Program
Franz Schubert
(1797–1828)Rondo in A major for Violin and String Quartet, D. 438
(1816)Quick Note
Franz Schubert's Rondo remained unpublished during Schubert's lifetime and was only discovered and published posthumously.
Listen for Schubert's melodic ingenuity and lyrical beauty, particularly in the development and elaboration of the main rondo theme throughout the work.
Giacomo Puccini
(1858–1924)Crisantemi for String Quartet
(1890)Antonín Dvořák
(1841–1904)Selections from Cypresses (Echo of Songs) for String Quartet, B. 152
(1865, arr. 1887)Dmitri Shostakovich
(1906–1975)Two Pieces for String Quartet
(1931)Dmitri Shostakovich
(1906–1975)Prelude and Scherzo for String Octet, Op. 11
(1924-25)Fritz Kreisler
(1875–1962)Octet Arrangement of Liebesleid and Liebesfreud
Sean Lee
Richard Lin
Julian Rhee
Benjamin Beilman
Milena Pájaro-van de Stadt
Paul Neubauer
David Finckel
Jonathan Swensen
With performances described by the New York Times as “breathtakingly beautiful,” violinist Sean Lee has performed with the Chamber Music Society of Lincoln Center for over a decade, following his participation in CMS’s Bowers Program. A recipient of Lincoln Center’s Avery Fisher Career Grant, Lee has performed as a soloist with orchestras including the San Francisco Symphony, Jerusalem Symphony, and Orchestra del Teatro Carlo Felice. Originally from Los Angeles, Lee studied with Robert Lipsett of the Colburn Conservatory and legendary violinist Ruggiero Ricci before studying at the Juilliard School with his longtime mentor, violinist Itzhak Perlman. Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, and a bow made circa 1890 by Joseph Arthur Vigneron.
Richard Lin rose to international prominence after winning the Gold Medal at the 2018 Indianapolis International Violin Competition. He is also a top prizewinner of the Sendai, Joseph Joachim, Singapore, and Michael Hill International Violin Competitions.Since his Carnegie Hall Stern Auditorium recital debut in 2022, he has appeared as a soloist with leading orchestras worldwide, including the NDR Radiophilharmonie, Indianapolis Symphony Orchestra, Yomiuri Nippon Symphony Orchestra, Tokyo Symphony Orchestra, Shanghai Symphony Orchestra, Hong Kong Sinfonietta, and the Taiwan Philharmonic, among others. He is also an alum of CMS’s Bowers Program. His recordings include albums on Azica Records and Fontec, and he is on the faculty of the National Taipei University of Education. Lin performs on the 1714 Antonio Stradivarius “Joachim-Ma,” generously loaned by the YAGEO Foundation, Taiwan.
Winner of the 2024 Avery Fisher Career Grant, Korean-American violinist Julian Rhee rose to international prominence following his prize-winning performances at the 2024 Queen Elisabeth International Violin Competition and Silver Medal at the 11th Quadrennial International Violin Competition of Indianapolis. He has appeared with orchestras including the Stuttgarter Kammerorchester, Pacific Symphony, Oregon Symphony, Milwaukee Symphony, Calgary Philharmonic, Belgian National Orchestra, Antwerp Symphony, Indianapolis Symphony, Pittsburgh Symphony, and San Diego Symphony. Highlights of the 2026–2027 season include debuts with the Gürzenich-Orchester and Andrés Orozco-Estrada, La Orquesta Clásica Santa Cecilia and Daniel Raiskin, and returns to the Richmond and Milwaukee Symphony Orchestras. He is a member of CMS’s Bowers Program and has performed at festivals including Marlboro, Rockport, Bridgehampton, Music@Menlo, and North Shore Chamber Music Festivals. Rhee is the recipient of the 1699 “Lady Tennant” Antonio Stradivari violin and a Jean Pierre Marie Persoit bow on extended loan through the Mary B. Galvin Foundation and the Stradivari Society.
Benjamin Beilman’s 2025–26 season highlights include appearances with the Minnesota Orchestra, Dresden Philharmonic, Antwerp Symphony, Solistes Européens Luxembourg, Nouvel Ensemble Moderne, and Nashville Symphony. He will also curate, stage, and lead two chamber music programs at Sun Valley Music Festival, and continue his ongoing recital partnership with pianist Steven Osborne. In the summer, he embarks on a month-long tour of Australasia, including appearances with the Sydney Symphony, Tasmanian Symphony, West Australian Symphony, and Auckland Philharmonia. He studied at the Curtis Institute of Music with Ida Kavafian and Pamela Frank, and with Christian Tetzlaff at the Kronberg Academy. He has received many prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant, and a London Music Masters Award. He has also recorded works by Stravinsky, Janácek, and Schubert for Warner Classics, and is an alum of CMS’s Bowers Program. Beilman performs with the ex-Balakovic F. X. Tourte bow (c. 1820), and plays the “Ysaÿe” Guarneri del Gesù from 1740, generously on loan from the Nippon Music Foundation.
Violist Milena Pájaro-van de Stadt has appeared as soloist with the Tokyo Philharmonic, the Jacksonville Symphony, and the Sphinx Chamber Orchestra, and has performed in recitals and chamber music concerts throughout the United States, Latin America, Europe, and Asia, including an acclaimed 2011 debut recital at London’s Wigmore Hall. She was the founding violist of the Dover Quartet, and played in the group from 2008 to 2022. In 2013 the Dover Quartet was the first-prize winner and recipient of every special award at the Banff International String Quartet Competition, and won the gold medal and grand prize in the 2010 Fischoff Chamber Music Competition. Her numerous awards also include first prize of the Lionel Tertis International Viola Competition and top prizes at the Sphinx Competition and Tokyo International Viola Competition. Pájaro-van de Stadt has degrees from the Curtis Institute of Music and Rice University’s Shepherd School of Music.
Last summer, violist Paul Neubauer premiered a new viola concerto by Ellen Taaffe Zwilich with conductor JoAnn Falletta at the Brevard Music Center. This season, he will record and perform the work with the Buffalo Philharmonic Orchestra. In 2025, he released two albums on First Hand Records featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21, Neubauer has appeared as soloist with the New York, Los Angeles, and Helsinki Philharmonics; the Chicago, National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth Symphonies; and the Santa Cecilia, English Chamber, and Beethovenhalle Orchestras. A two-time Grammy nominee, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.
Co-Artistic Director of CMS since 2004, cellist David Finckel’s dynamic musical career has included performances on the world’s stages in the roles of recitalist, chamber artist, and orchestral soloist. The first American student of Mstislav Rostropovich, he joined the Emerson String Quartet in 1979, and during 34 seasons garnered nine Grammy Awards and the Avery Fisher Prize. His quartet performances and recordings include quartet cycles of Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Dvorák, Brahms, Bartók, and Shostakovich, as well as collaborative masterpieces and commissioned works. In 1997, he and pianist Wu Han founded ArtistLed, the first internet-based, artist-controlled classical recording label. ArtistLed’s catalog of more than 20 releases includes the standard literature for cello and piano, plus works composed for the duo by George Tsontakis, Gabriela Lena Frank, Bruce Adolphe, Lera Auerbach, Edwin Finckel, Augusta Read Thomas, and Pierre Jalbert. In 2022, Music@Menlo, an innovative summer chamber music festival in Silicon Valley founded and directed by David and Wu Han, celebrated its 20th season. As a young student, David was winner of the Philadelphia Orchestra’s junior and senior divisions, resulting in two performances with the orchestra. Having taught extensively with the late Isaac Stern in America, Israel, and Japan, he is currently a professor at both the Juilliard School and Stony Brook University, and oversees both CMS’s Bowers Program and Music@Menlo’s Chamber Music Institute. David’s 100 online Cello Talks, lessons on cello technique, are viewed by an international audience of musicians. Along with Wu Han, he was the recipient of Musical America’s 2012 Musicians of the Year Award.
Cellist Jonathan Swensen is the recipient of an Avery Fisher Career Grant and joint first prize of the Naumburg International Cello Competition, and was featured as “One to Watch” in Gramophone. He made his concerto debut performing the Elgar Concerto with Portugal’s Orquestra Sinfónica do Porto Casa da Música, and has performed with the Philharmonia Orchestra, Orquesta Ciudad de Granada, Copenhagen Philharmonic, Mobile Symphony, Greenville Symphony, and the Aarhus, Odense, and Iceland symphonies. He has captured first prizes at the Windsor International String Competition, Khachaturian International Cello Competition, and the Young Concert Artists International Auditions. A graduate of the Royal Danish Academy of Music, Swensen continued his studies with Torleif Thedéen at the Norwegian Academy of Music in Oslo and Laurence Lesser at New England Conservatory, where he received his Artist Diploma. He is now an Artist in Residence at the Queen Elisabeth Music Chapel working with Gary Hoffman, and a member of CMS’s Bowers Program.