Fauré Piano Quartet No. 1 in C minor, Op. 15
Bruce Adolphe, CMS Resident Lecturer and Director of Family Programs, explores Fauré's Quartet No. 1 in C minor for Piano, Violin, Viola, and Cello, Op. 15.
Excerpts performed by Michael Stephen Brown, piano; Kristin Lee, violin; Jeremy Berry, viola; Estelle Choi, cello.
Recorded live in the Daniel and Joanna S. Rose Studio on February 28, 2018.
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Bruce Adolphe
Michael Stephen Brown
Kristin Lee
Estelle Choi
Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.
Resident lecturer and director of family concerts for the Chamber Music Society of Lincoln Center since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights. His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide. Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto.
Michael Stephen Brown is a composer and pianist hailed by the New York Times as “one of the leading figures in the current renaissance of performer-composers.” The 2026 Andrew Wolf Award Winner and a recent fellow at both MacDowell and Yaddo, he is also a recipient of Lincoln Center’s Emerging Artist Award and an Avery Fisher Career Grant. Brown performs internationally and receives commissions from orchestras, soloists, and festivals around the world. Recent highlights include a recital at Alice Tully Hall for CMS, and collaborations with cellist Nicholas Canellakis and violinists Pinchas Zukerman, Kristin Lee, and Arnaud Sussmann. He is currently composing The Carnival of Endangered Wonders, a CMS-led project co-presented by a consortium of US presenters. His first album devoted entirely to his music, Twelve Blocks, will be released in February 2026. Brown is also composing the score for Angeline Gragasin’s upcoming film Look But Don’t Touch and lives in New York City with his two 19th-century Steinways, Octavia and Daria.
A recipient of the Avery Fisher Career Grant as well as a top-prize winner of the International Naumburg Violin Competition and the Astral Artists’ National Auditions, Kristin Lee is a violinist of remarkable versatility and impeccable technique who enjoys a vibrant career as a soloist, recitalist, and chamber musician. Lee has appeared as soloist with the Philadelphia Orchestra, St. Louis Symphony, Hawai’i Symphony, the Hong Kong Philharmonic, and many others. She is also the co-founder and Artistic Director of Emerald City Music in Seattle. Lee released her critically acclaimed debut solo album, American Sketches, on First Hand Records in November 2024. In 2026, she will collaborate with Grammy-nominated ensemble Sandbox Percussion, featuring a new commission by Vivian Fung. Lee’s violin was crafted in Naples in 1759 by Gennaro Gagliano and is generously loaned to her by Paul and Linda Gridley. She is an alum of CMS’s Bowers Program.
Cellist Estelle Choi has been praised by the Los Angeles Times for “giving the impression that music and the room are a single living being.” She is a founding member of the Calidore String Quartet, which made international headlines when they won the Grand Prize of the 2016 M-Prize International Chamber Music Competition. The Calidore is an Avery Fisher Career Grant winner, BBC 3 New Generation Artist, recipient of the Lincoln Center Emerging Artist award and a Borletti-Buitoni Trust Fellowship, and alums of CMS’s Bowers Program. She serves on the faculty of the University of Delaware School of Music as Associate Professor of Violin and co-directs the UD Graduate Fellowship Quartet Program and Calidore String Quartet Seminar. She studied with John Kadz and went on to work with Aldo Parisot at the Yale School of Music and Ronald Leonard at the Colburn Conservatory.