After beginning with Bach, who used six voices to compose his fugue-on-demand for Frederick the Great, the group splits for Classical and Romantic string trios, before re-combining in Strauss’s Sextet from Capriccio and Tchaikovsky’s blockbuster Souvenir de Florence.
Program
Johann Sebastian Bach
(1685–1750)"Ricercar a 6" from Musical Offering, BWV 1079
(1747)Joseph Haydn
(1732–1809)Trio in G major for Violin, Viola, and Cello, Hob. XVI:40, Op. 53, No. 1
(1784)Franz Schubert
(1797–1828)Trio in B-flat major for Violin, Viola, and Cello, D. 581
(1817)Richard Strauss
(1864–1949)Sextet for Strings from Capriccio, Op. 85
(1941)Pyotr Ilyich Tchaikovsky
(1840–1893)Sextet for Two Violins, Two Violas, and Two Cellos, Op. 70, “Souvenir de Florence”
(1890)
Paul Huang
Danbi Um
Matthew Lipman
Timothy Ridout
Sihao He
David Finckel
Recipient of a 2015 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang’s recent appearances included the Detroit Symphony, Rotterdam and Seoul philharmonics, and the BBC, San Francisco, Dallas, Baltimore, Houston, San Diego and NHK symphonies. In the 2025–26 season, he debuts with London Philharmonic, Tampere Philharmonia, Naples and Rochester philharmonics, and returns to Rotterdam Philharmonic, National Symphony of Taiwan, and North Carolina, Colorado, Pacific, and Vancouver symphonies. In fall 2021, he became the first classical violinist to perform his own arrangement of the US national anthem for the opening game of the NFL to an audience of 75,000. His recent recital appearances included those at the Kennedy Center, Lincoln Center, Aspen, and Lucerne Festivals. He plays on the legendary 1742 ex-Wieniawski Guarneri del Gesù on loan through the Stradivari Society of Chicago.
Praised by The Strad as an “utterly dazzling” artist, violinist Danbi Um appears internationally as a concerto soloist, recitalist, and chamber musician. She is a Silver Medalist at the Menuhin International Violin Competition, prizewinner of the Michael Hill International Violin Competition and the Naumburg International Violin Competition, and recipient of the Salon de Virtuosi Career Grant. In 2026, she was appointed Assistant Professor of Violin at the Cincinnati College-Conservatory of Music. Recent and upcoming engagements include performances with the Chamber Orchestra of Philadelphia, the Ridgewood Symphony, and the Phillips Collection. Her second album, Poème Mystique, recorded with pianist Juho Pohjonen, was released in February 2025. Her principal teachers include Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. An alum of CMS’s Bowers Program and a winner of Astral Artists’ National Auditions, she performs on the 1683 “ex-Petschek” Nicolò Amati violin, generously loaned by a private collection.
American violist Matthew Lipman, recognized by the New York Times for his “rich tone and elegant phrasing,” has made recent appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra; and at Carnegie Hall, Vienna Musikverein, Berlin Philharmonie, and the Zürich Tonhalle. He made his recording debut with Sir Neville Marriner and the Academy of St Martin in the Fields and has since recorded on Sony and Deutsche Grammophon. Lipman has premiered works by Clarice Assad, Andreia Pinto Correia, Joel Thompson, and John Williams, and made his film debut in A. Rimbaud, playing the role of Paul Verlaine. He is an alum of CMS’s Bowers Program and the recipient of an Avery Fisher Career Grant. Lipman is on faculty at Stony Brook University and is a visiting professor at Juilliard.
Timothy Ridout, a former BBC New Generation Artist, Borletti-Buitoni Trust Fellowship 2020 winner, and recipient of the Royal Philharmonic Society 2023 Young Artist Award, is one of the most sought-after violists of his generation. The 2023–24 season sees him join the WDR Sinfonieorchester Köln, Orchestre National du Capitole de Toulouse, and Bavarian Radio Symphony Orchestra alongside the likes of Kazuki Yamada and Sir Simon Rattle. Further highlights include his return to America with Camerata Pacifica and his debut with Royal Northern Sinfonia. Recent seasons have included appearances with the BBC Symphony Orchestra, Tokyo Metropolitan Symphony Orchestra, Odense Symphony Orchestra, Netherlands Chamber Orchestra, hr-Sinfonieorchester, Tonhalle-Orchester Zürich, Chamber Orchestra of Europe, Hamburger Symphoniker, Orchestre National de Lille, Camerata Salzburg, Orchestre de Chambre de Lausanne, the Hallé, BBC Philharmonic and Philharmonia Orchestra. Across his engagements he has worked with conductors such as Sakari Oramo, Lionel Bringuier, Sylvain Cambreling, Nicholas Collon, and Sir András Schiff, and performed as far and wide as South America and Australia. In 2020 Ridout won Hamburger Symphoniker’s inaugural Sir Jeffrey Tate Prize and in 2021 he joined CMS’s Bowers Program. Born in London in 1995, Ridout studied at the Royal Academy of Music, graduating with the Queen’s Commendation for Excellence. He completed his master’s at the Kronberg Academy with Nobuko Imai in 2019 and, in 2018, took part in the Kronberg Academy’s Chamber Music Connects the World. He plays a viola by Peregrino di Zanetto c. 1565–75 on loan from a generous patron of Beare’s International Violin Society.
Sihao He first came to international prominence as a 14-year-old cellist winning first prize at the International Antonio Janigro Cello Competition. He is also the grand-prize winner of the prestigious 3rd Gaspar Cassadó International Cello Competition. As soloist, he has performed with leading orchestras including the Bavarian Radio Symphony Orchestra, Tokyo Philharmonic Orchestra, and Brussels Philharmonic. As a chamber musician, he has appeared at Music@Menlo, Bravo!Vail, and the Meadowmount School of Music. As a member of the Galvin Cello Quartet, he won the 2022 Victor Elmaleh Competition and joined the Concert Artists Guild roster. He is the newest member of the renowned Shanghai Quartet and a full-time faculty member at the Tianjin Juilliard School. He is a former faculty member at the Robert McDuffie Center for Strings at Mercer University and an alum of CMS’s Bowers Program.
Co-Artistic Director of CMS since 2004, cellist David Finckel’s dynamic musical career has included performances on the world’s stages in the roles of recitalist, chamber artist, and orchestral soloist. The first American student of Mstislav Rostropovich, he joined the Emerson String Quartet in 1979, and during 34 seasons garnered nine Grammy Awards and the Avery Fisher Prize. His quartet performances and recordings include quartet cycles of Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Dvorák, Brahms, Bartók, and Shostakovich, as well as collaborative masterpieces and commissioned works. In 1997, he and pianist Wu Han founded ArtistLed, the first internet-based, artist-controlled classical recording label. ArtistLed’s catalog of more than 20 releases includes the standard literature for cello and piano, plus works composed for the duo by George Tsontakis, Gabriela Lena Frank, Bruce Adolphe, Lera Auerbach, Edwin Finckel, Augusta Read Thomas, and Pierre Jalbert. In 2022, Music@Menlo, an innovative summer chamber music festival in Silicon Valley founded and directed by David and Wu Han, celebrated its 20th season. As a young student, David was winner of the Philadelphia Orchestra’s junior and senior divisions, resulting in two performances with the orchestra. Having taught extensively with the late Isaac Stern in America, Israel, and Japan, he is currently a professor at both the Juilliard School and Stony Brook University, and oversees both CMS’s Bowers Program and Music@Menlo’s Chamber Music Institute. David’s 100 online Cello Talks, lessons on cello technique, are viewed by an international audience of musicians. Along with Wu Han, he was the recipient of Musical America’s 2012 Musicians of the Year Award.