Beethoven: Quintet in E-flat major for Oboe, Clarinet, Bassoon, Horn, and Piano, Op. 16
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Stephen Taylor
Peter Kolkay
Alexander Fiterstein
Wu Qian
Stephen Taylor, one of the most sought-after oboists in the country, holds the Mrs. John D. Rockefeller III solo oboe chair at the Chamber Music Society. He is a solo oboist with the New York Woodwind Quintet, the Orchestra of St. Luke's, the St. Luke's Chamber Ensemble (for which he has served as co-director of chamber music), the American Composers Orchestra, the New England Bach Festival Orchestra, and Speculum Musicae, and is co-principal oboist of the Orpheus Chamber Orchestra. His regular festival appearances include Spoleto, Aldeburgh, Caramoor, Bravo! Vail Valley, Music from Angel Fire, Norfolk, Santa Fe, Aspen, and Chamber Music Northwest. Among his more than 200 recordings is Elliott Carter's Oboe Quartet for which Mr. Taylor received a Grammy nomination. He has performed many of Carter's works, giving the world premieres of Carter’s A Mirror on Which to Dwell, Syringa, and Tempo e Tempi; and the US premieres of Trilogy for Oboe and Harp, Oboe Quartet, and A 6 Letter Letter. He is entered in Who's Who in American Colleges and Universities and has been awarded a performer's grant from the Fromm Foundation at Harvard University. Trained at The Juilliard School, he is a member of its faculty as well as of the Yale and Manhattan schools of music. Mr. Taylor plays rare Caldwell model Lorée oboes.
Called “superb” by the Washington Post and “stunningly virtuosic” by the New York Times, Peter Kolkay is the only bassoonist to receive an Avery Fisher Career Grant. In addition to performing with the Chamber Music Society of Lincoln Center, he regularly appears at the Music@Menlo and Bridgehampton summer festivals, and has performed on the Emerald City, Tertulia, and String Theory series. He actively engages with composers in the creation of new music for the bassoon and has premiered solo works by Joan Tower, Mark-Anthony Turnage, and Tania León, among others. His 2022–23 season included the premiere of a new work for bassoon and piano by Reinaldo Moya, and the release of two recordings: an album of contemporary works performed with the Calidore Quartet, and the Christopher Rouse Bassoon Concerto with the Albany Symphony. He is a member of the IRIS Collective in Germantown, Tennessee, and has also served as guest principal bassoon of the St. Paul Chamber Orchestra. A dedicated teacher, he is Associate Professor at the Blair School of Music at Vanderbilt University and has given master classes throughout the United States and Mexico. Kolkay is an alumnus of CMS’s Bowers Program, and holds degrees from Lawrence University, the Eastman School of Music, and Yale University. A native of Naperville, Illinois, he currently calls the Melrose neighborhood of Nashville home, and is the recipient of a 2022–23 Individual Artist Fellowship in music performance from the Tennessee Arts Commission.
Alexander Fiterstein is recognized as one of today’s most exceptional clarinetists. He has been praised by the New York Times for possessing a “beautiful liquid clarity,” and the Washington Post wrote, “Fiterstein treats his instrument as his own personal voice, dazzling in its spectrum of colors, agility, and range. Every sound he makes is finely measured without inhibiting expressiveness.”
A recipient of the prestigious Avery Fisher Career Grant and a first prize winner of the Carl Nielsen International Clarinet Competition, he performs with orchestras and chamber groups throughout the world. He appeared as a soloist with the Saint Paul Chamber Orchestra, Kansas City Symphony, Belgrade Philharmonic Orchestra, China National Symphony Orchestra, Czech Chamber Orchestra, Danish National Radio Symphony Orchestra, Israel Chamber Orchestra, Orchestra of St. Luke’s at Lincoln Center, Tokyo Philharmonic, and Vienna Chamber Orchestra. A dedicated performer of chamber music, he frequently collaborates with distinguished artists and regularly performs with the Chamber Music Society of Lincoln Center.
Among the highly regarded artists he has performed with are Daniel Barenboim, Emanuel Ax, Mitsuko Uchida, Richard Goode, Pinchas Zukerman and Steven Isserlis. Fiterstein has made several recordings for Naxos, Bridge, and Orchid Classics. He graduated from the Juilliard School and is now Chair of Winds and Professor of Clarinet at the Peabody Institute of the Johns Hopkins University.
Winner of a 2016 Lincoln Center Emerging Artist Award, as well as classical music’s bright young star award for 2007 by The Independent, pianist Wu Qian has maintained a busy international career for over a decade. She has appeared as soloist in many international venues including the Wigmore, Royal Festival, and Bridgewater halls in the UK, City Hall in Hong Kong, Amsterdam’s Concertgebouw, and the Kennedy Center in Washington, DC. As a soloist she has appeared with the Konzerthaus Orchester in Berlin, the Brussels Philharmonic, the London Mozart Players, I Virtuosi Italiani, the European Union Chamber Orchestra, and the Munich Symphoniker. She won first prize in the Trio di Trieste Duo Competition and the Kommerzbank Piano Trio competition in Frankfurt, and has received numerous other awards. Appearances this season include performances in the UK, Germany, USA, Korea, Australia, Spain, and The Netherlands and collaborations with Alexander Sitkovetsky, Leticia Moreno, Cho-Liang Lin, Clive Greensmith, and Wu Han. Her debut recording of Schumann, Liszt, and Alexander Prior was met with universal critical acclaim. She is a founding member of the Sitkovetsky Piano Trio with which, in addition to performing in major concert halls and series around the world, she has released two recordings on the BIS label and also a disc of Brahms and Schubert on the Wigmore Live Label. Wu Qian an alum of The Bowers Program.
Recorded live in Alice Tully Hall on March 13, 2018.
Video produced by Ibis Productions.