Ludwig van Beethoven(1770–1827)
Sonata in F major for Horn and Piano, Op. 17(1800)
Duetto in D major for Cello and Bass(1824)
Two Insect Pieces for Oboe and Piano(1935)
Prélude, Récitatif et Variations for Flute, Viola, and Piano, Op. 3(1928)
Septet in D minor for Flute, Oboe, Horn, Viola, Cello, Bass, and Piano, Op. 87(1802)
James Austin Smith
Lauded for his “impeccable technique” (Washington Post) and “elegant musicianship” (New York Times), pianist Juho Pohjonen is in demand internationally as an orchestral soloist, recitalist, and chamber performer. An ardent exponent of Scandinavian music, Pohjonen’s growing discography offers a showcase of music by Finnish compatriots such as Esa-Pekka Salonen, Kaija Saariaho, and Jean Sibelius.Recent engagements include the German Radio Philharmonic; Taiwan, BBC, and Los Angeles Philharmonic orchestras; Cleveland and Minnesota Orchestras; the Symphonies of San Francisco, Atlanta, New Jersey, and Colorado; and the National Arts Centre Orchestra, Scottish Chamber Orchestra, Danish National Symphony, Finnish Radio Symphony, Philharmonia Orchestra of London, and Mostly Mozart Festival. He has also collaborated with today’s foremost conductors, including Marin Alsop, Lionel Bringuier, Marek Janowski, Fabien Gabel, Kirill Karabits, Osmo Vänskä, Pietari Inkinen, Stefan Asbury, Esa-Pekka Salonen, Robert Spano, Markus Stenz, and Pinchas Zukerman. He has performed in recital at New York’s Carnegie Hall and Lincoln Center, at the Kennedy Center in Washington, DC, the Steinway Society in San Jose, Society of the Four Arts in Palm Beach, and in San Francisco, La Jolla, Philadelphia, Detroit, Savannah, and Vancouver. He made his London debut at Wigmore Hall and has played recitals throughout Europe in Antwerp, Hamburg, Helsinki, St. Petersburg, and Warsaw.An alum of CMS’s Bowers Program, he enjoys an ongoing association with the Chamber Music Society of Lincoln Center. In 2019, Pohjonen launched MyPianist, an AI-based app that provides interactive piano accompaniment.
Violist Paul Neubauer has been called a “master musician” by the New York Times. He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia was released on Signum Records, and his recording of the complete viola/piano music by Ernest Bloch with pianist Margo Garrett was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower, and has been featured on CBS's Sunday Morning and A Prairie Home Companion as well as in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical, and is a member of SPA, a trio with soprano Susanna Phillips and pianist Anne-Marie McDermott. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of the Juilliard School and Mannes College.
Nicholas Canellakis has become one of the most sought-after and innovative cellists of his generation, praised as a “superb young soloist” (New Yorker) and for being “impassioned . . . the audience seduced by Mr. Canellakis's rich, alluring tone” (New York Times). A multifaceted artist, Canellakis has forged a unique voice combining his talents as soloist, chamber musician, curator, filmmaker, and composer/arranger. His recent highlights include solo debuts with the Virginia, Albany, Bangor, Stamford, and Delaware symphony orchestras; concerto appearances with the Erie Philharmonic, the New Haven Symphony as artist-in-residence, and the American Symphony Orchestra in Carnegie Hall; Europe and Asia tours with the Chamber Music Society of Lincoln Center; and recitals throughout the United States with his longtime duo collaborator, pianist-composer Michael Stephen Brown. An alum of CMS’s Bowers Program, Canellakis is a regular guest artist at many of the world’s leading music festivals, including Santa Fe, Ravinia, Music@Menlo, Bard, Bridgehampton, La Jolla, Hong Kong, Moab, Music in the Vineyards, and Saratoga Springs. He is the Artistic Director of Chamber Music Sedona in Arizona and is a graduate of the Curtis Institute of Music and New England Conservatory. Filmmaking and acting are special interests of his; he has produced, directed, and starred in several short films and music videos. Canellakis plays on an outstanding Jean-Baptiste Vuillaume cello, circa 1840.
Double bassist Nina Bernat, acclaimed for her interpretive maturity, expressive depth, and technical clarity, emerges onto the world stage as a recipient of a 2023 Avery Fisher Career Grant. Recent first prizes include the Barbash J.S. Bach String Competition, the Minnesota Orchestra Young Artist Competition, the Juilliard Double Bass Competition, and the 2019 International Society of Bassists Solo Competition. She was invited in 2019 to perform as guest principal bassist with the Israel Philharmonic Orchestra, serving under the batons of András Schiff and Osmo Vänskä. Among her chamber performances are appearances with the Jupiter Symphony Chamber Players, Bridgehampton Chamber Music Series, and Mostly Music. This summer, she heads to Vermont for her second season at both the 2023 Marlboro Music Festival and the Lake Champlain Music Festival. She also returns to the 2023 Grace Note Farm Summer Music Festival in Rhode Island for her third season, as both performer and co-organizer. Her 2023–24 season includes a concerto debut with the Minnesota Orchestra and performances as guest principal of the Oslo Philharmonic. In 2024, she begins her tenure as a member of CMS’s Bowers Program. Bernat performs on a beautiful and sonorous early-18th-century bass, attributed to Guadagnini and handed down to her from her father.
Praised as “a rare virtuoso of the flute” by Libération, Sooyun Kim has established herself as one of the rare flute soloists on the classical music scene. Since her concerto debut with the Seoul Philharmonic Orchestra, she has enjoyed a flourishing career performing with orchestras, including the Bavarian Radio Symphony, Munich Philharmonic, Munich Chamber Orchestra, and Boston Pops. She has been presented in recital in Budapest’s Liszt Hall, Millennium Stage at the Kennedy Center, Sibelius Academy in Helsinki, and Kobe’s Bunka Hall. Her European debut recital at the Louvre was streamed live on medici.tv. A winner of the Georg Solti Foundation Career Grant, she has received numerous international awards and prizes including the third prize at the ARD International Flute Competition. Her summer appearances include the Music@Menlo, Spoleto USA, Yellow Barn, Rockport, Olympic, Charlottesville, Ravinia, and Tanglewood festivals. Her special interest in interdisciplinary art has led her to collaborate with many artists, dancers, and museums around the world such as Sol Lewitt, the Isabella Stewart Gardner Museum, and Glassmuseet Ebeltoft in Denmark. She choreographed and performed in dance works for Chamber Music Northwest and the Tivoli Dance Troupe in Denmark. An alum of CMS’s Bowers Program, she studied at the New England Conservatory under the tutelage of Paula Robison. She is currently on the faculty of the Longy School of Music of Bard College and teaches summer courses at Orford Musique. Kim plays a rare 18-karat gold flute specially made for her by Verne Q. Powell Flutes.
A chamber musician praised for his “virtuosic,” “dazzling,” and “brilliant” performances (New York Times) and his “bold, keen sound” (New Yorker), James Austin Smith is driven by the communicative nature of live performance. As an oboist and on-stage host he appears regularly at leading national and international chamber music festivals, at Carnegie Hall and on tour as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music he curates intimate evenings of food, drink, and music designed to engage audiences hungry for singular cultural experiences in New York, San Francisco, and Serenbe, Georgia. He mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University and the Manhattan School of Music, and as a regular guest at London’s Guildhall School of Music and Drama. An alum of CMS’s Bowers Program, he holds a master’s degree from the Yale School of Music and bachelor’s degrees in political science and music from Northwestern University. He spent a year as a Fulbright Scholar at the Felix Mendelssohn-Bartholdy Conservatory in Leipzig, Germany, and is an alum of Carnegie Hall’s Ensemble Connect. Born in New York and raised in Connecticut, Smith’s principal teachers are Stephen Taylor, Christian Wetzel, Humbert Lucarelli, and Ray Still.
Radovan Vlatković has performed extensively around the globe and popularized the horn as a recording artist and teacher. He is the winner of numerous competitions, including the Premio Ancona in 1979 and the ARD Competition in 1983. He has premiered works by Elliott Carter, Sofia Gubaidulina, Heinz Holliger, and several Croatian composers; he premiered Penderecki's horn concerto, Winterreise, in Bremen in 2008 with the composer as conductor. As a chamber musician, he has performed at Gidon Kremer's Lockenhaus, Svyatoslav Richter's December Evenings in Moscow, and András Schiff's Mondsee, as well as the Marlboro Festival, Prussia Cove, and the Casals Festival. He has appeared as soloist with many orchestras, such as the Bavarian Symphony Orchestra, Stuttgart Radio Orchestra, Deutsches Symphonie-Orchester, Mozarteum Orchestra, Santa Cecilia Orchestra Rome, Melbourne Orchestra, the NHK Orchestra in Tokyo, and the Scottish Chamber Orchestra. The recipient of several German Record Critics’ Awards, he has recorded Mozart and Strauss concertos with the English Chamber Orchestra and Jeffrey Tate for EMI, two-horn concertos by Leopold Mozart and Johann Friedrich Fasch with Hermann Baumann and Academy of Saint Martin in the Fields, and the Britten Serenade for Tenor, Horn, and Strings with the Oriol Ensemble in Berlin. Vlatkovic is on the faculty of the Mozarteum Salzburg, Hochschule Zürich, and holds the Canón horn chair at the Queen Sofia School in Madrid. He recently became an Honorary Member of the Royal Academy of Music.