Inspector Pulse and the Signature of Time
Recorded live in Alice Tully Hall on April 10, 2016.
Video produced by Ibis Productions.
An intergalactic retroinversionary implosion sends the galaxy into a rhythmic convulsion, and all music sounds awful. Inspector Pulse receives a telegram from Time itself, with its actual signature, and he uses that document to fix rhythm throughout the known world.
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Bruce Adolphe
James Austin Smith
Resident lecturer and director of family concerts for CMS since 1992, Bruce Adolphe is a composer of international renown, much of whose output addresses science, history, and the struggle for human rights.
His works are frequently performed by major artists, including Itzhak Perlman, Yo-Yo Ma, Fabio Luisi, Joshua Bell, Daniel Hope, Angel Blue, the Brentano String Quartet, the Washington National Opera, the Metropolitan Opera Guild, the Human Rights Orchestra of Europe, and over 60 orchestras worldwide.
Among his most performed works are the violin concerto I Will Not Remain Silent, the violin/piano duo Einstein’s Light, and Tyrannosaurus Sue: A Cretaceous Concerto. Also an author and innovative educator, Bruce Adolphe has spent decades helping people to hear and enjoy music in extraordinary ways. He is the author of several books, including The Mind’s Ear: Exercises for Improving the Musical Imagination for Performers, Listeners and Composers (3rd ed., 2021) and the chapter on composing in Secrets of Creativity: What Neuroscience, the Arts, and Our Minds Reveal (2019).
Widely known for his weekly Piano Puzzler segment on American Public Media’s Performance Today, which has been broadcast since 2002, Mr. Adolphe is also the artistic director of the Off the Hook Arts Festival in Colorado, for which he brings scientists, visual artists, filmmakers, writers, and musicians together.
He has been a fellow of the Salzburg Global Seminar, visiting lecturer in the residential colleges at Yale, composer-in-residence and visiting scholar at the Brain and Creativity Institute in Los Angeles, distinguished composer-in-residence at the Mannes College of Music, and on faculty at NYU’s Tisch School of the Arts and the Juilliard School.
A chamber musician praised for his “virtuosic,” “dazzling,” and “brilliant” performances (New York Times) and his “bold, keen sound” (New Yorker), James Austin Smith is driven by the communicative nature of live performance. As an oboist and on-stage host he appears regularly at leading national and international chamber music festivals, at Carnegie Hall and on tour as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music he curates intimate evenings of food, drink, and music designed to engage audiences hungry for singular cultural experiences in New York, San Francisco, and Serenbe, Georgia. He mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University and the Manhattan School of Music, and as a regular guest at London’s Guildhall School of Music and Drama. An alum of CMS’s Bowers Program, he holds a master’s degree from the Yale School of Music and bachelor’s degrees in political science and music from Northwestern University. He spent a year as a Fulbright Scholar at the Felix Mendelssohn-Bartholdy Conservatory in Leipzig, Germany, and is an alum of Carnegie Hall’s Ensemble Connect. Born in New York and raised in Connecticut, Smith’s principal teachers are Stephen Taylor, Christian Wetzel, Humbert Lucarelli, and Ray Still.