Bach: Brandenburg Concerto No. 1 in F major, BWV 1046
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Daniel Phillips
Cho-Liang Lin
Danbi Um
Kenneth Weiss
Stephen Taylor
Randall Ellis
James Austin Smith
Peter Kolkay
Violinist Daniel Phillips enjoys a versatile career as a chamber musician, solo artist, and teacher. A graduate of Juilliard, his major teachers were his father Eugene Phillips, Ivan Galamian, Sally Thomas, Nathan Milstein, Sandor Végh, and George Neikrug. Since winning the 1976 Young Concert Artists Competition, he has performed as a soloist with many orchestras, including the Pittsburgh, Houston, New Jersey, Phoenix, San Antonio, and Yakima symphonies. He appears regularly at the Spoleto USA Festival, Santa Fe Chamber Music Festival, Chamber Music Northwest, Chesapeake Music Festival, the International Musicians Seminar in England, Marlboro Music Festival, and Music from Angel Fire, where he is co-artistic director. He has served on the faculty of the Heifetz Institute and the St. Lawrence String Quartet Seminar at Stanford. He was a member of the renowned Bach Aria Group and has toured and recorded in a string quartet for Sony with Gidon Kremer, Kim Kashkashian, and Yo-Yo Ma. A judge in the 2022 Leipzig Bach Competition and 2018 Seoul International Violin Competition, Phillips is a professor at the Aaron Copland School of Music at Queens College and on the faculties of the Mannes College of Music, Bard College Conservatory, and the Juilliard School. He lives with his wife, flutist Tara Helen O'Connor, and their two dachshunds on Manhattan's Upper West Side.
Born in Taiwan, Cho-Liang Lin moved to Sydney at age 12 to further his violin studies with Robert Pikler. After playing for Itzhak Perlman in a master class, the 13-year-old decided that he must study with Mr. Perlman’s teacher, Dorothy DeLay. At age 15, he traveled alone to New York, auditioned for the Juilliard School, and spent the next six years working with Ms. DeLay. His concert career launched in 1980 with his debut playing the Mendelssohn Concerto with the New York Philharmonic and Zubin Mehta. He has since performed as soloist with virtually every major orchestra in the world. At the age of 31 he joined the faculty of the Juilliard School, and in 2006 was appointed professor at Rice University. He was music director of La Jolla SummerFest for 18 years, currently serves as artistic director of the Hong Kong International Chamber Music Festival, and recently founded the Taipei Music Academy and Festival. Many of today’s composers have written for him, including John Harbison, Christopher Rouse, Tan Dun, John Williams, Steven Stucky, Esa-Pekka Salonen, Bright Sheng, Paul Schoenfield, Lalo Schifrin, Joan Tower, and others. Recently, he was soloist with the New York Philharmonic, Detroit Symphony, Munich Philharmonic, Toronto Symphony, Cincinnati Symphony, Nashville Symphony, and Royal Philharmonic. Lin performs on the 1715 “Titian” Stradivari and a 2000 Samuel Zygmuntowicz. His many recordings can be heard on the Sony Classical, Decca, BIS, Delos, and Ondine labels. His albums have won Gramophone Record of the Year, Grammy nominations, and Penguin Guide Rosettes.
Praised by The Strad as an “utterly dazzling” artist, violinist Danbi Um captivates audiences with her virtuosity, individual sound, and interpretive sensitivity. She is a Menuhin International Violin Competition Silver Medalist, a winner of the prestigious 2018 Salon de Virtuosi Career Grant, and a recent top prizewinner of the Naumburg International Violin Competition. Recent and upcoming engagements include appearances with the Chamber Orchestra of Philadelphia and her Washington, DC, recital debut at the Phillips Collection. This season will also see her return to the Rockport, Moab, Saratoga Performing Arts (SPAC), Santa Fe, and North Shore Music Festivals, as well as her debuts at the Cleveland Chamber Music Society, Chamber Music San Francisco, and the Mostly Music, Newburyport, La Musica (Sarasota), and Chelsea Music Festivals. In addition, she embarks on a duo recital tour with guitarist Jiji to Delaware, Houston, New York, and Nova Scotia. Her debut album, Much Ado: Romantic Violin Masterworks, will be released in fall 2023. Past concerto engagements include appearances with the Israel Symphony, Auckland Philharmonic, Vermont Symphony, and Dartmouth Symphony. Born in Seoul, South Korea, Ms. Um moved to the United States to study at the Curtis Institute of Music, where she earned a bachelor’s degree. She also holds an Artist Diploma from Indiana University. Her teachers have included Shmuel Ashkenasi, Joseph Silverstein, Jaime Laredo, and Hagai Shaham. She is an alum of CMS’s Bowers Program and plays a 1683 “ex-Petschek” Nicolo Amati violin, on loan from a private collection.
Kenneth Weiss has worked as a soloist, conductor, chamber musician, and teacher for several decades. Born in New York City, he attended the High School of Performing Arts, later studying with Lisa Goode Crawford at the Oberlin Conservatory and with Gustav Leonhardt at the Sweelinck Conservatorium in Amsterdam.
His recordings for Satirino records have been widely acclaimed. They include Bach’s Goldberg Variations, The Art of Fugue, Books 1 & 2 of The Well-Tempered Clavier, a recording of Rameau operas and ballets transcriptions, two Scarlatti albums, and two CDs devoted to Elizabethan keyboard music—A Cleare Day and Heaven & Earth.
He was professor of harpsichord at the Juilliard School (2007–11) and at the Haute Ècole de Musique de Geneva (2015–21), and is currently Professor of Chamber Music at the Conservatoire National Supérieur de Musique et de Danse de Paris, a position he has held since 1996.
Highlights of the 2024–25 season include performances of Bach’s Brandenburg Concertos with the Chamber Music Society of Lincoln Center, the Berkshire Bach Society, the Bridgehampton Chamber Music Festival, the Orchestre National Avignon-Provence, and the North County Chamber Players. He will make his debut at the prestigious Music@Menlo in Atherton, California, and perform solo recitals of Bach’s Art of Fugue in Paris, San Francisco, Saintes, Santander, Santiago de Compostela and the Palau de la Música in Barcelona. The 2024–25 season also sees the release of a new recording with flutist Sooyun Kim, a tour of Australia with violinist Lina Tur Bonet, and the debut of a new recital program A Handful of Keys, celebrating keyboard ingenuity and innovations with works spanning the Renaissance to stride piano.
Stephen Taylor, one of the most sought-after oboists in the country, holds the Mrs. John D. Rockefeller III solo oboe chair at the Chamber Music Society. He is a solo oboist with the New York Woodwind Quintet, the Orchestra of St. Luke's, the St. Luke's Chamber Ensemble (for which he has served as co-director of chamber music), the American Composers Orchestra, the New England Bach Festival Orchestra, and Speculum Musicae, and is co-principal oboist of the Orpheus Chamber Orchestra. His regular festival appearances include Spoleto, Aldeburgh, Caramoor, Bravo! Vail Valley, Music from Angel Fire, Norfolk, Santa Fe, Aspen, and Chamber Music Northwest. Among his more than 200 recordings is Elliott Carter's Oboe Quartet for which Mr. Taylor received a Grammy nomination. He has performed many of Carter's works, giving the world premieres of Carter’s A Mirror on Which to Dwell, Syringa, and Tempo e Tempi; and the US premieres of Trilogy for Oboe and Harp, Oboe Quartet, and A 6 Letter Letter. He is entered in Who's Who in American Colleges and Universities and has been awarded a performer's grant from the Fromm Foundation at Harvard University. Trained at The Juilliard School, he is a member of its faculty as well as of the Yale and Manhattan schools of music. Mr. Taylor plays rare Caldwell model Lorée oboes.
Randall Ellis served as principal oboist of Lincoln Center’s Mostly Mozart Festival Orchestra from 1988 until 2016. He is principal oboist of the Little Orchestra Society and the Mozart Orchestra of New York and is solo English horn in the New York Pops Orchestra. He is a member of the Emmy award-winning All-Star Orchestra and also the Windscape Woodwind Quintet, artists-in-residence at the Manhattan School of Music. Principal oboist and faculty member of the Eastern Music Festival, he was principal oboist of the New York Chamber Symphony and received two Grammy nominations, including one for his recording of Howard Hanson’s Pastorale. He has performed with the New York Philharmonic, Seattle Symphony, San Diego Symphony, Florida Orchestra, and the American Symphony Orchestra. He has been a soloist with the New England Bach Festival, the International Bach Festival of Madeira, the Philharmonia Virtuosi of New York, and Chamber Music at the 92nd Street Y. In addition to many appearances on PBS’s Live From Lincoln Center, he has recorded for EMI/Angel, Columbia, Sony, RCA, Vox, Nonesuch, CRI, Pro Arte, Delos, and Deutsche Grammophon. Ellis attended the North Carolina School of the Arts and Stony Brook University where he studied with Ronald Roseman. He teaches oboe and chamber music at Skidmore College and coaches in the graduate orchestral performance program at the Manhattan School of Music.
Performer, curator, and on-stage host James Austin Smith “proves that an oboist can have an adventurous solo career.” (The New Yorker). Smith appears at leading national and international chamber music festivals, as Co-Principal Oboe of the conductor-less Orpheus Chamber Orchestra, and as an artist of the International Contemporary Ensemble. As Artistic and Executive Director of Tertulia Chamber Music, Smith creates intimate evenings of music, food, and drink in New York and San Francisco, as well as an annual festival in a variety of global destinations. He serves as Artistic Advisor to Coast Live Music in the San Francisco Bay Area and mentors graduate-level musicians as a professor of oboe and chamber music at Stony Brook University and as a regular guest at London’s Guildhall School. A Fulbright scholar and alum of Carnegie Hall’s Ensemble Connect and CMS’s Bowers Program, he holds degrees in music and political science from Northwestern and Yale University.
Called “superb” by the Washington Post and “stunningly virtuosic” by the New York Times, Peter Kolkay is the only bassoonist to receive an Avery Fisher Career Grant. In addition to performing with the Chamber Music Society of Lincoln Center, he regularly appears at the Music@Menlo and Bridgehampton summer festivals, and has performed on the Emerald City, Tertulia, and String Theory series. He actively engages with composers in the creation of new music for the bassoon and has premiered solo works by Joan Tower, Mark-Anthony Turnage, and Tania León, among others. His 2022–23 season included the premiere of a new work for bassoon and piano by Reinaldo Moya, and the release of two recordings: an album of contemporary works performed with the Calidore Quartet, and the Christopher Rouse Bassoon Concerto with the Albany Symphony. He is a member of the IRIS Collective in Germantown, Tennessee, and has also served as guest principal bassoon of the St. Paul Chamber Orchestra. A dedicated teacher, he is Associate Professor at the Blair School of Music at Vanderbilt University and has given master classes throughout the United States and Mexico. Kolkay is an alumnus of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. A native of Naperville, Illinois, he currently calls the Melrose neighborhood of Nashville home, and is the recipient of a 2022–23 Individual Artist Fellowship in music performance from the Tennessee Arts Commission.
Recorded live in Alice Tully Hall on December 19, 2017.
Video produced by Ibis Productions.