chamber music organizations across the country, and he serves as the director of Music@Menlo’s annual winter residency in California. Solo engagements include appearances with the Cleveland Orchestra, the Asheville Symphony, the Cleveland Institute of Music Orchestra, and the Cleveland Pops orchestra. He currently serves as concertmaster of the Erie Philharmonic, the BlueWater Chamber Orchestra, and the Caroga Arts Ensemble. As a guest artist, he has recently led classes for the Eastman School of Music and the Music Institute of Chicago, among others. Thompson holds bachelor’s, master’s, and artist diploma degrees from the Cleveland Institute of Music; his primary teachers include Jaime Laredo, William Preucil, and Paul Kantor.
Anthony Manzo’s vibrantly interactive music-making has made him a ubiquitous figure in the chamber music world. He appears regularly with CMS and at festivals including Spoleto USA, La Jolla SummerFest, Santa Fe Chamber Music, and the Bowdoin Festival. Currently a core member of ECCO (the East Coast Chamber Orchestra), he was previously the solo bassist of the Munich Chamber Orchestra and the New Century Chamber Orchestra. He has also been guest principal with Camerata Salzburg, where collaborations included a summer residency at the Salzburg Festival and two tours as soloist alongside bass-baritone Thomas Quasthoff, performing Mozart’s “Per questa bella mano.” Mr. Manzo also appears regularly with the Handel & Haydn Society and the Philharmonia Baroque, and is on the double bass and chamber music faculty at the University of Maryland. His instrument was made in Paris around 1890—and has been fitted with a removable neck for all his traveling!
Paolo Bordignon is harpsichordist of the New York Philharmonic and organist and choirmaster of St. Bartholomew’s Church, Park Avenue. Recent appearances include concertos with the Philadelphia Orchestra and the American Symphony Orchestra, and performances with Santa Fe Chamber Music Festival, Orpheus Chamber Orchestra, and Camerata Pacifica. He has performed with the MET Orchestra Musicians, Boston Symphony Chamber Players, St. Paul Chamber Orchestra, All-Star Orchestra, Mark Morris Dance Company, and ECCO. He gave the first modern performances of newly rediscovered chamber works by Felix Mendelssohn, as well as the New York concert premiere of two newly rediscovered organ pieces by J. S. Bach at CMS in 2025. Bordignon attended St. Michael’s Cathedral Choir School in Toronto before attending the Curtis Institute of Music in Philadelphia. He is an Associate of the Royal Conservatory of Music and a Fellow of the Royal Canadian College of Organists, and he earned master’s and doctoral degrees from the Juilliard School.