Stravinsky The Rite of Spring for Piano, Four Hands
Bruce Adolphe, CMS Resident Lecturer and Director of Family Programs, explores Stravinsky's The Rite of Spring for Piano, Four Hands.
Excerpts performed by Juho Pohjonen, Michael Stephen Brown, piano.
Recorded live in the Daniel and Joanna S. Rose Studio on February 16, 2022.
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Bruce Adolphe
Juho Pohjonen
Michael Stephen Brown
Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.
Resident lecturer and director of family concerts for the Chamber Music Society of Lincoln Center since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights. His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide. Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto.
Lauded for his “impeccable technique” (Washington Post) and “elegant musicianship” (New York Times), pianist Juho Pohjonen is in demand internationally as an orchestral soloist, recitalist, and chamber performer. An ardent exponent of Scandinavian music, Pohjonen’s growing discography offers a showcase of music by Finnish compatriots such as Esa-Pekka Salonen, Kaija Saariaho, and Jean Sibelius.Recent engagements include the German Radio Philharmonic; Taiwan, BBC, and Los Angeles Philharmonic orchestras; Cleveland and Minnesota Orchestras; the Symphonies of San Francisco, Atlanta, New Jersey, and Colorado; and the National Arts Centre Orchestra, Scottish Chamber Orchestra, Danish National Symphony, Finnish Radio Symphony, Philharmonia Orchestra of London, and Mostly Mozart Festival. He has also collaborated with today’s foremost conductors, including Marin Alsop, Lionel Bringuier, Marek Janowski, Fabien Gabel, Kirill Karabits, Osmo Vänskä, Pietari Inkinen, Stefan Asbury, Esa-Pekka Salonen, Robert Spano, Markus Stenz, and Pinchas Zukerman. He has performed in recital at New York’s Carnegie Hall and Lincoln Center, at the Kennedy Center in Washington, DC, the Steinway Society in San Jose, Society of the Four Arts in Palm Beach, and in San Francisco, La Jolla, Philadelphia, Detroit, Savannah, and Vancouver. He made his London debut at Wigmore Hall and has played recitals throughout Europe in Antwerp, Hamburg, Helsinki, St. Petersburg, and Warsaw.An alum of CMS’s Bowers Program, he enjoys an ongoing association with the Chamber Music Society of Lincoln Center. In 2019, Pohjonen launched MyPianist, an AI-based app that provides interactive piano accompaniment.
Michael Stephen Brown is a composer and pianist hailed by the New York Times as “one of the leading figures in the current renaissance of performer-composers.” A 2025 MacDowell Fellow, 2024 Yaddo Artist, and winner of Lincoln Center’s Emerging Artist Award and an Avery Fisher Career Grant, Michael performs internationally and receives commissions from orchestras, soloists, and festivals around the world. Recent highlights include a recital at Alice Tully Hall for CMS, collaborations with cellist Nicholas Canellakis and violinists Pinchas Zukerman, Kristin Lee, and Arnaud Sussmann, and an Asia recital tour. Currently he is composing The Magical Carnival, a CMS-led project co-presented by a consortium of US presenters. His first album devoted entirely to his music, Twelve Blocks, will be released in fall 2025. He is the composer for Angeline Gragasin’s upcoming film Look But Don't Touch. An alum of CMS’s Bowers Program, Michael lives in New York City and Wallkill, New York, with his two 19th-century Steinways, Octavia and Daria.