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Bach: Brandenburg Concerto No. 6 in B-flat major, BWV 1051

First Aired Dec 16, 2014
0:16:43
video Concert

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Recorded live in Alice Tully Hall on December 16, 2014.
Video produced by Ibis Productions.

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Lawrence Dutton

Viola

Lawrence Dutton was the violist of the nine-time Grammy-winning Emerson String Quartet, which in 2023 performed its final concert after a storied 47-year career. He has also performed as guest artist with the Beaux Arts and Kalichstein-Laredo-Robinson Trios and the Juilliard and Guarneri String Quartets. With the late Isaac Stern he collaborated on the International Chamber Music Encounters at Carnegie Hall and in Jerusalem. He began violin studies with Margaret Pardee and viola studies with Francis Tursi at the Eastman School. He holds degrees from the Juilliard School, where he studied with Lillian Fuchs. Currently, Dutton is Distinguished Professor of Viola and Chamber Music at Stony Brook University; Distinguished Artist at the Robert McDuffie Center for Strings at Mercer University in Macon, Georgia; and Artistic Director of the Hoch Chamber Music Series in Bronxville, New York. He exclusively uses Thomastik Spirocore strings, and his viola is a Samuel Zygmuntowicz (Brooklyn, 2003).

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Paul Marc Mitchell

Paul Watkins

Cello

Acclaimed for his inspirational performances and eloquent musicianship, Paul Watkins enjoys a remarkably varied and distinguished career as soloist, chamber musician, and conductor. He is the Artistic Director of the Great Lakes Chamber Music Festival, and in 2019 he was appointed Professor of Cello at the Yale School of Music. He has performed as concerto soloist with prestigious orchestras throughout the world under eminent conductors including Bernard Haitink, Paavo Berglund, Leonard Slatkin, Sakari Oramo, Gianandrea Noseda, Sir Mark Elder, Sir Andrew Davis, Sir Charles Mackerras, Andris Nelsons, Edo de Waart, Hannu Lintu and Vasily Petrenko. A dedicated chamber musician, Paul was a member of the Nash Ensemble from 1997 until 2013, when he joined the Emerson String Quartet. With the Quartet he has travelled extensively, performing at major international festivals including Tanglewood, Aspen, Ravinia, Edinburgh, Berlin, and Evian, and has collaborated with artists such as Emanuel Ax, Yefim Bronfman, Evgeny Kissin, Renée Fleming, and Barbara Hannigan. He is a regular guest artist of the Chamber Music Society of Lincoln Center.

 

He took first prize in the 2002 Leeds Conducting Competition, and has held the positions of Music Director of the English Chamber Orchestra and Principal Guest Conductor of the Ulster Orchestra. In recent seasons he made his conducting debuts with the Minnesota Orchestra, Detroit Symphony, and Omaha Symphony. His extensive discography as a cellist includes more than 70 recordings, including 18 solo albums for Chandos. His first recording as a conductor, of the Britten and Berg violin concertos with Daniel Hope, received a Grammy nomination.

 

Paul’s future plans include solo performances and recordings with, among others, Alessio Bax, Anthony Marwood, Lawrence Power, Leila Josefowicz, Edward Gardner, and Sir Andrew Davis. He is also in demand as a visiting teacher and has residencies this season at the Curtis Institute of Music and the Butler School of Music at the University of Texas at Austin.

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Timothy Eddy

Cello

Cellist Timothy Eddy has earned distinction as a recitalist, soloist with orchestra, chamber musician, recording artist, and teacher of cello and chamber music. He has performed with numerous symphonies, including Dallas, Colorado, Jacksonville, North Carolina, and Stamford. He has appeared at the Mostly Mozart, Ravinia, Aspen, Santa Fe, Marlboro, Lockenhaus, Spoleto, and Sarasota music festivals. He has won prizes in numerous national and international competitions, including the 1975 Gaspar Cassado International Violoncello Competition in Italy. Eddy is currently Professor of Cello at the Juilliard School and New York’s Mannes College of Music, and he was a frequent faculty member at the Isaac Stern Chamber Music Workshops at Carnegie Hall. A former member of the Galimir Quartet, the New York Philomusica, and the Bach Aria Group, he collaborates regularly in recital with pianist Gilbert Kalish. He has recorded a wide range of repertoire from Baroque to avant-garde for the Angel, Arabesque, Columbia, CRI, Delos, Musical Heritage, New World, Nonesuch, Vanguard, Vox, and Sony Classical labels. He performs on a 1728 Matteo Goffriller cello.

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