Bruce Adolphe, CMS Resident Lecturer and Director of Family Programs, explores Mozart's Quintet in C major for Two Violins, Two Violas, and Cello, K. 515.
Excerpts performed by the Calidore String Quartet; Matthew Lipman, viola.
Recorded live in the Daniel and Joanna S. Rose Studio on October 11, 2017.
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Calidore String Quartet
Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.
Resident lecturer and director of family concerts for the Chamber Music Society of Lincoln Center since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights. His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide. Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto.
The Calidore String Quartet has been praised by the New York Times for its “deep reserves of virtuosity and irrepressible dramatic instinct.” The Los Angeles Times described the quartet as “astonishing,” their playing “shockingly deep,” approaching “the kind of sublimity other quartets spend a lifetime searching” and praised its balance of “intellect and expression.” Recipient of a 2018 Avery Fisher Career Grant and a 2017 Lincoln Center Emerging Artist Award, the quartet first made international headlines as winner of the $100,000 Grand Prize of the 2016 M-Prize International Chamber Music Competition. The quartet was the first North American ensemble to win the Borletti-Buitoni Trust Fellowship, was a BBC Radio 3 New Generation Artist, and is currently a season artist at the Chamber Music Society of Lincoln Center.
In summer 2021, the Calidore made debuts at the Sarasota, La Jolla, and Saratoga Music Festivals as well as the Schubert Club of St. Paul, MN. Highlights of the 21-22 season include returns to Wigmore Hall, Alice Tully Hall, and the Philadelphia Chamber Music Society. The Calidore will make its debut at the Library of Congress, the 92nd Street Y, Harvard University, Penn State University, and internationally in The Hague and Antwerp. The ensemble will premiere a new work by composer Huw Watkins commissioned by Wigmore Hall and will collaborate with the Emerson Quartet and pianists Jeffrey Kahane, Henry Kramer, and Gabriela Fahnenstiel.
The Calidore String Quartet’s second album for Signum Records, entitled BABEL, was released in 2020 and features worksby Schumann, Shostakovich, and Caroline Shaw. The Strad selected the album as the “Editor’s Choice” and praised it as “breathtaking…a universally impressive disc.” The quartet’s other recording for Signum is 2018’s Resilience including quartets by Mendelssohn, Prokofiev, Janácek, and Golijov.
The Calidore has given world premieres of works by Caroline Shaw, Hannah Lash, and Mark-Anthony Turnage. Its collaborations with esteemed artists and ensembles include Jean-Yves Thibaudet, Marc-André Hamelin, Joshua Bell, David Shifrin, Inon Barnatan, Lawrence Power, Sharon Isbin, David Finckel, and Wu Han. An alum of CMS’s Bowers Program, the Calidore has collaborated and studied closely with the Emerson Quartet and Quatuor Ébène, and has also studied with Andre Roy, Arnold Steinhardt, Günter Pichler, Guillaume Sutre, Paul Coletti, and Ronald Leonard. In 2021 the Calidore joined the faculty of the University of Delaware School of Music and serve as directors of the newly established Graduate String Quartet Residency.
The Calidore String Quartet was founded at the Colburn School in Los Angeles in 2010. Within two years, the quartet won grand prizes in virtually all the major US chamber music competitions, including the Fischoff, Coleman, Chesapeake, and Yellow Springs competitions, and it captured top prizes at the 2012 ARD International Music Competition in Munich and the International Chamber Music Competition Hamburg. An amalgamation of “California” and “doré” (French for “golden”), the ensemble’s name represents its reverence for the diversity of culture and the strong support it received from its original home: Los Angeles, California, the “golden state.”
American violist Matthew Lipman has been praised by the New York Times for his “rich tone and elegant phrasing” and by the Chicago Tribune for a “splendid technique and musical sensitivity.” Recent seasons have included appearances with the Chicago Symphony Orchestra, Chamber Orchestra of Europe, American Symphony Orchestra, Munich Symphony Orchestra, and Minnesota Orchestra. He has performed recitals at Carnegie Hall, Aspen Music Festival, and the Zürich Tonhalle; was invited by Michael Tilson Thomas to be a soloist at the New World Symphony Viola Visions Festival; and has appeared in chamber music with Anne-Sophie Mutter at the Berlin Philharmonie, Vienna Musikverein, and on Deutsche Grammophon Stage+. An alum of the Bowers Program, he performs regularly on tour and at Alice Tully Hall with the Chamber Music Society of Lincoln Center, where he occupies the Wallach Chair. In 2022, he made his Sony Classical debut on The Dvořák Album, and his 2019 solo debut recording, Ascent, was released by Cedille Records, marking world premieres of the Shostakovich Impromptu and Clarice Assad Metamorfose. Additionally, he recorded the Mozart Sinfonia Concertante with violinist Rachel Barton Pine and the Academy of St Martin in the Fields, conducted by the late Sir Neville Marriner. An Avery Fisher Career Grant recipient and major prize winner at the Primrose and Tertis International Viola Competitions, he studied with Heidi Castleman at Juilliard and Tabea Zimmermann at the Kronberg Academy. Lipman is on faculty at Stony Brook University and performs on a 2021 Samuel Zygmuntowicz viola, made for him in New York.