Program
Franz Schubert
(1797–1828)Trio in B-flat major for Violin, Viola, and Cello, D. 581
(1817)Francis Poulenc
(1899–1963)Sonata for Clarinet and Bassoon
(1922, rev. 1945)Carl Nielsen
(1865-1931)Serenata in vano for Clarinet, Horn, Bassoon, Cello, and Double Bass
(1914)Krzysztof Penderecki
(1933-2020)Duo concertante for Violin and Double Bass
(2010)Ludwig van Beethoven
(1770–1827)Septet in E-flat major for Winds and Strings, Op. 20
(1800)Paul Huang
Paul Neubauer
Sterling Elliott
Nina Bernat
David Shifrin
Marc Goldberg
Jennifer Montone
Recipient of a 2015 Avery Fisher Career Grant and a 2017 Lincoln Center Award for Emerging Artists, violinist Paul Huang’s recent appearances included the Detroit Symphony, Rotterdam and Seoul philharmonics, and the BBC, San Francisco, Dallas, Baltimore, Houston, San Diego and NHK symphonies. In the 2025–26 season, he debuts with London Philharmonic, Tampere Philharmonia, Naples and Rochester philharmonics, and returns to Rotterdam Philharmonic, National Symphony of Taiwan, and North Carolina, Colorado, Pacific, and Vancouver symphonies. In fall 2021, he became the first classical violinist to perform his own arrangement of the US national anthem for the opening game of the NFL to an audience of 75,000. His recent recital appearances included those at the Kennedy Center, Lincoln Center, Aspen, and Lucerne Festivals. He plays on the legendary 1742 ex-Wieniawski Guarneri del Gesù on loan through the Stradivari Society of Chicago.
Last summer, violist Paul Neubauer premiered a new viola concerto by Ellen Taaffe Zwilich with conductor JoAnn Falletta at the Brevard Music Center. This season, he will record and perform the work with the Buffalo Philharmonic Orchestra. In 2025, he released two albums on First Hand Records featuring the final works of two great composers: an all-Bartók album including the revised version of the Viola Concerto, and a Shostakovich recording that includes the monumental Viola Sonata. Appointed principal violist of the New York Philharmonic at the age of 21, Neubauer has appeared as soloist with the New York, Los Angeles, and Helsinki Philharmonics; the Chicago, National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth Symphonies; and the Santa Cecilia, English Chamber, and Beethovenhalle Orchestras. A two-time Grammy nominee, Neubauer is artistic director of the Mostly Music series in New Jersey and serves on the faculties of the Juilliard School and Mannes College.
Acclaimed for his stellar stage presence and joyous musicianship, cellist Sterling Elliott is a 2021 Avery Fisher Career Grant recipient and winner of the 2019 National Sphinx Competition. He has appeared with major orchestras including the Philadelphia and Cleveland Orchestras; the New York and Los Angeles Philharmonics; and the Boston, Dallas, and Detroit Symphonies. In 2025–26 Sterling debuts with the Phoenix Symphony and the Buffalo Philharmonic, and at the BBC Proms. As featured soloist with the Sphinx Virtuosi, he will perform during a mutli-city tour at Carnegie Hall, Shriver Concert Series, and Philadelphia Chamber Music Society. He also continues his residency in CMS’s Bowers Program, performing at Alice Tully Hall and on tour throughout the United States, as well as in trio performances with Anthony McGill and Gloria Chien. He performs on a 1741 Gennaro Gagliano cello on loan through the Robert F. Smith Fine String Patron Program, in partnership with the Sphinx Organization.
Double bassist Nina Bernat has established herself as one of the leading solo voices for her instrument. The Star Tribune praised her concerto debut with the Minnesota Orchestra as “exhilarating, lovely and lyrical.” In 2023, she became the first female bassist to receive the Avery Fisher Career Grant and won first prize in the Concert Artists Guild Elmaleh Competition. She has appeared as soloist with the Minnesota Orchestra, Brooklyn Symphony Orchestra, and Long Island Symphony, and her performances have been featured on NPR's Performance Today. Her debut album, Crossroads, will be released in fall 2026. She is a member of the CMS’s Bowers Program and has appeared at major music festivals such as Marlboro, Music@Menlo, Chamber Music Northwest, and Bridgehampton. She is Professor of Double Bass at Stony Brook University and performs regularly with ROCO and Sejong Soloists, and has appeared as guest principal with the Israel and Oslo Philharmonics.
A Yale University faculty member since 1987, clarinetist David Shifrin is artistic director of Yale’s Chamber Music Society and the Yale in New York concert series. He has performed with CMS since 1982 and served as its artistic director from 1992 to 2004, inaugurating CMS’s Bowers Program and the annual Brandenburg Concertos concerts. He was the artistic director of Chamber Music Northwest from 1981 to 2020. Winner of the Avery Fisher Career Grant (1987) and the Avery Fisher Prize (2000), he has held principal clarinet positions in numerous orchestras including the Cleveland Orchestra and the American Symphony under Leopold Stokowski. As soloist, Shifrin has performed recitals at Lincoln Center, Carnegie Hall, and the Library of Congress. Notable concerto performances include the Philadelphia and Minnesota orchestras; the Dallas, Seattle, Houston, Milwaukee, and Denver symphonies; as well as orchestras in China, Taiwan, Japan, Korea, Switzerland, Germany, and Italy. Shifrin performs on clarinets made by Morrie Backun in Vancouver, Canada, and Légère synthetic reeds.
A member of the St. Luke’s Chamber Ensemble and New York Woodwind Quintet, Marc Goldberg is principal bassoonist of the Festival Orchestra of Lincoln Center, Orchestra of St. Luke’s, American Ballet Theater, the Saito Kinen Orchestra, and the NYC Opera. Previously the associate principal bassoonist of the New York Philharmonic, he has also been a frequent guest of the Boston Symphony Orchestra, Metropolitan Opera, and Orpheus Chamber Orchestra, touring with these ensembles across four continents and joining them on numerous recordings. A long-time season artist of the Chamber Music Society of Lincoln Center, he has been a guest of the Boston Symphony Chamber Players, the Brentano Quartet, Music@Menlo, Musicians from Marlboro, and Carnegie Hall’s Zankel Band. Goldberg is on the faculty of the Juilliard School Pre-College Division, Mannes College, New England Conservatory, the Hartt School, and the Bard College Conservatory of Music.
Grammy winner Jennifer Montone has been hailed by the New York Times for her "flawless horn solos” and “warm and noble sound.” As Principal Horn of the Philadelphia Orchestra and an acclaimed soloist, chamber musician, and teacher, she has been on the faculty at the Curtis Institute of Music and the Juilliard School since joining the orchestra in 2006. Previously the Principal Horn of the St. Louis Symphony and Associate Principal Horn of the Dallas Symphony, Ms. Montone has taught at Southern Methodist University and the Aspen Music Festival and School, and has coached at the New World Symphony. She has performed as a guest artist with the Berlin Philharmonic, the Cleveland Orchestra, the Metropolitan Opera Orchestra, the Saint Paul Chamber Orchestra, the Orpheus Chamber Orchestra, and the New York Philharmonic. She is a graduate of the Juilliard School, where she studied with Julie Landsman.