Bach: Brandenburg Concerto No. 6 in B-flat major, BWV 1051
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Paul Neubauer
Richard O’Neill
Inbal Segev
Joseph Conyers
Kenneth Weiss
Violist Paul Neubauer has been called a “master musician” by the New York Times. He recently made his Chicago Symphony subscription debut with conductor Riccardo Muti. He also gave the US premiere of the newly discovered Impromptu for viola and piano by Shostakovich with pianist Wu Han. In addition, his recording of the Aaron Kernis Viola Concerto with the Royal Northern Sinfonia was released on Signum Records, and his recording of the complete viola/piano music by Ernest Bloch with pianist Margo Garrett was released on Delos. Appointed principal violist of the New York Philharmonic at age 21, he has appeared as soloist with over 100 orchestras including the New York, Los Angeles, and Helsinki philharmonics; National, St. Louis, Detroit, Dallas, San Francisco, and Bournemouth symphonies; and Santa Cecilia, English Chamber, and Beethovenhalle orchestras. He has premiered viola concertos by Bartók (revised version of the Viola Concerto), Friedman, Glière, Jacob, Kernis, Lazarof, Müller-Siemens, Ott, Penderecki, Picker, Suter, and Tower, and has been featured on CBS's Sunday Morning and A Prairie Home Companion as well as in Strad, Strings, and People magazines. A two-time Grammy nominee, he has recorded on numerous labels including Decca, Deutsche Grammophon, RCA Red Seal, and Sony Classical, and is a member of SPA, a trio with soprano Susanna Phillips and pianist Anne-Marie McDermott. Neubauer is the artistic director of the Mostly Music series in New Jersey and is on the faculty of the Juilliard School and Mannes College.
Violist Richard O’Neill is an Emmy Award winner, two-time Grammy nominee, and Avery Fisher Career Grant recipient. He has appeared with the London, Los Angeles, Seoul, and Euro-Asian philharmonics; the BBC, KBS, Hiroshima and Korean symphonies; the Moscow, Vienna, Württemburg and Zurich chamber orchestras; and Kremerata Baltica and Alte Musik Köln with conductors Andrew Davis, Vladimir Jurowski, François-Xavier Roth, and Yannick Nézet-Séguin. Highlights of this season include the complete Beethoven string quartet cycle for the Seattle Chamber Music Society with the Ehnes Quartet, and a South Korean recital tour with harp player Emmanuel Ceysson. As a recitalist he has performed at Carnegie Hall, David Geffen Hall, Disney Hall, Kennedy Center, Wigmore Hall, Louvre, Salle Cortot, Madrid’s National Concert Hall, Teatro Colón, Hong Kong’s Cultural Center, Tokyo’s International Forum and Opera City, Osaka Symphony Hall, and LOTTE Concert Hall and Seoul Arts Center. A Universal/DG recording artist, he has made nine solo albums that have sold more than 200,000 copies. His chamber music initiative DITTO has introduced tens of thousands to chamber music in South Korea and Japan. An alum of CMS’s Bowers Program, he was the first violist to receive the artist diploma from Juilliard and was honored with a Proclamation from the New York City Council for his achievement and contribution to the arts. He serves as Goodwill Ambassador for the Korean Red Cross, the Special Olympics, and UNICEF and runs marathons for charity.
Inbal Segev is “a cellist with something to say” (Gramophone). She has appeared with orchestras including the Berlin Philharmonic, London Philharmonic, Israel Philharmonic, Baltimore Symphony, St. Louis Symphony, and Pittsburgh Symphony, collaborating with such prominent conductors as Marin Alsop, Stéphane Denève, Lorin Maazel, Cristian Macelaru, and Zubin Mehta. Committed to reinvigorating the cello repertoire, she has commissioned and premiered new cello concertos by Timo Andres, Anna Clyne, Avner Dorman, Dan Visconti, Vijay Iyer, and Victoria Poleva, whose new concerto Segev looks forward to premiering with the Dallas Symphony and the London Philharmonic in the 2023–24 season. Recorded with Alsop and the London Philharmonic, Segev’s 2020 premiere recording of Clyne’s cello concerto, DANCE, was an instant success, topping the Amazon Classical Concertos chart and receiving nine million listens on Spotify. At the start of the pandemic, she launched 20 for 2020, a commissioning, recording, and video project featuring 20 cutting-edge composers, including John Luther Adams, Viet Cuong, and James Lee III. Her discography includes acclaimed recordings of Elgar’s Cello Concerto, Romantic cello works, and Bach’s Cello Suites, while her popular YouTube masterclass series, Musings with Inbal Segev, has inspired a generation of cellists. A native of Israel, at 16 Segev was invited by Isaac Stern to continue her cello studies in the US, where she earned degrees from Yale University and the Juilliard School, before co-founding the Amerigo Trio with former New York Philharmonic concertmaster Glenn Dicterow and violist Karen Dreyfus. Segev’s cello was made by Francesco Ruggieri in 1673.
Educator, entrepreneur, and youth advocate Joseph Conyers—Principal Double Bass of The Philadelphia Orchestra—has spent the whole of his career as a multi-faceted 21st-century artist whose innovative work in music education and access has been recognized internationally. Awards for his celebrated initiatives include the Sphinx Organization’s Medal of Excellence (2019), the organization’s most prestigious recognition; the Theodore L. Kesselman Award from the New York Youth Symphony (2019); the C. Hartman Kuhn award (2018), the highest honor bestowed upon a musician of the Philadelphia Orchestra; and Musical America’s 30 Top Professionals: Innovators, Independent Thinkers, and Entrepreneurs (2018). In 2015, he was the inaugural recipient of the 2015 Young Alumni Award from his alma mater, the Curtis Institute of Music, where he studied with Hal Robinson and Edgar Meyer. During the summer of 2021, he was profiled on PBS in an Articulate feature that highlights his work as Founder and Vision Advisor of Project 440, an organization that helps young people use their interest in music to forge new pathways for themselves and ignite change in their communities. He is the Music Director of Philadelphia’s All-City Orchestra, which showcases the top high school musicians of the School District of Philadelphia. He was named the Director of the Young Artists Orchestra for the prestigious Boston University Tanglewood Institute in 2020. A frequent guest clinician and speaker presenting from coast to coast, Conyers serves on the double bass faculty of The Juilliard School.
Kenneth Weiss has an active career as a soloist, conductor, chamber musician, and teacher. He has performed extensively in Europe, North America, and Asia—Wigmore Hall, Tokyo's Bunkakaikan Hall, Théâtre de la Ville in Paris, Library of Congress, Carnegie Hall, Lincoln Center, La Roque d'Anthéron, Auditorio Nacional in Madrid, and the Amsterdam Concertgebouw. He is a frequent guest of the Chamber Music Society of Lincoln Center, Bridgehampton Chamber Music Festival, and NYC's Music Before 1800. In May 2021 he made a live concert recording of Bach’s Art of Fugue at the Centro Cultural de Belém in Lisbon on the historic Taskin harpsichord belonging to the Portuguese National Music Museum. It will be released on the Paraty label in October. His recordings for Satirino records have been widely acclaimed. They include Bach's Goldberg Variations, partitas, and Well-Tempered Clavier, a recording of Rameau operas and ballets transcriptions, two Scarlatti albums, and two CDs devoted to Elizabethan keyboard music—A Cleare Day and Heaven & Earth. A native New Yorker, he attended the High School of Performing Arts and the Oberlin Conservatory where he studied with Lisa Goode Crawford, later studying with Gustav Leonhardt at the Amsterdam Conservatory. He is professor of harpsichord at the Haute Ecole de Musique in Geneva, Switzerland, and professor of chamber music at the Paris Conservatory.
Recorded live in Alice Tully Hall on December 13, 2015.
Video produced by Ibis Productions.