Tyrannosaurus Sue: A Cretaceous Concerto
Recorded live in Alice Tully Hall on March 26, 2017.
Video produced by Ibis Productions.
Travel back in time to before smart phones, before zippers, before umbrellas, before spoons…even before humans! Let’s travel back to the Cretaceous period, when dinosaurs roamed the earth. Our T-rex Sue is a musical tribute-composed by our own Bruce Adolphe-to the largest set of complete dinosaur bones ever found, and, very appropriately, a trombone plays the lead role!
| Title | Date |
|---|---|
| Streaming live | {{ViewModel.StreamingOn.date}}, {{ViewModel.StreamingOn.time}} |
| Off-sale on | {{ViewModel.OffSaleDate.date}}, {{ViewModel.OffSaleDate.time}} |
| Available on-demand until | {{ViewModel.AvailableUntil.date}}, {{ViewModel.AvailableUntil.time}} |
{{ViewModel.BuySubscription.prompt}}
Bruce Adolphe
Bella Hristova
Danbi Um
Mihai Marica
James Austin Smith
Romie de Guise-Langlois
Marc Goldberg
Ayano Kataoka
Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.
Resident lecturer and director of family concerts for the Chamber Music Society of Lincoln Center since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights. His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide. Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto.
Acclaimed for her passionate, powerful performances, beautiful sound, and compelling command of her instrument, violinist Bella Hristova has appeared as a soloist with orchestras across the US, Asia, Europe, Latin America, and New Zealand. She was the featured soloist for an eight-orchestra concerto commission, written by her husband, composer David Serkin Ludwig, and recently recorded it with the Buffalo Philharmonic and JoAnn Falletta. Her discography also includes the complete Beethoven and Brahms sonatas with pianist Michael Houstoun. A champion of new music, her project Lineage features six new solo violin commissions by Dai Wei, Gloria Kravchenko, Nokuthula Ngwenyama, Eunike Tanzil, Joan Tower, and Ellen Taaffe Zwilich. She is a recipient of a 2013 Avery Fisher Career Grant and first-prize winner of the Michael Hill and YCA competitions. Hristova studied with Ida Kavafian and Jaime Laredo, is an alum of CMS’s Bowers Program, and plays a 1655 Nicolò Amati violin.
Violinist Danbi Um is a Menuhin International Violin Competition Silver Medalist, a winner of the prestigious 2018 Salon de Virtuosi Career Grant, and a recent top prizewinner of the Naumburg International Violin Competition. Recent and upcoming engagements include appearances with the Chamber Orchestra of Philadelphia, Cleveland Chamber Music Society, Chamber Music San Francisco, and the Rockport, Moab, Saratoga Performing Arts (SPAC), Santa Fe, and North Shore Music Festivals. Born in Seoul, South Korea, Ms. Um moved to the United States to study at the Curtis Institute of Music, where she earned a bachelor’s degree. She also holds an Artist Diploma from Indiana University. She is an alum of CMS’s Bowers Program and plays a 1683 “ex-Petschek” Nicolo Amati violin, on loan from a private collection.
Romanian-born cellist Mihai Marica is a first-prize winner of the Dr. Luis Sigall International Competition in Viña del Mar, Chile, as well as the Irving M. Klein International Competition, and is a recipient of Charlotte White’s Salon de Virtuosi Fellowship Grant. He has performed with orchestras such as the Symphony Orchestra of Chile, Xalapa Symphony in Mexico, the Hermitage State Orchestra of St. Petersburg in Russia, the Jardins Musicaux Festival Orchestra in Switzerland, the Louisville Orchestra, and the Santa Cruz Symphony in the US. He has also appeared in recital performances in Austria, Hungary, Germany, Spain, Holland, South Korea, Japan, Chile, the United States, and Canada. A dedicated chamber musician, he has performed at the Chamber Music Northwest, Norfolk, and Aspen music festivals where he has collaborated with such artists as Ani Kavafian, Ida Kavafian, David Shifrin, André Watts, and Edgar Meyer. He is a founding member of the award-winning Amphion String Quartet. A recent collaboration with dancer Lil Buck brought forth new pieces for solo cello written by Yevgeniy Sharlat and Patrick Castillo. He recently joined the acclaimed Apollo Trio. Marica studied with Gabriela Todor in his native Romania and with Aldo Parisot at the Yale School of Music, where he was awarded master's and artist diploma degrees. He is an alum of CMS's Bowers Program.
Performer, curator, and on-stage host James Austin Smith “proves that an oboist can have an adventurous solo career” (The New Yorker). Smith appears at leading national and international chamber music festivals, as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music, Smith creates intimate evenings of music, food, and drink in New York and San Francisco, as well as an annual festival in a variety of global destinations. He serves as Artistic Advisor to Coast Live Music in the San Francisco Bay Area and mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University and as a regular guest at London's Guildhall School. A Fulbright scholar and alum of Carnegie Hall’s Ensemble Connect and CMS’s Bowers Program, he holds degrees in music and political science from Northwestern and Yale University.
Praised as “extraordinary” and “a formidable clarinetist” by the New York Times, Romie de Guise-Langlois has appeared as soloist and chamber musician on major concert stages internationally. She has performed as soloist with the Houston Symphony, Ensemble Connect, the Burlington Chamber Orchestra, and the Guanajuato Symphony Orchestra, as well as at Festival Mozaic, Music@Menlo, and the Banff Center for the Arts. She was awarded first prize in the Houston Symphony Ima Hogg competition, the Yale University Woolsey Hall Competition, the McGill University Classical Concerto Competition, and the Canadian Music Competition. She has performed as principal clarinetist for the Orpheus and Saint Paul chamber orchestras, NOVUS NY, the Orchestra of St. Luke’s, the New Haven and Stamford symphony orchestras, and The Knights Chamber Orchestra. She is an alum of Astral Artists, Ensemble Connect, and CMS's Bowers Program, and has appeared at series such as the Boston and Philadelphia chamber music societies, Musicians from Marlboro, the Santa Fe Chamber Music Festival, and Chamber Music Northwest, among others. A native of Montreal, Ms. de Guise-Langlois earned her bachelor’s degree from McGill University and her master’s degree from Yale School of Music. She is currently assistant professor of clarinet at UMass Amherst.
A member of the St. Luke’s Chamber Ensemble and New York Woodwind Quintet, Marc Goldberg is principal bassoonist of the Festival Orchestra of Lincoln Center, Orchestra of St. Luke’s, American Ballet Theater, the Saito Kinen Orchestra, and the NYC Opera. Previously the associate principal bassoonist of the New York Philharmonic, he has also been a frequent guest of the Boston Symphony Orchestra, Metropolitan Opera, and Orpheus Chamber Orchestra, touring with these ensembles across four continents and joining them on numerous recordings. A long-time season artist of the Chamber Music Society of Lincoln Center, he has been a guest of the Boston Symphony Chamber Players, the Brentano Quartet, Music@Menlo, Musicians from Marlboro, and Carnegie Hall’s Zankel Band. Goldberg is on the faculty of the Juilliard School Pre-College Division, Mannes College, New England Conservatory, the Hartt School, and the Bard College Conservatory of Music.
The first percussionist to join CMS’s Bowers Program, Ayano Kataoka is known for her brilliant technique and the distinctive elegance and imagination she brings to her performances. With cellist Yo-Yo Ma, she gave the world premiere of Bruce Adolphe’s Self Comes to Mind, and she has presented a solo recital on the B to C (Bach to Contemporary) series at Tokyo Opera City Recital Hall. Additional highlights include Steven Mackey’s Micro-Concerto at Alice Tully Hall; Stravinsky’s L’Histoire du soldat at 92nd Y with violinist Jaime Laredo and actors Alan Alda and Noah Wyle; and Bartók’s Sonata for Two Pianos and Percussion at CMS with pianists Emanuel Ax and Yoko Nozaki. Ms. Kataoka is a full professor of percussion at the University of Massachusetts Amherst, where she received the 2023–24 Distinguished Faculty Lecture Series honor and the Chancellor’s Medal. She has also served as a visiting professor at Hochschule für Musik und Tanz Köln and on the faculty of Yellow Barn and the So Percussion Summer Institute.